Daily Dose Of Jazz…

Billie Davies was born on December 10, 1955 in Bruges, West Flanders, Belgium. An autodidact and naturally talented she was surrounded by music from birth as her mother played the best in jazz and classical music. From the age of ten she was singing in choirs until her voice changed around the age of 22.

A few years later Davies would embark on learning to play the drums and became a professional jazz musician shortly after declining Max Roach’s invitation to attend Berklee College of Music. Her music is an improvisational conversation between musicians and musical instruments.

Billie has played with Leroy Vinnegar, John Handy, Joe Fuentes, Saul Kaye, Michael Godwin, Lee Elfenbein, Drew Waters, Pierre Swärd, Tom Bone Ralls, Manny Silvera, Oliver Steinberg, Daniel Coffeng, Adam Levy and has appeared all over the world.

Drummer, composer, director, arranger and bandleader Billie Davies has been honored as Jazz Artist of the Year at the Los Angeles Music Awards, drums in rhythms of jazz, cool jazz, Avant jazz and avant-garde and continues to mold it into her own neo-humanistic expressionist jazz.

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Daily Dose Of Jazz…

Freddy Martin was born Frederick Alfred Martin on December 9, 1906 in Cleveland, Ohio and was raised mostly in an orphanage and by various relatives. He started out playing drums, then switched to C-melody saxophone, finally landing on the tenor saxophone.

Martin led his own band while he was in high school, then played in various local bands. Earning enough money through music to enter Ohio State University, he opted to perform and wound up becoming an accomplished musician. After working on a ship’s band, he joined the Mason-Dixon band, then joined Arnold Johnson and Jack Albin, with whom he made his first recordings in 1930.

Freddy’s career got started when he filled in one night for a date Guy Lombardo couldn’t make. Though the band did well, it broke up and he didn’t put another together until 1931 at the Bossert Hotel in Brooklyn, New York. Here he pioneered the “Tenor Band” style that swept the sweet-music industry and spawned imitators in hotels and ballrooms nationwide.

He would go on to make his debut for Columbia Records in 1932, then record for Brunswick, Bluebird, and Victor Record labels. He would play NBC radio’s Maybelline Penthouse Serenade and have his million copies gold record hit Tonight We Love with Clyde Rogers on vocals. Martin recorded A Lover’s Concerto two decades before The Toys made it popular as a R&B hit, as well as many other classical pieces were arranged for his jazz band.

Nicknamed “Mr. Silvertone” by saxophonist Johnny Hodges, Chu Berry named him his favorite saxophonist, and so did Eddie Miller. He had a good ear for singers and at one time or another employed Merv Griffin, Buddy Clark and Helen Ward. His popularity led him to Las Vegas, Hollywood performing in a handful of movies, while still playing hotels, radio and a tour of one-nighters called The Big Band Cavalcade.

Returning to California he would lead Guy Lombardo’s band when he was hospitalized and led his own band until the early 1980s, although by then, he was semi-retired. Tenor saxophonist and bandleader Freddy Martin passed away at age 76 on September 30, 1983, in a Newport Beach hospital after a lingering illness.

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Daily Dose Of Jazz…

Tim Armacost was born on December 8, 1962 in Los Angeles, California. He began his musical training on clarinet in Tokyo at the age of eight but by sixteen he had switched to tenor saxophone, and was working in big bands around Washington. His turning point into a jazz career came at eighteen when he returned to Los Angeles and met his two primary teachers, Bobby Bradford and Charlie Shoemake. Through them he learned the fundamentals of melody and harmony, and was exposed to the giants of modern jazz, who would give shape to his early development.

Armacost graduated Magna Cum Laude from Pomona College in 1985, moved to Amsterdam later that year, established himself on the jazz scene, learned fluent Dutch and became the head of the Sweelinck Conservatory’s saxophone department. After seven years of performing, teaching and recording in Europe, he headed for India. There he studied under table master Vijay Ateet. He would go on to perform with Indian jazz and classical musicians and at festival.

Fluent in Japanese, Tim has studied as an exchange student at Waseda University, and has performed with Terumasa and Motohiko Hino, Fumio Karashima, Nobuyoshi Ino, Fumio Itabashi, Shingo Okudaira, Benisuke Sakai, Kiyoto Fujiwara, and Yutaka Shiina.

Moving to New York in 1993 he established himself and released his first two albums Fire and Live at Smalls. With his quartet, the cooperative group Hornz in the Hood with fellow saxophonists Craig Handy and Ravi Coltrane he continues to perform as well as with Ray Drummond’s “Excursion Band,” and co- leads the Brooklyn Big Band with Craig Bailey.

