Requisites

Maurice Vander is the self-titled album recorded in 1955 by Maurice Camille Gustave Vanderschueren, better known as his stage sir name Vander. This bop session was recorded in Paris, France on the Disques Vega label and the cover art/photography was designed by Roberlus Tervueren. The band, unfortunately, is uncredited on this session.

Eight standards were set for this recording session that included Pennies From Heaven, I’ll Remember April, The Nearness Of You, Strike Up The Band, How About You, There’ll Never Be Another You, Everything Happens To Me and Get Happy.

To my dismay and probably to that of others, I can find no audio version of this album and this album is out of print but there are a few used copies on the market that one may be able to claim and make a part of their collection.

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The Jazz Voyager

From Copenhagen to London is the flight the Jazz Voyager is on to venture two streets back from Brighton’s pier, where The Verdict jazz club is situated, not in the buzzy Lanes area but in the rather more austere company of the law courts, hence the name at 159 Edward St, Brighton BN2 0JB, UK. Brimming with atmosphere, this purpose-built basement is adorned with original photographs of jazz legends, great acoustics and seats just 60.

If you are unfortunate not to get a seat for the adventurous programming with the Benet McLean-Mark Edwards Quartet, upstairs there’s a cafe that screens the performances. Admission £10-£15, students from £5, live jazz Friday and Saturday, pint £4, booking advised, 159 Edward Street. For more information the phone 01273 674847. #wannabewhereyouare

GRIOTS GALLERY

 

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Hollywood On 52nd Street

Something’s Gotta Give was composed by Johnny Mercer for his friend Fred Astaire who starred in the 1955 film Daddy Long Legs. It is the love song duet between him and Leslie Caron. The song playfully uses the irresistible force paradox – which asks what happens when an irresistible force meets an immovable object – as a metaphor for a relationship between a vivacious woman and an older, world-weary man. The man, it is implied, will give in to temptation and kiss the woman.

The film also stars Terry Moore, Thelma Ritter, Fred Clark and Ray Anthony who appears as himself with his orchestra. Filming took place on location at 20th Century Fox Studios in Hollywood and the Andrew Carnegie Mansion in Manhattan.

Storyline

On a trip to France, millionaire Jervis Pendleton III (Astaire) sees an 18 year old girl Julie Andre (Caron) in an orphanage. Immediately enchanted with her, but mindful of the difference in their ages and what the press may report should his involvement be discovered, he anonymously sponsors her to attend fictional college in New England. She writes him letters, which he doesn’t read. After 3 years, he goes to visit her at a dance, not telling her that he is her benefactor. They fall in love, but the usual movie-type difficulties get in the way before they can get together at the end.

SUITE TABU 200

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Three Wishes

The answers to Elmo Hope’s three wish request by the Baroness were:

  1. “To be working.”
  2. “To be in better condition than I am now.”
  3. “To help my fellow man.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter

THE WATCHFUL EYE

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Requisites

Constellation is a contemporary jazz album by violinist Michal Urbaniak that was released on the Polskie Nagrania Muza label in May 1973.

The music was composed by Michał Urbaniak and was joined by drummer Czesław Bartkowski, Hammond B3 and Farfisa organist Wojciech Karolak, Fender pianist and bassist Adam Makowicz, and on vocals and percussion was Urszula Dudziak,

The tracks on the album consisted of only five songs –  Bengal, Spokój, Lato, Seresta and Theme with two on side A and three on the B side for a total time of 41:56.

The design and photography were by M. Karewicz, recorded by W. Piętowski, and the engineer was H. Jastrzębska-Marciszewska for the live recording at the Warsaw Philharmonic.

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