Daily Dose Of Jazz…
Trilok Gurtu was born in Mumbai, India on October 30, 1951 to Hindu Brahmin parents and attended Don Bosco High School. His mother, singer Shobha Gurtu, encouraged him to learn playing tabla, and he studied playing the instrument under Shah Abdul Karim. He didn’t begin playing western drum kit in the 1970s and developed an interest in jazz, and played played with Charlie Mariano, John Tchicai, Terje Rypdal, and Don Cherry.
One of Trilok’s earliest recordings was around 1977 in the record Apo-Calypso in an album of the German ethnic fusion band, Embryo. His mother also sang in that record, and later joined him in his first solo CD, Usfret. In the 1980s, Gurtu played with Swiss drummer Charly Antolini, John McLaughlin, Jonas Hellborg, Kai Eckhardt, Dominique DiPiazza and opened for Miles Davis in Berkeley, California in 1988. He went on to play and record three albums with Oregon after the death of drummer Collin Walcott. In the early 1990s he resumed his career as a solo artist and a bandleader.
In 1999, Zakir Hussain and Bill Laswell founded a musical group, Tabla Beat Science, bringing Trilok, Karsh Kale and Talvin Singh into the fold. Before going dormant in late 2003 they released three albums. He went on to record the album, Miles Gurtu, with Robert Miles, collaborate with the Arkè String Quartet and perform with Ricky Portera, Nick Beggs, Mario Marzi, Terl Bryant, John De Leo.
Percussionist, drummer and composer Trilok Gurtu has won awards from DRUM! Magazine, Carlton Television Multicultural Music Awards, Down Beat’s Critics Poll and has been nominated for the BBC Radio 3 World and continues to perform, compose, record and tour.
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Requisites
Blue Serge is an album by jazz baritone saxophonist Serge Chaloff, that was released by Capitol Records in 1956. It was recorded on March 14 and 16, 1956 at Capitol Studios in Los Angeles, California. The session included pianist Sonny Clark, bassist Leroy Vinnegar and drummer Philly Joe Jones.
The album is comprised of eight tunes and among the recognizable standards are a Serge original and an Al Cohn composition. Leading off the session is A Handful Of Stars, followed by The Goof and I (Cohn), Thanks For The Memory, All The Things You Are, I’ve Got The World On A string, Susie’s Blues (Chaloff), Stairway To The Stars and How About You.
This album exhibits plenty of improvisation and melodic variations to make this an important session and has been added to the Penguin Guide and Definitive Records “Core Collection” with a four star rating.
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Daily Dose Of Jazz…
Hadda Brooks was born Hattie L. Hapgood on October 29, 1916 in Los Angeles, California. Raised in the Boyle Heights area by her parents who had migrated from the South her mother, Goldie Wright, was a doctor and her father, John Hapgood, a deputy sheriff, but it was her grandfather, who introduced her to theater and the operatic voices of Amelita Galli-Curci and Enrico Caruso. In her youth she formally studied classical music with an Italian piano instructor, Florence Bruni, with whom she trained for twenty years.
She attended the University of Chicago, later returned to Los Angeles, becoming to love the subtle comedy of black theater and vaudeville entertainer and singer Bert Williams. She began playing piano professionally in the early 1940s at a tap-dance studio owned by Hollywood choreographer and dancer Willie Covan. For ten dollars a week, she played the popular tunes of the day while Covan worked with such stars as Fred Astaire, Gene Kelly, and Shirley Temple.
Preferring ballads to boogie-woogie, Brooks worked up her style by listening to Albert Ammons, Pete Johnson, and Meade Lux Lewis records. Her first recording, the pounding Swingin’ the Boogie, for Jules Bihari’s Modern Records, was a regional hit in 1945, and her most famous song Out of the Blue, the title track to the film of the same name she appeared in on the recommendation of Benny Goodman.
She went on to begin singing with the encouragement Charlie Barnet, and recorded her first vocal recording You Won’t Let Me Go, played the small part of a lounge piano player in films, and was the second Black woman to host her own television show in 1957 with The Hadda Brooks Show after The Hazel Scott Show on DuMont in 1950. She toured Europe, Australia
In the 1970s, she commuted to Europe for performances in nightclubs and festivals, but performed rarely in the United States, living for many years in Australia and Hawaii. Retiring from music for sixteen years, she resurfaced to open Perino’s in Los Angeles and clubs in San Francisco and New York City as well as resuming her recording career. She continued appearing in films throughout the rest of her career, received the Pioneer Award from the Smithsonian and the Los Angeles Music Awards honored her with the Lifetime Achievement Award.
Pianist, vocalist and composer Hadda Brooks, who got her name from Jules Bihari, passed away Los Angeles, following open-heart surgery at age 86 on November 21, 2002.
Daily Dose Of Jazz…
Barbara Sfraga was born on October 28, 1956 in Bay Shore, Long Island, New York. Pursuing her vocal talent she attended Long Island University from 1974-76 before moving to Connecticut, attending the University of Bridgeport from 1976-78 and majoring in classical voice.
After discovering the music of Ella Fitzgerald, Sarah Vaughan and Anita O’Day, she became seriously interested in jazz singing. This was soon followed with her discovery of the innovations of Mark Murphy, Betty Carter and Lambert, Hendricks & Ross, and in the 1980s, she began singing jazz in New York clubs.
In 1996, Barbara founded In Concert with our Community, an organization whose initial goal was using cultural events to raise funds for children’s organizations. 1998 saw her recording her debut album as a leader titled Oh, What A Thrill, bringing in guests as Mark Murphy, who wrote the liner notes and pianist Fred Hersch.
In 2003, her sophomore album, Under the Moon, was released by the Chicago-based A440 label. the risk-taking jazz vocalist and lyricist Barbara Sfraga, who sings in the avant-garde and post bop genres, continues to perform, tour and write.
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The Jazz Voyager
The Jazz Voyager is back in a city often hailed as the jazz mecca of the world, and this weekend will be visiting the quintessential jazz club, the Village Vanguard. Located in Greenwich Village at 178 7th Avenue South, New York City, it was opened in 1935 by Max Gordon, who originally presented all types of music. However, in 1957 he opted for an all jazz format
For the past sixty years the Village Vanguard when one descend the steep stairway to the small basement venue they have been privy to performances by the best in the business. Keeping the tradition alive this weekend I will be enjoying the talents of the Terell Stafford Quintet. What makes a visit special for the initiates is that you will be walking into an establishment that has not changed, nor has it ever stopped functioning for 80 years. What’s even more impressive is that it’s still run by the same people: Lorraine Gordon, the nonagenarian owner and widow of the club’s founder and original manager, Max Gordon, is herself a New York institution. For reservations call (212) 255-4037. #preserving genius #wannabewhereyouare
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