Daily Dose Of Jazz…

Nelson Boyd was born on February 6, 1928 in Camden, New Jersey. He played in local orchestras in Philadelphia, Pennsylvania around 1945, and then moved to New York City in 1947.

While living there Boyd first performed with Coleman Hawkins, Tadd Dameron, and Dexter Gordon. He would go on to play with Sarah Vaughan, Dizzy Gillespie, and Charlie Barnet in 1948. In 1947, he recorded with Fats Navarro and Charlie Parker. He later played with Jay Jay Johnson and recorded with Miles Davis on Davis’s Birth of the Cool sessions in 1949. In addition, Davis’s song “Half Nelson” was named after Boyd because of his stature.

After 1949, Nelson often played with Gillespie and toured the Middle East with him in 1956. Later, he recorded with Melba Liston in 1958 with her trombone ultimates on Melba Liston and Her ‘Bones. He also did sessions with Max Roach and Thelonious Monk.

He recorded four albums with Gillespie, and one each with Milt Jackson, Charles McPherson, Max Roach, and Sonny Stitt, Bud Powell, and J. J. Johnson. Bebop bassist Nelson Boyd, whose last recordings were in 1964, passed away in October 1985.

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Daily Dose Of Jazz…

Wyatt Robert Ruther was born on February 5, 1923 in Pittsburgh, Pennsylvania. Playing trombone in high school before picking up the double-bass, he studied at the San Francisco Conservatory of Music and the Pittsburgh Musical Institute.

From 1951 to 1952 he played in New York City with Dave Brubeck and Erroll Garner from 1951-55. A sought after bassist Wyatt toured with Lena Horne in 1953 and recorded an album under his own name alongside Milt Hinton in 1955 for RCA Records entitled Basses Loaded. Following this he played with Toshiko Akiyoshi in 1956, then studied at the Royal Conservatory of Music in Toronto, Canada.

While in Canada he played with the Canadian Jazz Quartet for two years beginning in 1956 and then in 1957 with Peter Appleyard. During the same period back in the States, Ruther played with Ray Bryant, Zoot Sims, Bob Brookmeyer, and Chico Hamilton. From the end of the Fifties to the mid~Sixties he toured with George Shearing, went on a world tour with Buddy Rich, played in Gerry Mulligan’s quartet, then joined Count Basie.

In the late 1960s, Wyatt worked freelance in the San Francisco area, and played at the Olympic Hotel in Seattle, Washington in the early Seventies. Moving to Vancouver, British Columbia, Canada he played with Fraser MacPherson from 1975 to 1979. He went on to play at the Ankor Hotel in Vancouver in the early 1980s, and while there worked with Sammy Price, Jay McShann, and Dorothy Donegan. Returning to San Francisco in 1984, he played with Stan Getz, Lou Stein, John Handy, Benny Carter, and Jerome Richardson late into thedecade and early Nineties. Bassist Wyatt Ruther played until he passed away of a heart attack at age 76 on October 31, 1999 in San Francisco, California.

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Daily Dose Of Jazz…

Harold Andrew Dejan was born on February 4, 1909 into a Creole family in New Orleans, Louisiana and took clarinet lessons as a child before switching to the saxophone. He became a professional musician in his teens, joining the Olympia Serenaders and then the Holy Ghost Brass Band.

He played regularly in Storyville, at Mahogany Hall, and on Mississippi riverboats. He also worked in the mail office of the Lykes Brothers Steamship Company for 23 years. In World War II, he played in Navy bands, then returning to his day job and his parallel musical career after the war, he led his own band, Dejan’s Olympia Brass Band, from 1951, was considered one of the top bands in New Orleans.

The band often appeared at Preservation Hall, recorded nine albums, and also toured internationally, making 30 concert tours of Europe and one of Africa. It was featured in the James Bond movie Live and Let Die, and as well as in many TV commercials.

Suffering a stroke in 1991 left him unable to play the saxophone, but he continued as a band leader and singer until shortly before his death. Alto saxophonist and bandleader Harold Dejan, known affectionately as Duke, passed away on July 5, 2002 in New Orleans.

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Daily Dose Of Jazz…

Emanuel Paul was born on February 2, 1904 in New Orleans, Louisiana. He did not begin playing music until late in his youth, picking up the violin at age 18 and then switched to banjo. In the middle of the 1920s he settled on the tenor saxophone, where his instrument often substituted for the baritone horn in a brass band.

Becoming a member of the Eureka Brass Band in 1940 and remained with them into the 1960s; he also played often with Kid Thomas Valentine from 1942 and recorded with Oscar Celestin, Emanuel Sayles, and the Olympia Brass Band. He led three recording sessions for the European Jazz Macon label in 1967. His sidemen on these records include Valentine, George Lewis, and Butch Thompson.

Tenor saxophonist Emanuel Paul, who was one of the first tenor saxophonists to hold regular work in the New Orleans jazz scene, passed away on May 23, 1988 in New Orleans.

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Daily Dose Of Jazz…

Ray Santisi was born on February 1, 1933 in Boston, Massachusetts and grew up in Jamaica Plain. He won an honors scholarship to attend Schillinger House and by the time he graduated it had been renamed Berklee School of Music, and later became Berklee College of Music..

He played as featured soloist with Charlie Parker, Stan Getz, Dexter Gordon, Mel Torme, Irene Kral, Herb Pomeroy and Natalie Cole to name a few. He performed with Buddy DeFranco, Joe Williams, Gabor Szabo, Milt Jackson, Zoot Sims & Al Cohn, Carole Sloane, Clark Terry and Bob Brookmeyer. As a leader he performed with his own ensemble, The Real Thing and in the 1960s performed with the Benny Golson Quartet.

As an educator, in 1957 Ray became a professor of piano and harmony at Berklee College of Music. His students include many notable jazz musicians, including Diana Krall, Makoto Ozone, Joe Zawinul, Keith Jarrett, Jane Ira Bloom, Jan Hammer, Alan Broadbent, Arif Mardin, Gary Burton, John Hicks, Danilo Perez and Hiromi. Fourteen of his students received Grammy awards.

He was awarded grants from the National Endowment for the Arts in composition and performance. He taught at Stan Kenton’s summer jazz clinics throughout the United States, performed in Europe, Scandinavia, and Asia. He performed at the first Jazz Workshop, and in 2008 was nominated to IAJE Jazz Education Hall of Fame.

He authored two books, Berklee Jazz Piano, and his instructional book, Jazz Originals for Piano. His trio played the first Sunday of each month for eleven years at Ryles Jazz Club until the month of his death. Pianist, composer, arranger, and educator Ray Santisi passed away on October 28, 2014 in his hometown.

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