Daily Dose Of Jazz…
Mary Lou Williams was born Mary Elfrieda Scruggs in Atlanta, Georgia on May 8, 1910 but grew up in the East Liberty neighborhood of Pittsburgh, PA. As a very young child she taught herself to play the piano and one of her greatest influences was Lovie Austin. She had her first public performance at the age of six and went on to help support her ten half-brothers and sisters playing for parties. Mary Lou began performing publicly at the age of seven becoming admiringly known as “the little piano girl of East Liberty”.
In 1924 at age 14 she was taken on the Orpheum Circuit. The following year she played with Duke Ellington and his early small band, the Washingtonians. A year later she was jamming with McKinney’s Cotton Pickers at Harlem’s Rhythm Club and Louis Armstrong stopped in, listened to her picked her up and gave her a kiss. By 1929 she was married to John Williams and composing, arranging and playing piano for Andy Kirk’s Twelve Clouds of Joy, an association that would last until 1942.
Returning to Pittsburgh she put together a group that included Art Blakey, went on the road with Duke Ellington, moved to New York taking a job at Café Society and became closely associated with the bebop generation. She lived in Europe for two years in the fifties and upon her return took a hiatus from performing and began composing religious jazz music.
Throughout the seventies her career flourished recording both group and solo settings and commentating The History of Jazz. She toured extensively playing concerts and festivals, accepting an artist-in-residence appointment at Duke University and performed at the White House in 1978.
Mary Lou Williams was much more than a pianist. She was a composer and arranger who wrote hundreds of compositions and arrangements and recorded more than a hundred records. She wrote and arranged for Duke Ellington and Benny Goodman, and was friend, mentor and teacher to Thelonious Monk, Charlie Parker and Dizzy Gillespie.
Mary Lou Williams died of bladder cancer on May 28, 1981 in Durham, North Carolina at the age of 71. Looking back over her career at the end of her life Mary Lou Williams was known to have said, “I did it, didn’t I? Through muck and mud.”
Daily Dose Of Jazz…
Stanley Cowell was born on May 5, 1941 in Toledo, Ohio. As a child he studied piano and pipe organ. By age 15, he was a featured soloist with the Toledo Youth Orchestra, a church organist, choir director and a budding jazz pianist. He went on to get his bachelors from Oberlin, Masters from the University of Michigan and graduate studies at USC.
The Sixties saw Cowell moving to New York City and working with Rahsaan Roland Kirk, Marion Brown, Max Roach, Bobby Hutcherson, Miles Davis, Clifford Jordan, Harold Land, Abbey Lincoln, Stan Getz and as a member of the Detroit Artist’s Workshop Jazz Ensemble.
By the 70s Stanley was a member of Music Inc. with Charles Tolliver with whom he found the Strata East record label, worked with the Heath Brothers, Donald Byrd, Roy Haynes, Oliver Nelson, Sonny Rollins, Richard Davis, Art Pepper and the list continues. He was the musical director for George Wein’s New York Jazz Repertory Company at Carnegie Hall along with Gil Evans, Dr. Billy Taylor and Sy Oliver.
He recorded successfully as a leader for Arista-Freedom, ECM, Strata East, Galaxy, Concord and Steeplechase among others. Since the eighties Stanley Cowell has been a busy jazz educator and a part of the quartet led by J.J. Johnson.
Pianist Stanley Cowell remained an excellent mainstream jazz pianist with an ability to adapt to a variety of acoustic jazz settings until he passed away at Bayhealth Hospital in Dover, Delaware, from hypovolemic shock. He was 79 years old
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Daily Dose Of Jazz…
Paul Smith also known as Paul T. Smith was born on April 17, 1922 in San Diego, California. After playing early on with Johnny Richards in 1941 and spending a couple of years in the military, the pianist played with Les Paul from 1946–1947 and Tommy Dorsey from 1947–1949, them moved to L.A. and became a studio musician.
Smith has recorded frequently as a leader both with his trios and as a soloist. As a sideman he worked with Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louis Bellson, Steve Allen, Sammy Davis Jr., Rosemary Clooney, Stan Kenton Mel Torme and Ella Fitzgerald, the later with whom he was her conductor and pianist from 1956 to 1978.
Throughout his career Smith has worked in television with Bing Crosby, Red Skelton, Dinah Shore, Nat King Cole, Carol Burnett and many more, has toured around the world and has authored a number of educational books and CDs, most of which focus on explaining his particular approach to jazz piano.
