Daily Dose Of Jazz…

John Grant Sangster was born November 17, 1928 in the Melbourne suburb of Sandringham, Victoria, Australia. He was an only child that attended primary schools in Sandringham and Vermont, and then Box Hill High School. While at high school he taught himself to play trombone and with a friend, Sid Bridle, formed a band.

In 1946 he started a civil engineering course at Melbourne Technical School. Two years later Sangster performed at the third annual Australian Jazz Convention, held in Melbourne. By the following year he led his own ensemble, John Sangster’s Jazz Six, which included Ken Evans on trombone. He provided trombone for Graeme Bell and his Australian Jazz Band, later took up the cornet and then the drums. They toured several times from 1950 to 1955, and in the late Fifties he began playing the vibraphone.

He went on to play with Don Burrows in the early 1960s, form his own quartet and experimented with group improvisatory jazz, after becoming interested in the music of Sun Ra and Archie Shepp. By the end of the Sixties his attention turned to rock musicians and he joined the expanded lineup of the Australian progressive rock group Tully, who provided the musical backing for the original Australian production of the rock musical Hair. He performed and recorded with Tully and their successors, Luke’s Walnut, throughout the two years he played in Hair. In 1970 he re-joined the Burrows group for Expo 1970 in Osaka, Japan.

In the 1970s Sangster released a series of popular The Lord of the Rings inspired albums that started with The Hobbit Suite in 1973. He was also the composer of a large number of scores for television shows, documentaries, films, and radio. In 1988, Sangster published his autobiography, Seeing the Rafters.

Trombonist John Sangster, who also plays trumpet, drums, percussion, cornet, vibraphone and is best known as a composer, died in Brisbane, Queensland, Australia on October 26, 1995 at age 66.

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LORI WILLIAMS

Acclaimed international Jazz vocalist Lori Williams has a most impressive resume as a performing artist, music educator, songwriter, producer, musical theater actress, radio host, business owner (PositiveMusicPM.org), and artist-in-residence with over 30 years of experience. Her annual vocal jazz tour and performance at music festivals have taken her to Europe (Austria, Germany, Slovakia, Slovenia, Russia, Switzerland, Czech Republic, and Ukraine), Japan,  The Caribbean (including Barbados, British Virgin Islands, Curaçao, St. Lucia, Turks and Caicos, et. al), Mexico, and across the USA. Her vocal jazz artist residencies have allowed her to work with and mentor students on college campuses in the United States and abroad.

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SY SMITH

Sy Smith has proven throughout her career that an R&B artist can be progressive while remaining firmly rooted in tradition. Foremost a singer with a vocal range spanning five octaves, Smith began an unending succession of background gigs with Whitney Houston in the late ’90s, and has since worked closely with Grammy-winning trumpeter Chris Botti and Grammy-nominated group the Foreign Exchange, among dozens of other artists. After a brief period signed to a major, Smith established an independent label of her own, an outlet for compositionally solid and sonically adventurous albums including The Syberspace Social (2005), Conflict (2008), Fast and Curious (2012), and the entirely self-produced Sometimes a Rose Will Grow in Concrete (2018).

Sy raises her own bar and then leaps over it with her latest offering “Until We Meet Again” – her critically-acclaimed album produced by Zo! & Tall Black Guy, executive produced by Phonte Coleman and released on +FE Music in January 2024. This mellifluously soulful LP is drawing comparisons to Minnie Riperton and Deniece Williams and is already being called “the album of the year” by a few critics. Music journalist Mark Chappelle says “Smith evokes multiple traditions at once. With the sincerity of Diana Ross dedicating “Missing You” to Marvin Gaye, Smith lets her voice levitate until it breaks—as if just the right frequency could resurrect a loved one.”

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T.K. BLUE QUARTET

jazz saxophonist, flautist, composer and educator from New York City, his parents were Jamaican and Trinidadian, and he has used their Afro-Caribbean musical styles in his own work. He has worked with, among others, Don Cherry, Jayne Cortez, the South African pianist Dollar Brand (now Abdullah Ibrahim), Randy Weston, for whom he was musical director, Jimmy Scott and fronts a powerhouse band of his own.

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ALLAN HARRIS

Aptly described by the Miami Herald as an artist blessed with “the warmth of Tony Bennett, the bite and rhythmic sense of Sinatra, and the sly elegance of Nat ‘King’ Cole,” Allan Harris is a Brooklyn-born, Harlem-based vocalist, guitarist, songwriter, and band leader. With an impressive discography boasting fourteen recordings as a leader, Harris has established himself as one of the jazz world’s most acclaimed vocalists, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance.
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Harris has garnered a loyal following of ardent fans who are captivated not only by his remarkable talents but also by his unassuming personality and inquisitive, creative mind. Recognized for his outstanding contributions to jazz, he is a three-time winner of the New York Nightlife Award for “Outstanding Jazz Vocalist,” a DownBeat “Rising Star Jazz Vocalist,” and a winner of the prestigious 2022 “Sarah Vaughan International Vocal Competition.” He has also been honored twice as the “Best Male Jazz Vocalist” by Hot House Jazz Magazine, received a Back Stage award for “Ongoing Achievement in Jazz,” and was recognized with France’s Palmares Award for the 3rd Best Jazz Vocal Album. In addition, he has received notable grants, including the Chamber Music America Residency Grant, the “Pathways to Jazz” grant, and the South Arts “Jazz Roads Tour” grant.

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