Daily Dose Of Jazz…
Joe Mondragon was born on February 2, 1920 in Antonito, Colorado. An autodidact on bass, he began working professionally in Los Angeles, California before serving in the Army during World War II. After his discharge he joined Woody Herman’s First Herd in 1946.
Over the next two decades, Mondragon became one of the more popular studio bassists for jazz recording on the West Coast, appearing on albums by June Christy, Buddy Rich, Buddy DeFranco, Marty Paich, Claude Williamson, Bob Cooper, Harry Sweets Edison, Gerry Mulligan, Art Pepper, and recording the Duke Ellington Songbook with Ella Fitzgerald in 1956. He also played on soundtracks for films such as The Wild One and Pete Kelly’s Blues.
Though Joe never recorded as a leader, he did however, record 45 albums as a sideman with Georgie Auld, Chet Baker, Louis Bellson, Buddy Bregman, Hoagy Carmichael, Herb Ellis, Jimmy Giuffre, Woody Herman, Harry James, Stan Kenton, Barney Kessel, Henry Mancini, Shelly Manne, Carmen McRae, Jack Montrose, Gerry Mulligan, Oliver Nelson, Art Pepper, Shorty Rogers, Pete Rugolo, Lalo Schifrin, Bud Shank and others.
Bassist Joe Mondragon passed away in July 1987 in Ohkay Owingeh, New Mexico.
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Daily Dose Of Jazz…
James Black was born on February 1, 1940 in New Orleans, Louisiana and though he’s little known outside of his native city and never recorded an album under his own name, the drummer was a Crescent City legend. Soaking up the city’s trademark “second line” rhythms from a young age, by the early 1960s he was already doing session work for the likes of Fats Domino. His main interest was jazz, however, and he played in a group with the young Ellis Marsalis on piano and Nat Perrilliat on saxophone. This trio was part of the Nat Adderley 1962 session In the Bag, to which he contributed two compositions. The following year, Marsalis cut an underrated album of modern jazz called Monkey Puzzle and this time out Black handled four of the seven compositions, including the intricate 5/4 piece Magnolia Triangle, which ranks as perhaps his greatest work.
James went on to play with Yusef Lateef and Lionel Hampton in the mid-’60s. However, his career was interrupted by a stint in the Angola State Penitentiary,during which time he actually played in a prison band with blues pianist James Booker and saxophonist Charles Neville. The late Sixties saw him on the R&B circuit around New Orleans, and in 1968 became the house drummer at the Scram label. He played on Eddie Bo’s Hook and Sling, helping to make it one of the great New Orleans funk singles, and soon took his place alongside Smokey Johnson and the Meters’ Ziggy Modeliste as one of the city’s top funky drummers.
He continued to play jazz on the side as part of Ellis Marsalis’ band ELM Music Company. They took up residency at Lu and Charlie’s beginning in 1972 and became local favorites. During the ’70s, Black also led his own group, the James Black Ensemble, which often featured his longtime girlfriend “Sister Mary” Bonette on vocals. He attempted several times to record a full-length album, including once for the Sound of New Orleans label and another time at Allen Toussaint’s studio, but the sessions never progressed beyond a few tracks.
He would continue performing in New Orleans into the ’80s playing with Ellis Marsalis and then teenager Harry Connick Jr., and served as the drummer for the 1982 Marsalis Family album Fathers and Sons. Drummer James Black passed away of a drug overdose on August 30, 1988 in New Orleans.
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Daily Dose Of Jazz…
Frank Ricotti was born on January 31, 1949 in London, England and played in the National Youth Jazz Orchestra while a teenager, then attended Trinity College of Music from 1967 to 1970. From 1968 through 1974 hep performed with Neil Ardley, Dave Gelly, Graham Collier, Mike Gibbs, Stan Tracey, Harry Beckett, Norma Winstone and Gordon Beck.
In the late 1960s and early 1970s, Ricotti led his own jazz quartet with a line-up of the band featuring the guitarist Chris Spedding, bassist Chris Laurence and drummer Bryan Spring. Together they recorded the album Our Point of View, and released it in 1969. By 1971, in partnership with bassist Mike de Albuquerque, he released the album First Wind. He recorded with Oliver Nelson on the album Oliver Edward Nelson in London with Oily Rags for the Flying Dutchman label in 1974.