Often praised for his brilliant technique and lyrical playing, he has performed in various genres of jazz, most typically bebop but has delved into cool jazz, swing, and traditional pop. Pianist Paul Smith passed away of heart failure at the age 91 in Torrance, California on June 29, 2013.
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Daily Dose Of Jazz…
Claude Bolling was born April 10, 1930 in Cannes, France. He studied at the Nice Conservatory in Paris. A child prodigy whose primary influence was Duke Ellington, he was playing jazz piano professionally at age 14 with Lionel Hampton, Roy Eldridge and Kenny Clarke. Drawing inspiration from the New Orleans sound of Jelly Roll Morton, King Oliver, Louis Armstrong and Sidney Bechet and blending it with the music of Johnny Hodges, Barney Bigard and Cootie Williams created an interesting voice for the small band Bolling assembled in 1945. This combination put Claude in the midst of the trad jazz scene in Europe that evolved during the fifties.
He worked with Paul Gonsalves, Roy Eldridge, Lionel Hampton, Cat Anderson and Rex Stewart and by 1955 was leading his own orchestra. Stepping aside from his jazz recording and performance duties in the 60’s, Bolling ventured into creating, managing and producing a female pop group Les Parisiennes, composed for film and television (amassing over a hundred scores), expanded his interpretive range to include the early American modern jazz pianists like Erroll Garner, Willie “The Lion” Smith, Fats Waller and Horace Silver.
His European fans followed his decades of playing ragtime, blues, New Orleans jazz, boogie woogie and swing, however, his American devotees gained access to his suites written and arranged for classical flute, guitar, trumpet, violin and cello soloists and a mainstream jazz piano trio beginning with his collaboration with flautist Jean-Pierre Rampal, a mixture of baroque elegance and modern swing that stayed at the top of the hit parade for two years and in the Billboard “Top 40” for 530 weeks, roughly ten years.
He became friends, worked with and paid tribute in his later years to Oscar Peterson, Duke Ellington, Django Reinhardt, Stephane Grappelli and Lionel Hampton. Claude Bolling, at 89, a renowned jazz pianist, composer, arrange and occasional actor is still active.
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Daily Dose Of Jazz…
Carmen Mercedes McRae was born on April 8, 1920 in Harlem, New York City to Jamaican immigrant parents. She began studying piano at eight and the music of Louis Armstrong and Duke Ellington filled her home. Drawing inspiration from Billie Holiday, whom she met at 17, she developed and established her own distinctive voice. As a teenager she came to the attention of longtime Holiday collaborator Teddy Wilson and his composer wife, Irene Kitchings Wilson and through their influence Billie recorded her early composition “Dream of Life”.
In her late teens and early twenties, McRae worked as a secretary, sang as a chorus girl, played piano at Harlem’s famous Minton’s Playhouse where she met Dizzy Gillespie, Oscar Pettiford and Kenny Clarke. By 1944 she was playing piano with Benny Carter, working with Count Basie and made her first recording as a pianist with Mercer Ellington between 1946-47. But it was her meeting of Milt Gabler that got her signed to Decca and over the next five years she produced twelve albums.
A four-year stint in Chicago from 1948 to 1952 gave her, in her own words, “Those years in Chicago gave me whatever I have now… That’s the most prominent schooling I ever had.” Upon her return to New York she landed the record contract that launched her career and got her voted best new female vocalist by Down Beat magazine.
Carmen McRae enjoyed an opulent career that would span fifty years producing memorable albums with composer Noel Coward, Sammy Davis Jr., Dave Brubeck, George Shearing, Louis Armstrong, Cal Tjader and Betty Carter. She never performed without singing at least one song associated with Lady Day and recorded tribute albums to Billie Holiday, Thelonious Monk and Sarah Vaughan. She sang in jazz clubs throughout the U.S. and around the world, performed at the North Sea and Montreux Jazz Festivals and was a seven-time invitee to the Monterey’s Jazz Festival. She recorded over 60 albums and it was her behind-the-beat phrasing and ironic interpretations of lyrics that made her memorable.
Refusing to quit smoking, she was forced to retire in 1991 due to emphysema and on November 10, 1994 Carmen McRae, singer, composer, pianist and actress died in Beverly Hills, California from a stroke following complications from respiratory illness. She was 74.