The Quarantined Jazz Voyager
The masking and social distancing continues as we are heading into another month of factions of society refusing the vaccination, putting themselves and others in harm’s way. Keeping myself safe with limited exposure to outside forces, this quarantined jazz voyager remains for the most part, secluded. So this week I am selecting an album by Tia Fuller that was released on May 25, 2018 titled Diamond Cut on the Mack Avenue label.
Having known her since she was a student at Spelman College, she has since worked with Beyonce, emerged to international acclaim on the jazz scene and landed as a professor on the faculty of Berklee College of Music, while still holding down a demanding career as a solo artist.
Track Listing | 62:24 All songs composed by Tia Fuller except where noted
- In the Trenches ~ 6:18
- Save Your Love for Me ~ 5:40
- I Love You ~ 6:22
- Queen Intuition ~ 6:01
- Joe’n Around ~ 4:15
- Crowns of Grey ~ 5:55
- The Coming ~ 6:59
- Soul Eyes ~ 5:40
- Delight ~ 5:02
- Fury of Da’mond ~ 4:00
- Tears of Santa Barbara ~ 4:25
- Joe’n Around (Alternate Take) ~ 3:07
- Tia Fuller ~ saxophones
- Adam Rogers ~ guitar
- James Genus ~ bass
- Bill Stewart ~ drums
- Terri Lyne Carrington ~ percussion 7,8
- Sam Yahel ~ organ 2,7
- Jack DeJohnette ~ drums 4,5,7-9
- Dave Holland ~ bass 4,5,7-9,11
- Terri Lyne Carrington ~ producer
- Gretchen Valade ~ executive producer
- Sharon Green (4) ~ product manager
- Will Wakefield ~ production manager
- Margo M. Davis ~ production manager (for EP/LPG)
- Paul Antonell ~ recording engineer
- Paul Blakemore (3) ~ mastering
- Jeremy Loucas ~ mixing engineer
- Dean David Albak ~ editor
- Maria Ehrenreich ~ creative director
- Al Pryor ~ a&r (evp of a&r)
- Raj Naik ~ art direction, design
- Samantha Reese ~ makeup
- Steven Blank ~ photography, set designer
- Jerris Madison ~ photography, wardrobe stylist
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The Quarantined Jazz Voyager
In our ongoing practice of social distancing and wearing our masks, this week’s selection comes the very talented interpreter and vocalist Nnenna Freelon who has delivered her latest Time Traveler. The songs for the album were recorded over a span of two years on March 13~15, 2018, October 24, 2018, August 20, 2020 and September 3, 2020. It was released on May 21, 2021 on the Origin Records label.
The album was recorded at Manifold Records in Pittsboro, North Carolina, Overdub Lane, Durham, North Carolina and Tedesco Studios in Paramus, New Jersey. It was produced by Nnenna Freelon, with musical direction by Miki Hayama. The engineers were Jason Richmond (1~6, 8~11), Ian Schreier (1,3~5,7,9) Tom Tedesco (1~3,8) and John Plymale (2,8).
The cover design and layout was by John Bishop, photography by Chris Charles, clothing stylist ~ Katina Bryson, makeup ~ Sharon Davis, hairstylist ~ Anes El and henna and face artist Shemora Sheik made up the production team.
She draws from her life story the songs of her youth and has helped her navigate the process of loss and healing and steps through an imagined doorway where past, present and future collide. She reminds us of a time when grace and elegance were a standard and that is timeless. There is a reverence in the lyrics that was lost in my youth but has been captured with age.
Tracks | 55:03
- I Say A Little Prayer For You (Burt Bachrach/Hall David) ~ 5:07
- Marvin Medley: If This World Were Mine/Ain’t Nothing Like The Real Thing/Ain’t No Mountain High Enough ( Marvin Gaye, Ashford & Simpson) ~ 6:05
- Just You (Nnenna Freelon) ~ 5:32
- Betcha By Golly Wow (Thom Bell, Linda Creed) ~ 4:54
- Time In A Bottle (Jim Croce) ~ 6:59
- You Make Me Feel Brand New (Thom Bell, Linda Creed) ~ 5:06
- Moon River (Henry Mancini, Johnny Mercer) ~ 5:57
- Time After Time (Sammy Cahn, Jule Styne ~ 4:58
- Come Rain Or Come Shine (Harold Arlen, Johnny Mercer) ~ 5:55
- Time Traveler (Freelon,Curry,Robinson, Scott) ~ 4:30
- Nnenna Freelon ~ Vocals
- Miki Hayama ~ Piano 1,3,5,7,8 Rhodes 2,4,9 Synth 2,8
- Chuckey Robinson ~ Keyboards 10,11
- Brandon McCune ~ Hammond Organ 1,3
- Keith Ganz ~ Guitar 2~6,8~11
- Noah Jackson ~ Acoustic Bass 1,3~5,7,9
- Gerald Veasley ~ Electric Bass 2,8
- Lance Scott ~ Electric Bass 10,11
- E. J. Strickland ~ Drums 1,3~5,7,9
- Adonis Rose ~ Drums 2,8
- Jon Curry ~ Drums 10,11
- Beverly Botsford ~ Percussion 2,4,8
- Trineice Robinson-Martin ~ Background Vocal
- Kirk Whalum ~ Tenor Saxophone, Flute 4
- Shana Tucker ~ Cello 5
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The Quarantined Jazz Voyager
Still quarantining as much as possible as the Delta variants continue to ravage the country, those of us who are continuing to wear our masks and social distancing we put on music to soothe our souls. Though most people go to the vintage classics, this week I am pulling out one of my favorite albums of recent years, With Pride For Dignity. This 2018 album was recorded by drummer Henry Conerway III at Avatar Studios, New York City on February 27~28, 2017.
