Daily Dose Of Jazz…
Don Pullen was born on December 25, 1941 and was raised outside Roanoke, Virginia and learned to play the piano at an early age. He played with the choir in his local church, was heavily influenced by his jazz pianist cousin, Clyde “Fats” Wright and took some lessons in classical piano. He knew little of jazz, concentrating mainly on church music and the blues.
Leaving Roanoke for Johnson C. Smith University in North Carolina to study for a medical career, Pullen soon realized that his true vocation was music. After playing with local musicians and being exposed for the first time to albums of the major jazz musicians and composers he abandoned medical studies for music.
By 1964 he was in Chicago with Muhal Richard Abrams, then moved to New York City and immersed in the avant-garde recording with Giuseppi Logan. Along with band mate Milford Graves formed a duo, started a small label and recorded his first sessions that did great in Europe. He turned to more profitable organ and during the 60’s and 70s played trio dates and backed such vocalists as Arthur Prysock, Irene Reid, Ruth Brown, Jimmy Rushing and Nina Simone. He held a brief position with Art Blakey and the Jazz Messengers in 1972.
Over the course of his career he would play with Charles Mingus, lead his own groups, form the George Adams/Don Pullen Quartet, put together the African Brazilian Connection, worked with Native American drummers and choir, and played with Nilson Matta, Carlos Ward, Gary Peacock, Tony Williams, Hamiet Bluiett, Bill Cosby, Jack Walrath, Maceo Parker, Roy Brooks, Jane Bunnett and David Murray among others.
Don Pullen jazz pianist, organist and composer of blues to bebop, who recorded over 30 albums as a leader and more than three dozen as a sideman, passed away of lymphoma on April 22, 1995.
Put A Dose In Your Pocket
Daily Dose Of Jazz…
Ray Bryant was born Raphael Homer Bryant on December 24, 1931 in Philadelphia, Pennsylvania and began playing piano at age six. He played bass in junior High School. Turning professional before his age of maturity, he made a name for himself in his hometown playing a steady gig at the Blue Note Club.
From the late 1950s, he led a trio, performing throughout the world, and also worked solo. He recorded his first album with Betty Carter in 1955 titled “Meet Betty Carter and Ray Bryant” that marked his initial ascent. His first solo piano album “Alone With The Blues” in 1958 became the precursor to many more solo projects.
A noted jazz composer, with well-known themes such as “Cubano Chant,” “Monkey Business,” “Little Susie” and “The Madison Time,” the latter being resurrected in the 1988 movie Hairspray and subsequently used in the Broadway show.
Ray has performed and recorded with such players as Miles Davis, Sonny Rollins, Melba Liston, Coleman Hawkins, Charlie Parker, Carmen McRae and Aretha Franklin. Along with his brother Tommy and Oz Perkins he formed a trio as the back-up band in 1964 for the off-Broadway run of the comedy show Cambridge Circus starring John Cleese.
Ray Bryant, sensitive yet firm pianist who was comfortable with tonalities of gospel and blues and excelled as both sideman and leader passed away at age 79 on June 2, 2011.
Give The Gift Of Knowledge
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Daily Dose Of Jazz…
Chet Baker was born Chesney Henry Baker, Jr. on December 23, 1929 in Yale, Oklahoma. Raised in the musical household of a professional guitar player, he began his musical career singing in church, and then introduced to the trombone, but proved to large it was replaced with the trumpet.
Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the Army, serving in the 298th Army band. After his discharge in 1948, he studied theory and harmony at El Camino College in Los Angeles, dropped out in his second year and re-enlisting joined the army band at the Presidio but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Once again discharged he pursued his career as a professional musician.
Chet’s earliest notable professional gigs were with saxophonist Vido Musso band and with Stan but earned much more renown in 1951 when Charlie Parker chose him to play a series of West Coast engagements. In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon due to contrapuntal touches.
