PAUL BOLLENBACK | HARLEM JAZZ SESSION
Paul Bollenback – guitar, Pat Bianchi – organ, Anthony Pinciotti – drums
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PETER BRAININ & FRIENDS | HARLEM JAZZ SESSION
The Harlem Jazz Session is a weekly concert & jam session hosted by 3x Grammy and Latin Grammy winning saxophonist/composer, Peter Brainin, featuring the hottest and most innovative musicians from around the world and around the corner!
Weekly roster includes all star musicians: Paul Bollenback, Cecilia Coleman, Gary Versace, Mike Karn, Anthony Pinciotti and MORE!
Peter Brainin is a 3x Grammy and Latin Grammy winning saxophonist, composer and educator who has toured internationally with Mongo Santamaría, Valery Ponomorev, Hilton Ruiz, Bebo Valdez, Chico O’Farrill, Bobby Sanabria, Arturo O’Farrill & the Afro Latin Jazz Orchestra (with whom he’s featured on 2 Grammy winning CD’s), Joris Teepe, Willie Colon & Legal Alien, Samuel Torres, the Mambo Legends Orchestra and John DiMartino as well as with his own quartet and as a guest artist and clinician. In the U.S. he has performed and/or recorded with Wynton Marsalis, Benny Golson, Randy Weston, Harold Mabern, Idris Muhammad, Jerry Gonzalez, Paquito D’Rivera, Israel “Cachao” López, Sheila E., Eddie Palmieri and many other Jazz and Latin Jazz legends. Peter has appeared on over 200 albums including his own as co-leader with Steve Johns (which also feature contributions by Conrad Herwig, George Cables and Ben Monder) and with the quartet Native Soul. A native of the Bronx, he twice received the BRIO (Bronx Recognizes its Own) award for music composition from Bronx Council on the Arts.
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JOHNATHAN BLAKE
Johnathan Blake, one of the most accomplished drummers of his generation, has also proven himself a complete and endlessly versatile musician. Blake’s gift for composition and band leading reflects years of live and studio experience across the aesthetic spectrum. Heralded by NPR Music as “the ultimate modernist,” he has collaborated with Pharoah Sanders, Ravi Coltrane, Tom Harrell, Hans Glawischnig, Avishai Cohen, Donny McCaslin, Linda May Han Oh, Jaleel Shaw, Chris Potter, Maria Schneider, Alex Sipiagin, Kris Davis and countless other distinctive voices. DownBeat once wrote, “It’s a testament to Blake’s abilities that he makes his presence felt in any context.” A frequent presence on Blue Note records over the past several years, Blake has contributed his strong, limber pulse and airy precision to multiple leader releases from Blue Note artists including Dr. Lonnie Smith’s Breathe (2021), All in My Mind (2018) and Evolution (2016) and Kenny Barron’s Concentric Circles (2018), the latter whose trio Blake has been a vital member for nearly 15 years.
Born in Philadelphia in 1976, Blake is the son of renowned jazz violinist John Blake, Jr. — himself a stylistic chameleon and an important ongoing influence. After beginning on drums at age 10, Johnathan gained his first performing experience with the Lovett Hines Youth Ensemble, led by the renowned Philly jazz educator. It was during this period, at Hines’s urging, that Blake began to compose his own music. Later he worked with saxophonist Robert Landham in a youth jazz ensemble at Settlement Music School. Blake graduated from George Washington High School and went on to attend the highly respected jazz program at William Paterson University, where he studied with Rufus Reid, John Riley, Steve Wilson and Horace Arnold. At this time Blake also began working professionally with the Oliver Lake Big Band, Roy Hargrove and David Sanchez. In 2006 he was recognized with an ASCAP Young Jazz Composers Award, and in 2007 he earned his Masters from Rutgers University, focusing on composition. He studied with the likes of Ralph Bowen, Conrad Herwig and Stanley Cowell. Deeply aware of Philadelphia’s role as a historical nerve center of American music, Blake has immersed himself in the city’s storied legacy — not just jazz but also soul, R&B and hip-hop. In many ways he’s an heir to Philadelphia drum masters such as Philly Joe Jones, Bobby Durham, Mickey Roker and Edgar Bateman, not to mention younger mentors including Byron Landham, Leon Jordan and Ralph Peterson, Jr..
Fridays at 7pm & 8:30pm – Running time for each set is 90 minutes
Reserved Seating – $20
All Access Ticket – $35
Premium Reserved Velvet Couch/Chair – $38
Blue Velvet Loveseat for 2 – $50
Dinner & A Show – $55 – updated prix fixe menu here
$15 food and beverage minimum – Full menu can be found here!
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Daily Dose Of Jazz…
Robert Hanley Casey was born in Johnson County, Illinois on February 11, 1909 and learned to play banjo and guitar as a child, playing both in regional ensembles in the Midwest. He didn’t pick up the bass until he was twenty and continued as a guitarist for some time after.
The mid-1930s saw him playing in NBC radio ensembles and working with Wingy Manone. In 1939 Bob joined Muggsy Spanier’s Ragtimers band but the group soon split, after which he played with Charlie Spivak, Brad Gowans, Eddie Condon, Miff Mole, and Joe Marsala. He played extensively on radio with several of these ensembles.
Casey was also a prolific session bassist, recording with Wild Bill Davison, Bobby Hackett, Cliff Jackson, Max Kaminsky, Eddie Edwards, Bud Freeman, Pee Wee Russell, Georg Brunis, George Wettling, Ralph Sutton, Joe Sullivan, and Boyce Brown in the 1940s and 1950s.
Relocating to Florida in 1957, he played with the Dukes of Dixieland. By the 1970s he was playing only occasionally. Double bassist Bob Casey transitioned on April 9, 1986, in Marion, Illinois.
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Daily Dose Of Jazz…
Butch Morris was born Lawrence Douglas Morris on February 10, 1947 in Long Beach, California. Before beginning his musical career, he served in the U.S. Army as a medic in Germany, Japan and Vietnam during the Vietnam War. He came to attention with saxophonist David Murray’s groups in the late 1970s and early 1980s.
>Morris led a group called Orchestra SLANG. The group features drummer Kenny Wollesen, alto saxophonist Jonathon Haffner, trumpeter Kirk Knuffke and others. He performed and presented regularly as part of the Festival of New Trumpet Music, held annually in New York City. He wrote most of the incidental music for the 1989 TV show, A Man Called Hawk, which starred Avery Brooks, with whom he co-wrote the theme music, along with Stanley Clarke. He also played with well-known artist and would-be drummer A.R. Penck in 1990.
The originator of Conduction (a term borrowed from physics), a type of structured free improvisation where Butch directs and conducts an improvising ensemble with a series of hand and baton gestures.
Cornetist, composer and conductor Butch Morris, known for pioneering his structural improvisation method Conduction, transitioned from lung cancer on January 29, 2013, at the age of 65 in New York City.
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