The album was produced by Michael Carvin, with Conerway as executive producer. The engineers were Robert Smith and Dave Darlington with assistance from Nate Odden. It was mixed and mastered at Bass Hit Studios in New York City. The art director was Adrian Suare, cover photography by Adrian H. Tillman, and studio photography by Greg Routt.
Track Listing
- Slippery (Ray Brown, arr. Smith) ~ 6:19
- With Pride For Dignity (Kenny Banks Jr.) ~ 8:09
- Sugar Ray (Phineas Newborn, arr. Banks, Smith, Conerway) ~ 7:01
- Cottontail (Duke Elllington, arr. Conerway) ~ 4:29
- Hopscotch (Marcus Printup, arr. Banks, Conerway) ~ 7:58
- Gingerbread Boy (Jimmy Heath, arr. Banks, Conerway) ~ 6:19
- The Feel Goods (Kenny Banks Jr.) ~ 5:34
- Carvin’s Agreement (Henry Conerway III) ~ 2:48
- Henry Conerway III ~ drums
- Kenny Banks Jr. ~ Piano
- Kevin Smith ~ Bass
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The Quarantined Jazz Voyager
The pandemic rages on as I continue to keep myself well by wearing my mask and social distancing. In my own space I pull down from the shelves my copy of Kenny Drew Trio. The album was recorded on September 20 & 26, 1956 at the Reeves Sound Studios in New York City. It was produced by Orrin Keepnews and Bill Grauer and was released the same year on the Riverside Records label.
The album features Drew’s tribute to jazz patron Baroness Pannonica de Koenigswarter Blues for Nica. It is the only song he contributed to the album. This band was also the rhythm section the following year on sessions for John Coltrane that yielded Blue Train.
Track List | 42:55 Side One- Caravan (Duke Ellington, Irving Mills, Juan Tizol) ~ 4:56
- Come Rain Or Come Shine (Harold Arlen, Johnny Mercer) ~ 6:08
- Ruby, My Dear (Thelonious Monk) ~ 5:46
- Weird~O (Hank Mobley) ~ 4:04
- Taking A Chance On Love (Vernon Duke, John Latouche, Ted Fetter) ~ 4:42
- When You Wish Upon A Star (Leigh Harline, Ned Washington) ~ 5:19
- Blues For Nica (Kenny Drew) ~ 5:31
- It’s Only A Paper Moon (Harold Arlen, E.Y. “Yip” Harburg, Billy Rose) ~ 6:25
- Kenny Drew ~ piano
- Paul Chambers – bass
- Philly Joe Jones – drums
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The Quarantined Jazz Voyager
As I go about my city travels I notice how lax people are with masking and social distancing, having their self-centered need to rush to the lives they knew before the pandemic hit. This week I am selecting an album that has been a classic and one of my favorites since the day I first put on the turntable. It’s the 1965 studio recording Angel Eyes by saxophonist Gene Ammons released on the Prestige label.
The album was recorded at Van Gelder Studio in Englewood Cliffs, New Jersey. Two separate sessions compiled the album, tracks 1, 2, 4 & 5 were recorded on June 17, 1960 and tracks 3 & 6 on September 5, 1962. The September session was one of Ammons’ final ones before serving a long drug-related prison sentence.
Track List | 36:25
- Gettin’ Around (Gene Ammons) ~ 6:46
- Blue Room (Lorenz Hart, Richard Rodgers) ~ 5:34
- You Go to My Head (J. Fred Coots, Haven Gillespie) ~ 5:55
- Angel Eyes (Earl Brent, Matt Dennis) ~ 8:45
- Water Jug (Frank Wess) ~ 5:10
- It’s the Talk of the Town (Jerry Livingston, Al J. Neiburg, Marty Symes) ~ 4:15
- Gene Ammons ~ tenor saxophone
- Frank Wess ~ flute (tracks 1, 2 and 4), tenor saxophone (track 5)
- Johnny “Hammond” Smith ~ organ (tracks 1, 2, 4 & 5)
- Mal Waldron (tracks 3 & 6) ~ piano
- Doug Watkins (tracks 1, 2, 4 & 5), Wendell Marshall (tracks 3 & 6) ~ bass
- Art Taylor (tracks 1, 2, 4 & 5), Ed Thigpen (tracks 3 & 6) ~ drums
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