Daily Dose Of Jazz…
Tony Scott was born Anthony Joseph Sciacca June 17, 1921 in Morristown, New Jersey. He attended Julliard School in the early Forties and by the 50s was working with Sarah Vaughan, Billie Holiday and had a young Bill Evans as a sideman. Late in the decade he won on four occasions the Down Beat critics poll for clarinetist in 1955, 1957, 1958 and 1959 and was known for a more “cool” style than Buddy DeFranco.
For most of his career he was held in some esteem in New Age music circles because of his decades-long involvement in music linked to Asian cultures and to meditation. Despite this he remained relatively little known as the clarinet had been in eclipse in jazz since the emergence of bebop. In 1959 he left New York City and the United States touring South America, Europe, Africa and Southeast Asia. This led to his playing in a Hindu temple, spending time in Japan, and releasing Music for Zen Meditation and capturing Japan’s Down Beat poll for best clarinetist.
He settled in Italy in the 1980s, working with Italian jazz musicians such as Franco D’Andrea and Roman Mussolini, followed by an interest in electronica in his later years. Italian director Franco Maresco produced a documentary on the life of Tony Scott, released three years after his death on March 28, 2007. It was titled Tony Scott: The Story of How Italy Got Rid of the Greatest Jazz Clarinetists.
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Daily Dose Of Jazz…
Tom Harrell was born on June 16, 1946 in Urbana, Illinois but by 5 was growing up in San Francisco. He started playing trumpet at eight and within five years, started playing gigs with local bands. Graduating from Stanford University with a music composition degree, he joined Stan Kenton’s orchestra, touring and recording with them throughout 1969.
After leaving Kenton, the post-bop trumpeter played with Woody Herman, Azteca, Horace Silver, the Sam Jones-Tom Harrell Big Band, the Lee Konitz Nonet, George Russell and the Mel Lewis Orchestra. Through the ‘80s he became a pivotal member of the Phil Woods Quintet making seven albums with the group.
Harrell is also plays flugelhorn and is a composer and arranger who has collaborated and recorded albums with Bill Evans, Dizzy Gillespie, Ronnie Cuber, Bob Brookmeyer, Lionel Hampton, Bob Berg, Bobby Shew, Joe Lovano, Charlie Haden’s Liberation Orchestra, Art Farmer, Charles McPherson and Kathleen Battle among others.
Since 1989 Harrell has led his own groups, usually quintets but has expanded ensembles such as chamber orchestra with strings and big bands. He has appeared at virtually every major jazz club and festival venues, and recorded under his own name for such record labels as RCA, Contemporary, Pinnacle, Blackhawk, Criss Cross, Steeplechase, Chesky and HighNote Records.
The Grammy-nominated artist has arranged and composed for Carlos Santana, Arturo O’Farrill, Metropole Orchestra and other big bands as well as his compositions being recorded by Ron Carter, Kenny Barron, Tom Scott, Chris Potter, Steve Kuhn and Hank Jones to name a few. In recent years he has formed and recorded with piano-less sextet “Colors Of A Dream” and piano-less quartet TRIP.
Despite his well-documented schizophrenia, Tom Harrell has successfully coped with the illness through medication and has become an influential figure in the jazz world. Throughout his career he has won numerous awards and grants, including multiple Trumpeter of the Year awards from Down Beat magazine, SESAC Jazz Award, BMI Composers Award, and Prix Oscar du Jazz. He has amassed a recorded discography of over 260 albums and continues to actively compose, record and tour extensively around the world.
Put A Dose In Your Pocket
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Daily Dose Of Jazz…
Erroll Louis Garner was born on June 15, 1921 in Pittsburgh, Pennsylvania and began playing piano at age 3. Self-taught, he never learned to read music and remained an “ear player” all his life. At the age of 7, Erroll began appearing on radio station KDKA with a group called the Candy Kids, by 11 he was playing on the Allegheny riverboats and by the time he turned 14 in 1937, he joined local saxophonist Leroy Brown.
He moved to New York in 1944, worked with bassist Slam Stewart and though not a bebop musician in 1947 played with Charlie Parker on the famous “Cool Blues” session. Short in stature (5 foot 2 inches), Garner performed sitting on multiple telephone directories except in New York, where a Manhattan phone book was sufficient. He was also known for his occasional vocalizations while playing, which can be heard on many of his recordings and he helped bridge the gap for jazz musicians between nightclubs and the concert hall.
His best-selling album recorded at an Army base in Carmel, California was Concert By The Sea; and his best-known composition, the ballad “Misty” is a jazz standard and was featured in the 1971 Clint Eastwood vehicle “Play Misty for Me”. The brilliant virtuoso with a distinctive swing style was reportedly Tonight Show host Johnny Carson’s favorite jazz musician, toured both at home and abroad until his death from lung cancer on January 2, 1977.
Give The Gift Of Knowledge
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Daily Dose Of Jazz…
Burton Greene was born June 14, 1937 in Chicago, Illinois and rose to popularity in the Sixties on New York’s free jazz scene gigging with Alan Silva and Marion Brown. He credited the Free Form Improvisation Ensemble in 1963, then joined Bill Dixon’s and Cecil Taylor’s Jazz Composers Guild in ’64.
During this period he gigged with Rashied Ali, Albert Ayler, Gato Barbieri, Byard Lancaster, Sam Rivers, Patty Waters and others while recording two albums as a leader. Burton moved to Europe in 1969, first to Paris then to Amsterdam delving into the Klezmer medium and recording with several different group configurations into the 90s.
Since the mid-1990s Greene has often performed and recorded in New York and along the East Coast with a modest catalogue that includes eleven recordings.. His autobiography written over 20 years, Memoirs of A Musical Pesty-Mystic, was published in 2001. His recent performances and recorded groups based in New York include duets, trios, quartets and quintets with Mark Dresser, Roy Campbell, Lou Grassi, Adam Lane, Ed and George Schuller, Russ Nolan and Paul Smoker.
Take A Dose On The Road
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Daily Dose Of Jazz…
Adolphus Anthony Cheatham, better known as Doc Cheatham was born on June 13, 1905 in Nashville, Tennessee. Growing up without jazz, he was introduced by early recordings and touring bands of the late 1910s. Abandoning family plans to be a pharmacist to play music, he retained the name Doc and started with the soprano and tenor saxophone in addition to trumpet in the African American Vaudeville theatre.
He toured the TOBA circuit (Theatre Owners Booking Association) accompanying blues singers but it wasn’t until his move to Chicago and hearing King Oliver that his focus turned to jazz. A year later Louis Armstrong added his influence on Doc’s playing. Cheatham went on to play with Ma Rainey, worked in the big bands of Bobby Lee, Wilbur de Paris, Chick Webb, Sam Wooding, Cab Calloway, Fletcher Henderson, Benny Carter, Claude Hopkins and Teddy Wilson through the 30s and 40s.
By the late 40s into the 50s Doc play in New York City Latin bands of Ricardo Ray, Marcelino Guerra, Perez Prado and Machito. In the 60s he led his own band for five years then worked with Benny Goodman. In the 70s he began singing after scatting during a Paris recording session, was well received and he continued to sing for the rest of his life.
Cheatham created his best work after the age of 70, winning a Grammy with Nicholas Payton and Butch Thompson for the Verve Record release of “Doc Cheatham and Nicholas Payton”. Trumpeter, singer and bandleader Doc Cheatham continued playing until two days before his passing on June 2, 1997, eleven days shy of his 92nd birthday.
Dose A Day – Blues Away
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