Daily Dose Of Jazz…

Phineas Newborn, Jr. was born into a musical family on December 14, 1931 in Whiteville, Tennessee. His father Phineas Sr. was a blues musician and his younger brother Calvin, a jazz guitarist. He studied piano as well as trumpet, tenor and baritone saxophone. His principal influences were Art Tatum, Oscar Peterson and Bud Powell.

Newborn first played in an R&B band led by his father on drums, his brother Calvin on guitar, bassist Tuff Green, Ben Branch and Wilie Mitchell before moving on to work with Lionel Hampton, Charles Mingus and others. From 1947 to ’51 they recorded B.B. King’s first recording, toured with Jackie Brenston, recorded Sam Phillips Roclet 88 which became the first #1 record for Chess Records.

His earliest Fifties recordings for Sun Records with blues harmonica player Big Walter Horton, We Three with drummer Roy Haynes and bassist Paul Chambers, and his debut as a solo artist with Phineas’ Rainbow for RCA Victor. By 1956, Phineas was in New York City performing in trio and quartet form with Oscar Pettiford, Kenny Clarke, George Joyner and Philly Joe Jones. He created enough interest internationally to work as a solo pianist in Stockholm and Rome towards the ned of the decade.

In 1960, the 29-year-old Newborn replaced Thelonious Monk and performed It’s Alright with Me on the ABC-TV series, Music for a Spring Night.  A move to Los Angeles, California saw him recording a sequence of piano trio albums for the Contemporary label, however, some critics found his playing style rather facile. He developed emotional problems as a result an during certain periods pent time at Camarillo State Mental Hospital. He also suffered a hand injury which hindered his playing.

Newborn’s later career was intermittent due to ongoing health problems. During the mid-1960s to mid-1970s Newborn faded from view, underappreciated and under-recorded. He made a partial comeback in the late 1970s and early ‘80s, although this return apparently failed to benefit his financial situation.

Pianist Phineas Newborn, Jr. recorded twenty-three albums as a leader and another seven as a sideman before he passed away on May 26, 1989 after the discovery of a growth on his lungs. He is buried in Memphis National Cemetery. It is said that his financial and medical plight spurred the founding of the Jazz Foundation of America in 1989.

Dose A Day – Blues Away

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Daily Dose Of Jazz…

Reginald Volney Johnson was born December 13, 1940 in Owensboro, Kentucky. After playing trombone with school orchestras and army bands, he switched to double bass and started working with musicians such as Bill Barron and recording with Archie Shepp in the mid–1960s, before joining Art Blakey’s band for a month-long residency at the Five Spot Café in 1965.

 In 1966 Johnson traveled with the Blakey band to The Lighthouse in Hermosa Beach, California and recorded Buttercorn Lady alongside Frank Mitchell, Chuck Mangione and Keith Jarrett.

Reggie’s playing and/or recording in America reads like a who’s who list not limited to Bill Dixon, Sun Ra, Burton Greene, Lonnie Liston Smith, Stanley Cowell, Bobby Hutcherson,, Harold Land, Blue Mitchell, Walter Bishop Jr., Sonny Rollins, Sonny Stitt, Sarah Vaughan, Carmen McRae, Art Pepper, Clark Terry, The Crusaders, Charles Mingus, Eddie “Lockjaw” Davis, Johnny Coles, and Frank Wess.

Equally so is his mid–1980s he move to Europe working with Johnny Griffin, Horace Parlan, Monty Alexander, Kenny Barron, Tom Harrell, Phil Woods, Cedar Walton, Alvin Queen, Jesse Davis, Freddie Redd and Alvin Queen.

As a leader double-bassist Reggie Johnson released one album titled First Edition in 1985 on the JR Record label and he continues to be the consummate sideman performing all over the world.

Discography[edit]

Take A Dose On The Road

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Daily Dose Of Jazz…

Toshiko Akiyoshi was born 12 December 1929 in Liaoyang, Manchuria in the Republic of China to Japanese emigrants. Losing their home after WWII her family returned to Japan where a local record collector introduced her to jazz through Teddy Wilson playing Sweet Lorraine. Immediately loving the sound she began to study jazz

In 1952, during a tour of Japan, pianist Oscar Peterson discovered Akiyoshi playing in a club on the Ginza.  So impressed he convinced record producer Norman Granz to record her and in 1953 she dropped her debut album with the Peterson rhythm section, bassist Ray Brown and drummer J.C. Heard. The album was released as Toshiko’s Piano in the U.S. and as Amazing Toshiko Akiyoshi in Japan.

