The Jazz Voyager

The Jazz Voyager is leaving the Big Apple by way of JFK is crisscrossing the country once again to check out a new venue called the Mississippi Studios in Portland, Oregon. Situated in the Boise neighborhood of the city it is both a recording studio and a music venue presenting not only local but national talent.

Tonight I’m going to see a long time favorite who I met when she was emerging as an artist and I played her on the air. She is saxophonist and composer Hailey Niswanger. After graduating in 2011 with a B.A. in Jazz Performance from Berklee College of Music this Texas native who grew up in Portland, Oregon returns home to perform. She leades her own band and has shared the stage with Esperanza Spalding, Terri Lyne Carrington, Harvey Mason, Mike Clark, Michael Wolff, Ralph Peterson Jr., and others.

Mississippi Studios is located at 3939 N Mississippi Avenue 97227. You can get more information at https://notoriousjazz.com/event/hailey-niswanger.

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Daily Dose Of Jazz…

Marshall Richard Brown was born on December 21, 1920 in Framingham, Massachusetts and graduated from New York University with a degree in music. He was a band teacher in New York City schools, and one of his school bands performed at the Newport Jazz Festival in the 1950s.

With George Wein, he went to Europe to look for musicians for the International Youth Band. In the late 1950s he started the Newport Youth Band and his students included Eddie Gomez, Duško Gojković, George Gruntz, Albert Mangelsdorff, Jimmy Owens, and Gabor Szabo.

He worked with Ruby Braff, Bobby Hackett, Lee Konitz, and Pee Wee Russell. Valve trombonist and teacher Marshall Brown transitioned on December 13, 1983 in New York City. He was 67.

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Daily Dose Of Jazz…

Reinhold Svensson was born December 20, 1919 in Husum, Germany. He recorded as a solo artist in 1941-1942, then joined the ensemble of violinist Hasse Kahn. In 1948, Putte Wickman took leadership of the group, and he worked with it until 1960 as a performer, arranger, and composer.

Reinhold appeared at the Paris Jazz Festival in 1949, worked with Arne Domnerus’s orchestra, and played with Charlie Norman in 1950-1951 as a duo under the names Ralph & Bert Berg and the Olson Brothers.

He also recorded with his own ensembles including Ragtime Reinhold. Domnerus, Jack Noren, Simon Brehm, and Thore Jederby were sidemen of his in the late 1940s and early 1950s.

Pianist, Hammond organist and composer Reinhold Svensson transitioned on November 23, 1968 in Stockholm, Sweden.

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Jazz Poems

CABARET (1927, Black & Tan Chicago) Rich, flashy, puffy-faced, Hebrew and Anglo-Saxon, The overlords sprawlhere with their glittering darlings, The smoke curls thick, in the dimmed light Surreptitiously, deaf-mute waiters Flatter the grandees, Going easily over the rich carpets, Wary lest they kick over the bottles Under the tables. The jazzband unleashes its frenzy. Now, now To it Roger; that’s a nice doggie Show your tricks to the gentlemen The trombone belches, and the saxophone Wails curdingly, the cymbals clash, The drummer twitches in an epileptic fit Muddy water Round my feet Muddy water The chorus sways in. The “Creole Beauties from New Orleans” (By way of Atlanta, Louisville, Washington, Yonkers, With stop-overs they’ve used nearly all their lives) Their creamy skin flushing rose warm O, le bal des belle quarterounes! Their shapely bodies naked save For tattered pink silk bodices, short velvet tights, Red bandanas on their sleek and close-clipped hair; To bring to mind (aided by the bottles under the tables) Life upon the river— Muddy water, river sweet (Lafitte the pirate, instead, And his doughty diggers of gold) There’s peace and happiness there I declare (In Arkansas, Poor half-naked fools, tagged with identification numbers, Worn out upon the levees, Are carted back to the serfdom They had never left before And may never leave again Bee—dap—ee-–DOOP, dee—ba—dee—BOOP The girls wiggle and twist Oh you too, Proud high-stepping beauties Show your paces to the gentlemen. A prime filly, seh. What am I offered, gentlemen, gentlemen…. I’ve been away a year today To wander and roar I don’t care if it’s muddy there (Now that the floods recede, What is there left the miserable folks? Oh time in abundance to count their losses, There is so little else to count.) Still it’s my home, sweet home From the lovely throats Moans and deep cries for home: Nashville, Toledo, Spout Springs, Boston, Creoles from Germantown;— The bodies twist and rock; The glasses are filled up again…. (In Mississippi The black folk huddle, mute, uncomprehending Wondering “how come the good Lord Could treat them this a way”) shelter Down to the Delta (Along the Yahoo The buzzards fly over, over, low Glutted, but with their scrawny necks stretching, Peering still.) I’ve got my toes turned Dixie ways Round that Delta let me laze The band goes mad, the drummer throws his sticks At the moon, a papier-maché moon, The chorus leaps into weird posturings, The firm-fleshed arms plucking at grapes to stain Their corralled mouths; seduction bodies weaving Bending, writhing, turning My heart cries out for MUDDY WATER (Down in the valleys The stench of the drying mud Is a bitter reminder of death Dee da dee DAAAAH STERLING A. BROWN

from Jazz Poems | Selected and edited by Kevin Young

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Daily Dose Of Jazz…

Donald Arthur Albert Weller was born on December 19, 1940 in Thornton Heath, Croydon, England. He began learning clarinet at the age of 14, and was classically educated for four or five years. He played the solo part in Mozart’s Clarinet Concerto at Croydon Town Hall aged 15, and began performing in Dixieland bands around the Croydon area, before switching to tenor saxophone and playing in Kathy Stobart’s rehearsal band.

During the 1970s he formed a jazz-rock group called Major Surgery that played a regular weekly gig at a local pub, the Dog & Bull. They played Weller’s compositions on the album released as The First Cut. This was followed by a quartet with drummer Bryan Spring and at the same time Don worked regularly with pianist Stan Tracey, and also with Harry Beckett and in a quintet with Art Themen. Renowned for his versatility, he has played with artists such as Alan Price, Tina May and Charlie Hearnshaw.

Weller played saxophone for rock records, working with the likes of David Bowie. He was the lead saxophonist with Tower of Power on the instrumental track Nascimento on Cat Stevens’ Back To Earth and also played on the Alex Harvey album The Mafia Stole My Guitar.

In the Eighties he stood in for Michael Brecker when the Gil Evans Orchestra played at the Bracknell Jazz Festival. This gig subsequently led to him touring the UK and recording with one of the band’s trumpeters, Hannibal Marvin Peterson, added on to the Weller–Spring Quartet. He went on to play and record with Evans’ British Orchestra, becoming a regular member of Rocket 88, as well as a first choice for TV and film soundtracks.

He contributed to several films composed for jazz big bands and was commissioned for his Electric Jazz Octet. Tenor saxophonist, and composer Don Weller had a triple bypass in 2012 and eight years later transitioned on May 30, 2020 in Croydon at the age of 79.

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