Daily Dose Of Jazz…

Tim Berne was born on October 16, 1954 in Syracuse, New York. Though a music fan, he had no interest in playing until his matriculation through college, when he bought an alto saxophone. Even then he was more interested in rhythm and blues following Stax Records releases and those of Aretha Franklin until he happened upon Julius Hemphill’s album “Dogon A.D. recorded in 1972.

Berne moved to New York City in 1974 and took lessons from Hemphill who was integrating soul and funk with free jazz, and then later recorded with him. In 1979, he founded Empire Records, released his own recordings, then recorded Fulton Street Maul and Sanctified Dreams for Columbia Records, generating discussion and controversy by straying away from the neo-traditionalist hard-boppers of the 80s into the avant-garde.

By the late Nineties Tim founded Screwgun Records, released his own recordings, as well as others musicians. He has played in the sideman seat with guitarists Bill Frisell and David Torn, composer/saxophonist John Zorn, violinist Mat Maneri, and cellist Hank Roberts, trumpeter Herb Robertson, the ARTE Quartet and has been a member of the group Miniature.

Wearing his composer hat, Berne creates complex, multi-section compositions are often quite lengthy, often twenty to thirty minutes. However, utilizing brilliantly creative and experienced musicians who don’t get lost or make their audiences never grow tired. He has been a part of nine different groups and has recorded forty-one albums. Alto saxophonist and bandleader Tim Berne continues to compose and perform prolifically.

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Daily Dose Of Jazz…

Yusef Lateef was born William Emanuel Huddleston on October 9, 1920 in Chattanooga, Tennessee and by the time he was five his family moved to Detroit. Throughout his early life Lateef came into contact with many Detroit-based jazz musicians who went on to gain prominence, including vibraphonist Milt Jackson, bassist Paul Chambers, drummer Elvin Jones and guitarist Kenny Burrell.

Proficient on saxophone by graduation from high school at the age of 18, he launched his professional career and began touring with a number of swing bands. In 1949, he was touring with Dizzy Gillespie and his orchestra. In 1950, Lateef returned to Detroit and began his studies in composition and flute at Wayne State University. It was during this period that he converted to Islam.

Lateef began recording as a leader in 1957 for Savoy Records overlapping with Prestige Records subsidiary label New Jazz, collaborating with Wilbur Harden and Hugh Lawson among others. By 1961, with the recording of Into Something and Eastern Sounds his dominant presence within a group context had emerged and his ‘Eastern’ influences are clearly audible in all of these recordings.

Along with trumpeter Don Cherry, Yusef can lay claim to being among the first exponents of the world music as sub-genres of jazz. He played on numerous albums, was a member of Cannonball Adderley’s Quintet during the early Sixties, was a major influence on John Coltrane, he began to incorporate contemporary soul and gospel phrasing into his music, founded his own label YAL Records and was commissioned by the WDR Radio Orchestra to compose the African American Epic Suite.

Lateef has written and published a number of books including two novellas and Yusef Lateef’s Flute Book of the Blues. He has received the Jazz Master Fellowship Award from the National Endowment for the Arts, and has had aired a special-documentary program for Lateef, titled A Portrait of Saxophonist Yusef Lateef In His Own Words and Music. He has recorded nearly six-dozen records as both a leader and sideman and continued to compose, perform, record and tour until his transition at age 93 on December 23, 2013 in Shutesbury, Massachusetts.

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Requisites

Speak No Evil: This 1964 release by Wayne Shorter has been considered as one of his finer works and a “must have” for the serious collector. As he was in Miles Davis’ band at the time, this album did not receive the welcome it so deserved.

Personnel: Wayne Shorter – tenor saxophone, Freddie Hubbard – trumpet, Herbie Hancock – piano, Ron Carter – bass, Elvin Jones – drums

Recorded by: Rudy Van Gelder

Record Date: Blue Note – December 24, 1964

Cover: Photograph of Wayne Shorter and his first wife, Teruka Nakagami

Songs: Witch Hunt, Fee-Fi-Fo-Fum, Dance Cadaverous, Speak No Evil, Infant Eyes, Wild Flower

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Requisites

Forest Flower & Soundtrack: This 1967 release was recorded when Charles Lloyd brought his band to Monterey for an unprecedented performance. A set of far-reaching, sophisticated progressive jazz that was rich and accessible was what a floored audience heard that day. The hippie and college-aged audience were witness to superb interplay, melodic gifts that skirted the edges of what was going on at the time, pushed the boundaries and the talents of this young band. This is decidedly one requisite for the budding initiate of jazz.

Personnel: Charles Lloyd – saxophone, Keith Jarrett – piano, Jack DeJohnette – drums, Cecil McBee – bass

Record Date: September 8, 1966

Songs: Forest Flower – Sunrise, Forest Flower – Sunset, Sorcery, Song Of Her, East Of The Sun, Sombrero Sam, Voice In The Night, Pre-Dawn, Forest Flower ‘69

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Requisites

SOULTRANE: This album continues the reinforcement of Trane’s importance as a stylist. As in Coltrane and John Coltrane and the Red Garland Trio, his first two albums as a leader for Prestige, the material in SOULTRANE is away from the ordinary. The rhythm section is a perfect accompanying unit for Trane who, by this time, was acknowledged to be – along with Sonny Rollins – one of the two most influential tenor saxophonists in jazz.

Personnel: John Coltrane – tenor saxophone, Red Garland – piano, Paul Chambers – bassArthur Taylor – drums

Supervised by: Bob Weinstock

Record Date: Hackensack, New Jersey / February 7, 1958

Cover: Esmond Edwards

Songs: Good Bait, I Want To Talk About You, You Say You Care, Theme For Ernie, Russian Lullaby

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