The 1980s saw Frank playing with Chris Laurence and John Taylor in the group Paragonne, and then played with Beck again in 1984. After this he worked primarily as a studio musician recording with groups outside the jazz genre, such as, Status Quo, Freddie Mercury, Pet Shop Boys, Swing Out Sister, Belle and Sebastian, Clannad, Barclay James Harvest, Meat Loaf, Elkie Brooks, Rick Wakeman, Tina Turner, Aztec Camera, Thomas Anders, and Alphaville.
Between 1984 and 1987 Ricotti wrote the soundtrack music for Yorkshire Television’s The Beiderbecke Trilogy, in the style of Bix Beiderbecke. The music was performed by his band, the Frank Ricotti All Stars, and featured Kenny Baker on cornet. The band made a cameo appearance in the final series, playing in a jazz club and the soundtrack album was released in 1988.
In 2007 he played vibes on Mark Knopfler’s album Kill to Get Crimson and vibraphonist and percussionist Frank Ricotti continues to perform, record and compose.
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Daily Dose Of Jazz…
Sam Allen was born on January 30, 1909 in Ohio and accompanied silent films in movie palaces from the age of ten, and in the next few years seemed to have absorbed plenty of slapstick hi-jinx and derring-do from the Hollywood sagas he accompanied. In 1928 he moved to New York City, where he joined Herbert Cowans’s band at the Rockland Palace. Within a year he moved back to Ohio, where he played with Alex Jackson in 1930. Soon afterward he joined James P. Johnson‘s orchestra as the second pianist, as one piano could not play all the chords in the scores. This engagement he followed with an extended run in Teddy Hill’s band, which occupied him for most of the 1930s and included tours of Europe.
Early in the 1940s Sam worked one of his most musically satisfying collaborations as piano man in the sometimes rowdy combo of violinist Stuff Smith. He then became the pianist for the madcap jive jazz duo of Slim Gaillard and Slam Stewart, the gig for which he was best known, his years in the movie houses came in handy. His talent was further challenged with the bebop hyper-drive of trumpeter Dizzy Gillespie during the same decade.
By the end of the Forties decade Allen moved to Washington and worked locally as a solo pianist for a time, giving up being a touring sideman. Finally he relocated and settled into the Oakland, California, where he often accompanied vocalist Billie Heywood, among others.
Pianist Sam Allen passed away in September 1963.
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Atlanta Jazz Festival… 1992
Programming innovations were continued to be realized during Mayor Jackson’s 3rd term as the Bureau brought in newcomers Gary Motley, Cassandra Wilson and Christian McBride to share the stage with veterans Nat Adderley, Joe Sample and Freddie Hubbard among others. Continuing as Program Director, John Armwood ushered in viable relationships with several radio stations that played jazz – WCLK, WRFG, WREK, Jazz Flavors and WABE as sponsors or media promoters and would enlist not only his voice but those voices of radio personalities Phil Clore, Carl Anthony and H. Johnson to work as staff or masters of ceremonies for festival events.
Returning sponsors for the 1992 Atlanta Jazz Festival over the Memorial Day weekend from May 29th to June 7th were AT&T, The Atlanta Coca-Cola Bottling Company, Atlanta Penta Hotel, Creative Loafing, WVEE-103 FM and WCLK 91.9 FM. The festival brought three new sponsors into the family with Advanced Media, Concert Southern Promotions and Jazziz.
Performances were held at the Variety Playhouse, Club 590 West/Atlanta Penta Hotel, Chastain Park Amphitheatre, Grant Park, High Museum of Art Hill Auditorium and the Robert Woodruff Park for the Brown Bag Concerts.
Performing this year were George Adams, Audrey Shakir, Nat Adderley Quintet, Lonnie Smith Southside Trio, Carl Allen, Malachi Thompson Quintet, Geri Allen Trio, Cassandra Wilson, Bill Anschell Trio, Scotty Barnhart, Bazooka Ants, Rick Bell, David Benoit, Cindy Blackman, Dave Burrell, Joe Chambers, George Coleman Quartet, Richard Davis, Lou Donaldson, Georgia State Faculty Jazz Band, Juedinne Gordon, Bennie Green Trio, Spyro Gyra, Miklos Harsszesi, Joe Henderson Quartet, Vincent Herring, John Hicks, Andrew Hill, Fred Hopkins, Freddie Hubbard, Al Jarreau, Carter Jefferson, Joe Jennings, Obie Jessie, Stanley Jordan, Victor Lewis, Harold Mabern Jr., Howard Mandel, Christian McBride, Gary Motley, Ny Unity, Greg Osby, Don Palmer, Ritual Band East and Joe Sample.
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