
From Broadway To 52nd Street
The Music Man opened at the Majestic Theatre on December 19,1957 and entered the ranks of “Blockbuster” with one thousand three hundred and seventy-five performances. The book, music and lyrics were written and composed by Meredith Wilson for Robert Preston and Barbara Cook, who held the starring roles. The cast album won five Grammy Awards for “Best Original Cast Album”, was on the Billboard charts for 245 weeks and spawned a 1962 film version in which Preston reprised his role with Shirley Jones as the lead love interest. The song “Till There Was You” remains a jazz standard today.
The Story: This is the tale of smooth talking con man Harold Hill who poses as a boys band organizer and leader and sells band instruments and uniforms to naive townsfolk before skipping town with the cash. In River City, Iowa the prim librarian and piano teacher Marian Paroo sees through him, but when Hill helps her younger brother overcome his fear of social interactions due to his lisp, Marian begins to fall in love with Harold. Harold, in turn falling for Marian, risks being caught to win her.
Jazz History: Swing music or simply “Swing” is a form of American music that developed in the early 1930s and became a distinctive style by 1940. Swing uses a strong rhythm section of double bass and drums as the anchor for a lead section of brass instruments such as trumpets and trombones, woodwinds including saxophones and clarinets and sometimes stringed instruments such as violin and guitar, medium to fast tempos, and a “lilting” swing time rhythm. The name swing came from the phrase “swing feel” where the emphasis is on the off–beat or weaker pulse in the music, unlike classical music. Swing bands usually featured soloists who would improvise on the melody over the arrangement.
The danceable swing style of big bands and bandleaders were the dominant form of American popular music from 1935 to 1946, a period known as the Swing Era.
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The Jazz Voyager
JazzclubUfa: 50 let USSR, 8. Ufa, Russia Telephone: +7(347)-223-01-00 Fax: +7(347)-223-01-00 / Contact: Prokofyeva Liliya.
Ufa Jazz Club opened January 2, 2007 and appeared as a significant milestone in the development of jazz culture in the capital of Bashkortostan. To date, the establishment is one of the most attractive place in Ufa. where different young music bands start their careers, well-known musicians continue their work. So there are residents of Jazz Club: Funky-House Band, Jazz Quartet Ufa, Rhythm & Blues Quartet, Paul Skornyakova Jazz Quartet, Palladium and so on. Local musicians as well as visitors from other Russian cities and abroad perform, such as, Marat Yuldybaev, Igor Butman, Oleg Kireev, Rustem Galiullin, Vagif Sadikhov, Yakov Okun, Gregory Fain, Anatoly Kroll, Alexander Osiychuk, Andrei Makarevich, Valery Ponomarev, David Goloshchekin , Scott Hamilton Quartet, Mark Turner Quartet, Stanley Jordan, Hiram Bullock Band, Lew Tabackin, Frank Lacy, Wayne Escoffery, and many others.
Ufa Jazz Club can be proud that it has a permanent audience – the true jazz lovers and simply lovers of music. If you have not yet managed to visit the club, come and appreciate art of musical performance in a truly jazz institution!

From Broadway To 52nd Street
Bells Are Ringing opened on November 29, 1956 at the Shubert Theatre, starring Judy Holliday, Jean Stapleton, Sydney Chaplin, Jack Weston and John Cleese, running 924 performances. The music and lyrics were composed and written by Jule Styne, Betty Comden and Adolph Green. The original production was directed by Jerome Robbins, choreographed by Robbins and Bob Fosse and ran for 924 total performances after transferring to the Alvin Theatre. The Party’s Over and Just In Time rose to prominence as jazz standards.
The Story: Ella Peterson works in the basement office of “Susanswerphone”, her boss, Sue, telephone answering service. Listening in on others’ lives, adds some interest to her own humdrum existence by adopting different identities and voices for her clients. They include Blake Barton, an out-of-work method actor, Dr. Kitchell, a dentist with musical yearnings but lacking talent, and playwright Jeff Moss, who is suffering from writer’s block and desperately needs a muse. Ella considers the relationships with these clients “perfect” because she can’t see them and they can’t see her.
When Jeff Moss pleads with Ella for help in writing, she responds, and a romance ensues. Complications arise when Ella thinks that she does not fit in with Jeff’s wealthy friends. Adding complications are the police, who are certain the business is a front for an “escort service,” and Sandor, the owner’s shady boyfriend, who unbeknownst to Sue is using the agency as a bookmaking operation.
Broadway History: Off-Off-Broadway theatrical productions in New York City are those in theatres that are smaller than Broadway and Off-Off Broadway theatres. Off-Off-Broadway theatres are often defined as theatres that have fewer than 100 seats,though the term can be used for any show in the New York City area that employs union actors but not under an Off-Broadway, Broadway or Lort contract. It is often used as a term relating to any show with non-union actors. The shows range from professional productions by established artists to small amateur performances.
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The Jazz Voyager
Jaydo’s Jazz Café: 6, Rue Pradier, Geneva, Switzerland / +41 (0)22 738 97 42 / Ernie Odoom has spent a number of years “dreaming” of a new venue in Geneva where musicians could hone their skills to perfection – every day of the week – leading to the creation of world class artistic projects. His dream would benefit music lovers and put Geneva on the map as a happening place for creative music.
Well, at last it’s here! Come and check out “The Early Sessions” where top quality live music takes place every day in the heart of the city, especially for the early bird. Food and drink available.Tuesdays through Saturdays – 5pm till 10pm.

From Broadway To 52nd Street
Mr. Wonderful opened at the Broadway Theatre on March 22, 1956 and ran for 383 performances. Jerry Bock, Larry Holofcener and George David Weiss composed the music and lyrics for the musical from which emerged Too Close For Comfort to become a jazz standard.
The Story: Written specifically to showcase the talents of Sammy Davis Jr. the thin plot, focusing on entertainer Charlie Welch’s show business struggles, primarily served as a springboard for an extended version of Davis’s Las Vegas nightclub act. The cast was comprised of Sammy Davis Sr., Will Mastin, Jack Carter, Chita Rivera, Malcolm Lee Beggs and Marilyn Cooper.
Jazz History: The 1930s belonged to popular swing big bands, in which some virtuoso soloists became as famous as the bandleaders. Key figures in developing the “big” jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller and Artie Shaw.
Swing was also dance music. It was broadcast on the radio ‘live’ nightly across America for many years especially by Hines and his Grand Terrace Cafe Orchestra broadcasting coast-to-coast from Chicago, well placed for ‘live’ time-zones. Although it was a collective sound, swing also offered individual musicians a chance to ‘solo’ and improvise melodic, thematic solos, which could at times be very complex and important music.
Over time, social strictures regarding racial segregation began to relax in America: white bandleaders began to recruit black musicians and black arrangers.
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