Daily Dose Of Jazz…

Michael Cochrane was born September 4, 1948 in Peekskill, Westchester County, New York. A pianist by choice, in 1956 he started piano lessons at the age of eight. He continued to perform throughout his high school years in band program under the direction of Vincent Corozine. During these teen years was when he received his first exposure to jazz and the big band sound.

He would go on to enroll at Boston University studying science and math while taking an after school music program at Berklee College of Music. By his junior year in school, the jazz bug had bitten, he switched majors, graduated with a degree in psychology and became a regular on the local Boston jazz scene.

For the next four years  Boston was home until he moved to New York City and began a long collaboration with trumpeter Hannibal Marvin Peterson. They toured the world and eventually recorded One With the Wind for Muse Records. He has performed and/or recorded with artists including Sonny Fortune, Jack Walrath, Eddie Gomez, Valery Ponomorev, Paul Nash, John Clark, Clark Terry, Nancy Monroe, Chip White, Michael Brecker, Chico Freeman, Galen Abdur Razzaq, The Spirit Of Life Ensemble, Bob Ferrel, The New World Quintet, Ted Curson, Oliver Lake, Oliver Lake, Sonny Fortune, Tom Harrell, Bob Malach, Dennis Irwin, James Madison and many more.

He has recorded for SteepleChase Records, as well as Soul Note and Landmark Records. Michael has received fellowships from the National Endowment For The Arts, the The Puffin Foundation and the Mid-Atlantic Arts Foundation. Pianist Michael Cochrane has studied with Jaki Byard, Eleanor Hancock and Madame Margaret Chaloff, and is currently a New York University Jazz Piano faculty member and continues to perform, record and tour.

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Daily Dose Of Jazz…

Emil Richards was born Emilio Joseph Radocchia on September 2, 1932 in Hartford, Connecticut.  He began playing the xylophone at age six and went on to graduate from the Julius Hartt School of Music. He took private lessons from Asher George Zlotnik and performed with the Hartford Symphony Orchestra and with various jazz musicians in New England.

After serving as Assistant Band Leader of the First Cavalry Army Band for two years, his career took off. He became first call percussionists for jazz, rock and other popular music as well as performing on countless movie and television soundtracks.

In 1954 Emil moved to New York City and played jazz gigs with Charles Mingus, Ed Shaughnessy and Ed Thigpen, while doing studio recordings for artists such as Perry Como, the Ray Charles Singers and Mitch Aires. In 1955 Emil joined the George Shearing Quintet and stayed with the group for over four years, playing 51 weeks a year.

1959 saw Richards settling in Los Angeles,California and working with the Paul Horn Quintet, Jimmy Witherspoon, the Shorty Rogers Big Band, Don Ellis, Lalo Schifrin, Dizzy Gillespie, Stan Kenton, Shelly Manne, Alphonse Mouzon, Dakota Staton, Gábor Szabó, Lenny Bruce and Lord Buckley. He also recorded with Frank Sinatra, Nelson Riddle, Judy Garland, Sarah Vaughan and Doris Day. In 1962, in response to a request from President John F. Kennedy, he and a small jazz combo joined Sinatra on a tour around the world for the benefit of underprivileged children.

He would go on to work with Harry Partch, go on a world tour, then return to Los Angeles to perform and record with among others the Beach Boys, Jan and Dean, Bing Crosby and Nat Cole, Frank Zappa’s Abnuceals Emuukha Electric Symphony Orchestra. He also worked on film scores for Jerry Goldsmith, John Williams, Henry Mancini, Elmer Bernstein, Johnny Mandel, Quincy Jones, Oliver Nelson, Neal Hefti, Lalo Schifrin, Dave Grusin, Michel Legrand, Alex North and Bill Conti, to name a few.

Emil began collecting ethnic percussion instruments that became so diverse and expansive that is became known as the Emil Richards Collection. Having served several terms on the Board of Directors for the Percussive Arts Society, and donating the largest single-donor collection of instruments to the society museum, he directed the sale of part of the collection to be sold to the L.A. Percussion Rentals so that the instruments continue to be heard.

Percussionist Emil Richards remains active in Musicians’ Union Local 47 as part of their campaign to get musicians credited in the film industry.


