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The Complete Vee-Jay Recordings: The reissue of these 1959, 1960 and 1961 dates boasts thirty-nine tracks of some of jazz’s most famous songs by one of the idioms few male jazz singers. Though Henderson never made it big, he emerged onto the scene and recorded these compositions at the young age of 29 to 31. On these sessions he swings lightly while squeezing out honest emotion from his ballads.

Personnel: Bill Henderson – vocals, Ramsey Lewis & Tommy Flanagan – piano, Booker Little – trumpet, Yusef Lateef & Eddie Harris – tenor saxophone, MJT +3, Count Basie band & combos, and string orchestras.

Arranged by: Benny Golson, Frank Wess

Record Date: Volume I – October 26, 1959 – November 21, 1960 / Volume II – December 5, 1960 – April 4, 1961

Songs: Disc I – Bye Bye Blackbird, Joey Joey Joey, Free Spirits, Sweet Pumpkin, Love Locked Out, It Never Entered My Mind, My Funny Valentine, Moanin’, Bad Luck, The song Is You, This Little Girl Of Mine, You Make Me Feel So Young, Without You, Sleepy, I Go For That, Sleepy (alt. take) Kiss And Run, A Sleepin’ Bee

Disc II – Never Kiss And Run, A Sleepin’ Bee, Don’t Like Goodbyes, Old Country, Slowly, Opportunity, Never Will I Marry, My How The Time Goes By, Hooray For Love, Skylark, Royal Garden Blues, Twelfth Of Never, Love Is A Bug, Bewitched Bothered And Bewildered, The More I See You, I Can’t Give You Anything But Love, Ac-cent-Tchu-Ate The Positive, Yes Indeed, Please Send Me Someone To Love, Sweet Georgia Brown, Am I Blue

Each LP had two different covers – the one shown here and one shown in the video.

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The Last Concert: The Modern Jazz Quartet broke up after this concert documented on this two-fer, double LP recording. After a glorious 22-year career, it would be nearly seven years before the group would come back together but it certainly went out on top. Mostly revisiting their greatest hits, MJQ is heard playing inspired versions of Softly As In A Morning Sunrise, Bag’s Groove, Skating In Central Park, Confirmation, The Golden Striker and Django. This set is a real gem and an essential addition for all serious jazz collections.

Personnel: Milt Jackson – vibraphone, John Lewis – piano, Percy Heath – bass and Connie Kay – drums

Record Date: November 25, 1974

Songs:  Disc 1 – Softly, As in a Morning Sunrise, The Cylinder, Summertime, Really True Blues, What’s New?, Blues in a Minor, Confirmation, ‘Round Midnight, A Night in Tunisia, Tears from the Children, Blues in H (B), England’s Carol

Disc 2 – The Golden Striker, One Never Knows, Trav’lin’, Skating in Central Park, The Legendary Profile, Adagio from the Guitar Concerto: Concerto de Aranjuez, The Jasmine Tree, In Memoriam, Django, Bag’s Groove

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SOULTRANE: This album continues the reinforcement of Trane’s importance as a stylist. As in Coltrane and John Coltrane and the Red Garland Trio, his first two albums as a leader for Prestige, the material in SOULTRANE is away from the ordinary. The rhythm section is a perfect accompanying unit for Trane who, by this time, was acknowledged to be – along with Sonny Rollins – one of the two most influential tenor saxophonists in jazz.

Personnel: John Coltrane – tenor saxophone, Red Garland – piano, Paul Chambers – bassArthur Taylor – drums

Supervised by: Bob Weinstock

Record Date: Hackensack, New Jersey / February 7, 1958

Cover: Esmond Edwards

Songs: Good Bait, I Want To Talk About You, You Say You Care, Theme For Ernie, Russian Lullaby

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A Garland of Red was Red Garland’s debut release on Prestige, being signed to an exclusive recording contract after his performance in the Miles Davis Quintet brought awareness to his talent. The Dallas-born Philadelphian brought Davis alums to form the recording trio that brings a handful of standards, a blues and some rhythm. As a leader it is Garland’s beginning and an auspicious one at that.

Personnel: Red Garland – piano, Paul Chambers – bass, Arthur Taylor – drums

 Supervised by: Bob Weinstock

 Record Date: Hackensack, New Jersey, August 17, 1956

 Cover: Hannan/Edwards

 Songs: A Foggy Day, My Romance, What Is This Thing Called Love, Makin’ Whoopee, September In The Rain, Little Girl Blue, Constellation, Blue Red

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Love Lifted Me, recorded in 1962, is the debut album of Ron Jefferson as a leader and is infused with gospel flavoring on the title track to the classic “Flamingo” that features some wonderful work by Bobby Hutcherson. Add up-tempo swingers like “Little One” and “George’s Dilemma” makes for a delightful mix of tunes. However, Leroy Vinnegar’s contribution of timekeeping and soloing gives the listener an opportunity to be enthralled especially on his composition “For Carl Perkins”.

Personnel: 
Ron Jefferson – drums, Laurence “Tricky” Lofton – trombone, Wilbur Brown – tenor saxophone, Bobby Hutcherson – vibraphone, Frank Strazzeri – piano, Leroy Vinnegar – bass

Recording/Release Date: Hollywood, California – 1962

Label: Pacific Jazz ST 36
CD: Toshiba-EMI PJ0036 (Japan only)

Songs: Love Lifted Me, For Carl Perkins, Little One, Ivy League Blues, Flamingo, George’s Dilemma

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