Toshiko went on to study at Berklee School of Music under a full scholarship and in 1956 she became the first Japanese student to attend. She married saxophonist Charlie Mariano in ’59, had a daughter, divorced in ’67, married Lew Tabackin in ’69 and moved to Los Angeles, California in ‘72. Tgether they formed the a 16-piece big band comprised of studio musicians. She composed and arranged the music and he was featured soloist on sax and flute, recording their first album Kogun in 1974. With commercial success in Japan the band began receiving critical acclaim.

Moving to New York City in 1982, a new big band was assembled called the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. Though BMG released her big band projects in Japan, to her dismay she could never get distribution in the States and after several decades she disbanded the band after the final concert of a seven year run at Birdland in New York City.

Over the course of a fifty year career since her debut recording for Granz in 1954, pianist, composer and arranger Toshiko Akiyoshi has recorded continuously – almost exclusively as a leader of small jazz combos and of her big bands – averaging one studio album release per year for well over 50 years. She has been honored as an NEA Jazz Master, been named a winner in Down Beat Magazine Critic and Reader Polls for album, big band, arranger and composer, and has been nominated for several Grammy awards among other accolades. She continues to compose, arrange, record and perform.

Give The Gift Of Knowledge

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Daily Dose Of Jazz…

Billie Davies was born on December 10, 1955 in Bruges, West Flanders, Belgium. An autodidact and naturally talented she was surrounded by music from birth as her mother played the best in jazz and classical music. From the age of ten she was singing in choirs until her voice changed around the age of 22.

A few years later Davies would embark on learning to play the drums and became a professional jazz musician shortly after declining Max Roach’s invitation to attend Berklee College of Music. Her music is an improvisational conversation between musicians and musical instruments.

Billie has played with Leroy Vinnegar, John Handy, Joe Fuentes, Saul Kaye, Michael Godwin, Lee Elfenbein, Drew Waters, Pierre Swärd, Tom Bone Ralls, Manny Silvera, Oliver Steinberg, Daniel Coffeng, Adam Levy and has appeared all over the world.

Drummer, composer, director, arranger and bandleader Billie Davies has been honored as Jazz Artist of the Year at the Los Angeles Music Awards, drums in rhythms of jazz, cool jazz, Avant jazz and avant-garde and continues to mold it into her own neo-humanistic expressionist jazz.

Give The Gift Of Knowledge

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Daily Dose Of Jazz…

Tim Armacost was born on December 8, 1962 in Los Angeles, California. He began his musical training on clarinet in Tokyo at the age of eight but by sixteen he had switched to tenor saxophone, and was working in big bands around Washington. His turning point into a jazz career came at eighteen when he returned to Los Angeles and met his two primary teachers, Bobby Bradford and Charlie Shoemake. Through them he learned the fundamentals of melody and harmony, and was exposed to the giants of modern jazz, who would give shape to his early development.

Armacost graduated Magna Cum Laude from Pomona College in 1985, moved to Amsterdam later that year, established himself on the jazz scene, learned fluent Dutch and became the head of the Sweelinck Conservatory’s saxophone department. After seven years of performing, teaching and recording in Europe, he headed for India. There he studied under table master Vijay Ateet. He would go on to perform with Indian jazz and classical musicians and at festival.

Fluent in Japanese, Tim has studied as an exchange student at Waseda University, and has performed with Terumasa and Motohiko Hino, Fumio Karashima, Nobuyoshi Ino, Fumio Itabashi, Shingo Okudaira, Benisuke Sakai, Kiyoto Fujiwara, and Yutaka Shiina.

Moving to New York in 1993 he established himself and released his first two albums Fire and Live at Smalls. With his quartet, the cooperative group Hornz in the Hood with fellow saxophonists Craig Handy and Ravi Coltrane he continues to perform as well as with Ray Drummond’s “Excursion Band,” and co- leads the Brooklyn Big Band with Craig Bailey.

Tenor saxophonist Tim Armacost has performance and recording credits alongside Al Foster, Jimmy Cobb, Kenny Barron, Tom Harrell, Billy Hart, Victor Lewis, Jeff “Tain” Watts, Ray Drummond, Roy Hargrove, Paquito D’Rivera, Claudio Roditi, Bruce Barth, Dave Kikoski, Don Friedman, Lonnie Plaxico, Robin Eubanks, Charlie Shoemake, Pete Christlieb, Randy Brecker, Akira Tana, Valery Ponomarev, the Maria Schneider Orchestra, and the David Murray Big Band. He continues to tour throughout East and West Europe, Japan, India, and the United States.

Jazz Is Global – Share

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