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Daily Dose Of Jazz…

Teri Thornton was born Shirley Enid Avery on September 1, 1934 in Detroit, Michigan. She began performing in the local clubs of her home city in the 1950s. Moving to New York City in the 1960s, where she found work singing for television advertisements, and recorded for several different labels.

By the 1960s Thornton faded from public view and only decades later was discovered to have been singing on various song poem records in Los Angeles, California on the Preview label as Teri Summers. After moving back to New York City in 1983 she was back on the club circuit and in the Nineties fully revived her career. In 1998, she won the Thelonious Monk Institute of Jazz Vocal Competition in Washington, DC. performing against runners-up Jane Monheit, Tierney Sutton and Roberta Gambarini.

Thornton signed with Verve Records in 2000, releasing I’ll Be Easy to Find, working with Ray Chew, Norman Simmons, Lonnie Plaxico, Jerome Richardson, Dave Bargeron, Howard Johnson and J. T. Lewis.

She was a resident of the Actors’ Fund Home and diagnosed with bladder cancer, vocalist Teri Thornton passed away that same year on May 2, 2000 in Englewood, New Jersey.

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Daily Dose Of Jazz…

Lauderic Rex Caton was born on August 31, 1910 in Arima, Trinidad and Tobago, the fourth son and last among the eight children of Robert Caton, who was of Saint Lucian descent, and Margaret Caton. An autodidact on guitar, he was also proficient on saxophone, double bass, and banjo, and began playing professionally at the age of 17.

After spending time in Guadeloupe and Martinique, he moved to Europe in 1938, playing in Paris with Martinican musician Oscar Alemán. He then moved to Brussels and played with Ram Ramirez, Jean Omer, Harry Pohl, and Jamaican Joe Smith. While in Antwerp, Caton played with Gus Clark and Tommy Brookins.

Influenced by Lonnie Johnson and Charlie Christian, he began amplifying his guitar in 1940. Lauderic played in England with Don Marino Barreto and during his tenure met and befriended saxophonist Louis Stephenson, who became a frequent collaborator. He led a house band at Jig’s Club working with Cyril Blake, Johnny Claes, Bertie King, Harry Parry, Dick Katz, and Coleridge Goode. By the 1940s he played with Ray Ellington and Ray Nance, playing under the pseudonym Lawrence Rix for legal reasons.

Guitarist Lauderic Caton went on to teach and build custom amplifiers. He passed away in London, England  on February 19, 1999 at age 88 and was interred in Port Of Spain, Trinidad.  


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Conny Jackel was born Horst Konrad Jackel on August 30, 1931 in Offenbach am Main, Germany. He first worked as a steel fitter, then in 1951 he played at the conservatory and in the clubs of the US Army in France, the Netherlands and Germany in 1952. In 1955 he became a member of Helmut Brandt Combo, contributing to their success.

By 1959 Jackel had joined the Harald Banter Band in Cologne playing demanding arrangements for two years. In 1961 he joined the orchestra of Erwin Lehn in  Stuttgart, where he also worked with Miles Davis, Chet Baker, Dizzy Gillespie and Frank Sinatra on stage.

From 1964 to 1969 he was a member of the Albert Mangelsdorff led Jazz Ensemble of Hessischer Rundfunk . From 1967 Conny played first trumpet in the Dance Orchestra of Hessischer Rundfunk under Willy Berking and the HR Big Band headed by Heinz Schönberger . In addition, he performed with Joki Friendand, Rudi Sehring, Attila Zoller and Charly Antolini. He recorded with Gustl Mayers Swing All Stars and the trio of Manfred Kullmann . Then he was a member of the jazz band Hanauer Sugarfoot Stompers and played with other traditional bands of the region such as the Phoenix Jazz Band.

In 1999 a bout with cancer caused Jackel to have his lower jaw removed forcing him to give up playing trumpet. Occasionally he would play drums as also in the Book Readers active as a drummer. For his contributions to jazz, he was inducted into the Knights of Ronneburg on September 9, 2006.

Trumpeter and flugelhornist Conny Jackel passed away after a long illness and the consequences of an operation on April 28, 2008 in Bad Nauheim, Germany.


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