Tenor saxophonist Tim Armacost has performance and recording credits alongside Al Foster, Jimmy Cobb, Kenny Barron, Tom Harrell, Billy Hart, Victor Lewis, Jeff “Tain” Watts, Ray Drummond, Roy Hargrove, Paquito D’Rivera, Claudio Roditi, Bruce Barth, Dave Kikoski, Don Friedman, Lonnie Plaxico, Robin Eubanks, Charlie Shoemake, Pete Christlieb, Randy Brecker, Akira Tana, Valery Ponomarev, the Maria Schneider Orchestra, and the David Murray Big Band. He continues to tour throughout East and West Europe, Japan, India, and the United States.

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Daily Dose Of Jazz…

Robby Ameen was born on December 7, 1960 in New Haven, Connecticut of Lebanese origins and studied drums with Ed Blackwell and classical percussion with Fred Hinger. He would go on to graduate from Yale with a degree in Literature.

In 1985 he became a member of Ruben Blades’ Seis del Solar band, winning a Latin Grammy for best Salsa record Todos Vuelven Live, Vol. 1 and 2. He would have long-term residencies with Dave Valentin, Conrad Herwig’s Latin Side of…All Stars, Kip Hanrahan, and Jack Bruce and the Cuicoland Express. As a sideman he has recorded on other Grammy winning records including Ruben Blades and Seis del Solar’s Escenas and Brian Lynch’s Simpatico.

Robby has played with Dizzy Gillespie, Eddie Palmieri, Paul Simon, Mongo Santamaria, Carly Simon, Hilton Ruiz, Kirsty MacColl and Steve Swallow among others. As a session musician Ameen has recorded numerous jingles, film scores, and TV music, including the popular HBO series Sex and the City. In 2012, Ameen was the subject on an episode of the Emmy Award-winning Detroit Public Television series Arab American Stories.

As an educator, he co-authored with bassist Lincoln Goines the best-selling instructional book Funkifying the Clave: Afro-Cuban drums for Bass and Drums. He is an international clinician, percussion/drum festival participant and is currently on the faculty at Mason Gross School of the Arts at Rutgers University. Drummer and bandleader Robby Ameen is best known for the unique and powerful Afro-Cuban style he has created and is regarded as one of the world’s most prominent drummers in the area of Latin Jazz.

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Daily Dose Of Jazz…

Dave Brubeck was born David Warren Brubeck on December 6, 1920 in Concord, California and grew up in Ione. His father, a cattle rancher, his mother Studied piano with intention to become a concert pianist, taught he son to play. He could not read music during these early lessons, attributing this difficulty to poor eyesight, but faked his way well enough that this deficiency went mostly unnoticed.

Brubeck entered the College of the Pacific studying veterinarian science but changed his major to music at the best of the head of zoology. Discovered that he could not read music he was almost expelled but his ability with counterpoint and harmony more than compensated.

In 1942, Brubeck was drafted into the U.S. Army, and serving in Europe played piano at a Red Cross show and was such a hit that he was spared from combat service and ordered to form a band. He created one of the U.S. armed forces’ first racially integrated bands, The Wolfpack. It was here that he met Paul Desmond in early ’44. He returned to college after discharge, completed his studies, worked with an octet and with an experimental trio with Cal Tjader and Ron Crotty, and often joined onstage by Desmond.

He recorded his first sessions in 1949 for Coronet Records, soon to become Fantasy Records owned by the Weiss Brothers. In 1951 he organized the Dave Brubeck Quartet with Paul Desmond on alto saxophone, taking up a long residency at San Francisco’s Black Hawk nightclub. During this period he recorded a series of albums and gained great popularity touring college campuses.

Dave signed with Fantasy Records, worked as an A&R man and brought in Gerry Mulligan, Chet Baker and Red Norvo. Discovering he only owned half interest in his own recording and not the label he moved to Columbia Records.

In 1959, the Dave Brubeck Quartet recorded Time Out, a seminal album that featured unusual time signatures that quickly went platinum and was the first jazz album to sell more than a million copies. A high point for the group was their 1963 live album At Carnegie Hall, arguably his greatest concert.

Over the next several decades Brubeck would record many albums, develop a jazz musical, The Real Ambassadors, working with Louis Armstrong, Lambert, Hendricks and Ross, and Carmen McRae, perform at the Monterey Jazz Festival, did a series of Jazz Impressions albums, and was the program director of all-jazz format WJZZ-FM radio.

Of his many honors pianist Dave was inducted into the California Hall of Fame, was honored with a Time Magazine cover that he felt should have gone to Duke Ellington, and received an honorary Doctor of Music degrees from the Eastman School of Music, Berklee College of Music and George Washington University.. He was honored by the Kennedy Center, was awarded the Miles Davis Award and Bruce Ricker and Clint Eastwood produced the documentary Dave Brubeck: In His Own Sweet Way.

Pianist and composer Dave Brubeck, considered to be one of the foremost exponents of cool jazz, passed away of heart failure, ironically, on his way to a cardiology appointment, on December 5, 2012, in Newark, Connecticut, one day before his 92nd birthday.

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