With Mulligan serving a sentence on drug charges, Pacific Jazz picked up Baker in 1956 releasing Chet Baker Sings to the consternation of purists, but it increased his profile. He would go on to perform and record with Russ Freeman, Carson Smith, Joe Mondragon, Jimmy Bond, Art Pepper and Shelley Manne among others, win the Downbeat Jazz Poll, make his acting debut in Hell’s Horizon, front his own combos, and become an icon in the West Coast cool jazz movement.
However successful Baker became his lifelong battle with heroin brought a decline to his musical career, pawning instruments, serving prison sentences, encountering expulsion and deportation from European countries, savagely beaten and losing his teeth and ability to play. Chet’s comeback came with being fitted with dentures, relocating to New York and Europe, playing with Philip Catherine, Phil Markowitz, Stan Getz and returning with his most prolific recording era between 1978 and 1988, though on mostly small European labels that never reached wide audience attention.
Chet Baker, composer, flugelhornist and trumpeter who popularity was due in part to his matinee-idol good looks and well publicized drug habit, and who was associated most prominently with his rendition of My Funny Valentine and his documentary Let’s Get Lost, passed away on May 13, 1988 in Amsterdam, Netherlands.
Take A Dose On The Road
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Daily Dose Of Jazz…
Reunald Jones Sr. was born December 22, 1910 in Indianapolis, Indiana and studied trumpet at the Michigan Conservatory. He played with territory bands such as Speed Webb’s outfit and then into the 30s worked with Charlie Johnson, the Savoy Bearcats, Chick Webb, Sam Wooding, Claude Hopkins and others.
By the 1940s he would work with Erskine Hawkins, Duke Ellington, Jimmy Lunceford, Lucky Millinder and Sy Oliver; and worked extensively as a studio musician. During the Fifties, Jones toured with Woody Herman, and played lead trumpet with the Count Basie Orchestra gaining some fame due to his “one-handed” solo style of playing, but was rarely featured.
However, Jones was featured as a member of the Quincy Jones group, “The Jones Boys” from 1956-58, a session conceived by Leonard Feather featuring a number of musicians named “Jones,” though none of them were related.
The Sixties saw him playing and touring with George Shearing and with orchestra accompanying Nat King Cole. By the 70s he was playing less and on February 26, 1989 he passed away.
Dose A Day – Blues Away
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Daily Dose Of Jazz…
Paco de Lucía was born Francisco Sánchez Gómez in Algeciras, Cadiz, Spain on December 21, 1947. His father introduced him to the guitar at a very young age and was extremely strict in his upbringing, forcing him to practice up to 12 hours a day, every day. Combined with natural talent, he soon excelled and in 1958, at age 11, he made his first public appearance on Radio Algeciras. A year later he was awarded a special prize in the Jerez flamenco competition.
At age 14 Paco was touring with the flamenco troupe of dancer Jose Greco and in 1964 he recorded the first of three albums with guitarist Ricardo Modrego. From 1968 to 1977 he would record 10 albums with flamenco singer Camaron de la Isla.
In 1979, de Lucía along with John McLaughlin and Larry Coryell formed The Guitar Trio, briefly toured Europe and released Meeting of the Spirits, a video recorded at London’s Royal Albert Hall. Al Di Meola later replaced Coryell and since 1981 the trio has recorded three albums.
Over the course of his career, Paco De Lucia, considered one of the finest guitarist in the world, has appeared in the western film Hannie Caulder, recorded on the soundtrack of Don Juan DeMarco, led his own sextet with brothers Ramón and Pepe, continues to record jazz, classical and flamenco albums, has won the Prince of Austrias Award, and has been awarded doctorates from the University of Cadiz and Berklee College of Music. On February 25, 2014 he passed away of a heart attack at age 66 in Playa de Carmen, Mexico. He was posthumously award a Latin Grammy for Album of the Year for his album Canción Andaluza the same year.
Inspire A Young Mind
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