Atlanta native Joe Alterman expresses a certain upbeat naivete, with a broad smile and bright eyes that make you feel welcome. One would not guess that this is a man hailed by greats; Ramsey Lewis describes his music as “happy music with tasty meat on the bones,” Les McCann states “Joe’s on a ‘blow your mind’ level,” and Ahmad Jamal calls him “a very special artist.” Journalist Nat Hentoff championed three of Alterman’s albums, as well as his writing (Joe wrote liner notes to three Wynton Marsalis/JLCO albums), calling one of Joe’s columns “one of the very best pieces on the essence of jazz, the spirit of jazz, that I’ve ever read, and I’m not exaggerating.”
He began at NYU with a BA and Masters in Jazz Piano from NYU and has since performed at many world renowned venues including the Kennedy Center, Lincoln Center, Birdland and Blue Note alongside Houston Person, Les McCann, Dick Gregory, Ramsey Lewis, and his own trio, among others. Downbeat describes his sound as “rooted in the blues, and with a touch reminiscent of the great pianists of the 1950s—Red Garland, Ahmad Jamal, Bill Evans.” It is clear Joe hits all of the necessary points for Jazz critics and fans alike.
But there is more to the story, of course. The 21st century has brought another transition for this thing called jazz; in one moment we see the push and pull between tradition and progression, and in another we see Pop and Hip-Hop musicians emulating and sampling. In Joe Alterman we find none of this struggle; the music just sounds good. Our conscious faculties are instantly disabled as we tap our feet, feeling the intent and joy of his playing. An old classic is new when you feel good in the moment. Or, as Hentoff wrote about Alterman in the Wall Street Journal, “Alterman’s continually evolving presence on the jazz scene surely makes people smile and, if the room is right, dance. There’ll be no need for any last rites of jazz.”
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Mandy Gaines ~ vocalist | Sergio Pamies ~ piano
Mandy Gaines began singing at an early age in school and church. She holds a B.A. from the College of Wooster in Speech/Arts. She has continued her studies through private vocal instruction and workshops emphasizing oral interpretation, jazz improvisation, vocal technique, theatre, and broadcasting/media studies. Born in 1983 in Granada, Spain, Sergio
Pamies has published four albums under his name: Entre Amigos (PSM, 2008), Borrachito (Bebyne Records, 2011), and What Brought You Here? (Bebyne Records, 2017) and Summer Night at La Corrala: Solo Piano (expected April 2021). Critics have acknowledged his talent for composition, the lyrical qualities of his playing, and his natural and spontaneous ability to fuse the traditional jazz language and flamenco music of his childhood. Pamies has performed at festivals in Austria, the Czech Republic, Poland, Slovakia, Colombia, Perú, China, Spain, and the United States. He has collaborated with outstanding artists such as Dave Liebman, Christian Scott, Quamon Fowler, Brad Leali, Quincy Davis, Ed Soph, Stockton Helbing, and Tatiana Mayfield.
Pamies currently teaches at the University of Cincinnati College-Conservatory of Music (CCM), where he was appointed Assistant Professor in 2020. Pamies has given masterclasses and presented his research at Universidad de Granada (Spain), the University of North Texas, the University of Central Oklahoma, the University of Texas at Arlington (USA), East Shanghai Normal University, Contemporary Music Institute of Zhuhai (China), Universidad Autónoma de Bucaramanga, Universidad Industrial de Santander and Universidad EAFIT de Medellín (Colombia), and the Jazz Educators Network Conference, among other institutions.
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Sassy, irrepressible, and wonderfully profound…Cleveland native Camille “Saba” Smith—is a FORCE. A powerhouse of talent, Smith is the quintessential slash artist. Blessed with a five-octave range—she is a self-taught vocalist. Singing brings her joy and has fascinated her for over twenty years! Camille is the founder of the musical ensemble “Saba Jazz” and other groups. She is in demand as an accomplished, versatile studio vocalist and band leader.
She has also worked with several well-known artists around the globe. Smith believes that the key to making great music—is diversity. Being well-versed in a variety of genres has taken her far. She has an acute ability to sense the changing needs of her listeners. She considers her performances—a vehicle to connect with the divine while sharing inspiring messages with the world. A $10 drink minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum.
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Dixie Karas — vocalist Ted Karas — guitar Steve Weingart — keyboard Bill Jackson — bass John Taylor — drums
Get ready to be captivated by the mesmerizing melodies of Dixie Karas and her talented quintet at Caffe Vivace this November! Experience an unforgettable evening as Dixie Karas takes the stage, enchanting the audience with her soulful voice and a repertoire of favorite Jazz and Adult Contemporary tunes. Mark your calendars now for a night of musical magic you won’t want to miss. Join us at Caffe Vivace and let the rhythms of jazz and soul sweep you away on a journey of pure musical delight! A $10 drink minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum.
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Al West Jr. — vocalist Greg Chako — guitar David Lloyd — bass Michael Meloy — drums
Conceived in Mississippi, born in St. Louis, Misouri and raised in Chicago, Illinois he is a jazz vocalist whose journey follows the genealogy and geography of this uniquely American musical art form. His silky smooth vocals and classic-man vibe naturally suit his expansive repertoire. Al interprets a broad range of selections from the Great American Songbook with emotion, sensitivity, and vitality that poignantly conveys each story. Straddling classic and contemporary jazz worlds, he easily moves from intimate lounge settings to larger performance halls.
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