Daily Dose Of Jazz…

Milton Mesirow, better known as Mezz Mezzrow was born November 9, 1899 in Chicago, Illinois.  The clarinetist and saxophonist has never been ranked as one of the best jazz musicians, organizing and taking part in some magnificent recording sessions involving the best black musicians of the 1930s/40s, including Benny Carter, Teddy Wilson, Frankie Newton, Tommy Ladnier and most importantly Sidney Bechet. His 1938 sessions for the French jazz critic Hugues Panassie, which he is well-known for organizing and financing, involved Bechet and Ladnier and helped spark the “New Orleans revival”.

Mezzrow became better known for his drug-dealing of marijuana than his music. His nicknames “Mezz” and “Muggles” that became slang for marijuana were used in song, the former in the Stuff Smith tune “If You’re A Viper” and the later was the title of a 1928 Louis Armstrong recording and for a brief time was his manager.

In the mid-1940s Mezzrow started his own record label, King Jazz Records, featuring himself in groups that usually included Sidney Bechet and, often, trumpeter Oran “Hot Lips” Page. Mezzrow also can be found and heard playing on six recordings by Fats Waller and his appearance at the 1948 Nice Jazz Festival was a surprise hit.

Following that appearance he made his home in Paris, France and organized many bands that included French musicians like Claude Luter, as well as visiting American artists like Peanuts Holland, Jimmy Archey, Kansas Fields, Lionel Hampton and Buck Clayton, with whom in 1953 he made what is probably his best ever recording: a version of the Louis Armstrong classic “West End Blues”.

Mezz Mezzrow, clarinetist, saxophonist, author and colorful character died on August 5, 1972 in Paris, France.

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Daily Dose Of Jazz…

Russell Malone was born November 8, 1963 in Albany, Georgia. He began playing at the age of four with a toy guitar his mother had bought him, influenced by musicians such as B. B. King and The Dixie Hummingbirds. However, his most influential musical experience was seeing George Benson perform on television with Benny Goodman. He learned technique from listening to recordings of Benson, Wes Montgomery and Charlie Christian among others.

Malone played with jazz organist Jimmy Smith, followed by a residency with the Harry Connick Jr. Big Band and in 1995, Malone became part of the Diana Krall Trio, that had three albums nominated for a Grammy. Following his tenure with Krall, he went on to tour regularly leading his own quartet, has played with Dianne Reeves, Romero Lubambo, Ron Carter, Bobby Hutcherson, the late Mulgrew Miller, Dr. Lonnie Smith, Hank Jones, Benny Green, Bill Frisell and Sonny Rollins.

The essentially self-taught swing and bebop jazz guitarist has recorded several sessions for Columbia, Impulse, Venus, Verve and Telarc record labels and since 2004 has recorded on the MaxJazz label with his latest 2010 session being “Triple Play”. Russell Malone has amassed to date 18 albums in his catalogue and continues to perform, record and tour.

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Daily Dose Of Jazz…

David S. Ware was born on November 7, 1949 in Plainfield, New Jersey and began playing at age ten due to his father’s admiration for the saxophone and his large record collection. While in high school he played in the bands and ventured into New York as a teenager to listen to jazz. He had informal practice sessions with Sonny Rollins as a youth in the ’60s; then as part of the fertile NYC Loft Jazz era of the ’70s.

During this decade, he joined the Cecil Taylor Unit and Andrew Cyrille’s Maono. He also worked together with drummers Beaver Harris and Milford Graves. In the early ’80s he toured Europe with both Andrew Cyrille and his own trio. In mid-decade, Ware purposefully engaged himself in a period of extensive woodshedding – in order to further develop both his personal sound and his visionary group concept.

The ’90s saw the full-on actualization of this group, and the recognition of David S. Ware as a true saxophone colossus. A series of groundbreaking albums by the David S. Ware Quartet were released on the Silkheart, DIW, Homestead, AUM Fidelity, and Columbia Jazz labels. Perhaps the most highly acclaimed group of the last decade, David’s efforts were rewarded by being one of the very few jazz musicians whose work was appreciated by an audience outside the narrow confines of the jazz world. In an unprecedented coup, the ‘Cryptology’ album garnered the lead review slot in Rolling Stone Magazine.

Over the course of his career, tenor saxophonist David Ware has recorded for Columbia, Black Saint, DIW, Silkheart, Homestead, AUM Fidelity and Thirsty Ear record labels. He has performed with a host of musicians and was responsible for bringing the young pianist Matthew Shipp to the attention of the jazz environment. David S. Ware, who has played the most prestigious clubs and festivals around the globe passed away on October 18, 2012 ar age 62 in New Brunswick, New Jersey.

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Daily Dose Of Jazz…

Arturo Sandoval was born in Artemisa, Cuba on November 6, 1949 and began to play music at age 12 in the village band. After playing many instruments, he fell in love with the trumpet. In 1964, he began three years of serious classical trumpet studies at the Cuban National School of Arts. By the age of 16 he had earned a place in Cuba’s all-star national band and was totally immersed in jazz influenced by Charlie Parker, Clifford Brown and with Dizzy Gillespie as his idol and later mentor and colleague.

In 1971 he was drafted into the military. Luckily, Sandoval was still able to play with the Orquesta Cubana de Musica Moderna. In Cuba, Sandoval co-founded the band Irakere with Chucho Valdes and Paquito D’Rivera. They quickly became a worldwide sensation. Their appearance at the 1978 Newport Jazz Festival introduced them to American audiences and garnered them a recording contract with Columbia Records.

Arturo defected to the United States while touring in Spain with Dizzy in 1990, becoming a naturalized citizen in 1999 and has enjoyed a successful career. He has played with Woody Herman, Herbie Hancock, Woody Shaw, Stan Getz, Celine Dion, Tito Puente, Patti LaBelle, Frank Sinatra, Paul Anka, Gordon Goodwin and numerous others.

His life was the subject of the 2000 TV film For Love or Country: The Arturo Sandoval Story, starring Andy Garcia. He currently continues to perform, tour and record around the globe.

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Daily Dose Of Jazz…

Jan Garber was born Jacob Charles Garber on November 5, 1894 in Indianapolis, Indiana. He had his own band by the time he was 21. He became known as “The Idol of the Airwaves” in his heyday of the 1920s and 1930s, playing jazz in the vein of contemporaries such as Paul Whiteman and Guy Lombardo.

It was during World War II that Garber began playing swing jazz with arranger Gray Rains and vocalist Liz Tilton. However, the recording restrictions in America during the war eventually made his ensemble unfeasible, and he returned to “sweet” music after the war, playing violin with the Philadelphia Symphony Orchestra.

Jan formed the Garber-Davis Orchestra with pianist Milton Davis from 1921–1924. After parting with Davis, he formed his own orchestra, playing both “sweet” and “hot” 1920s dance music. He was hit hard by the Great depression and in the thirties he refashioned his ensemble into a big band and recorded a string of successful records for Victor.

Violinist and bandleader Jan Garber continued to lead ensembles nearly up until the time of his death on October 5, 1977 in Shreveport, Louisiana.

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