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Stan Getz Plays is a compilation album of previously released material by tenor saxophonist Stan Getz recorded in 1952 but wasn’t released until 1955 on the Norgran label. The album, however, features tracks (1,3-12)  that were previously released on two 10-inch LPs on Clef Records, (13-14) originally released on Verve, and (15 & 16) previously released on MGN. Tracks 12-16 were bonus tracks on the CD reissue.

Stella By Starlight, Time on My Hands, Tis Autumn, The Way You Look Tonight, Lover, Come Back to Me, Body and Soul, Stars Fell On Alabama, You Turned The Tables On Me, Thanks For The Memory, Hymn Of The Orient, These Foolish Things, How Deep Is The Ocean?, Nobody Else But Me, Down By The Sycamore Tree, I Hadn’t Anyone Till You and With The Wind And The Rain In Your Hair.

Recorded in New York City on December 12, 1952 (tracks 1-8) and December 29, 1952 (tracks 9-12).  The Los Angeles, CA session was on January 23, 1954 (tracks 13-16). The album cover was designed by Tom Hughes and the photograph was taken by Phil Stern.

The personnel on these recording were: Stan Getz on tenor saxophone, with guitarist Jimmy Raney on tracks 1-12, pianists Duke Jordan on tracks 1-12 and Jimmy Rowles on tracks 13-16, Bill Crow on tracks 1-12 and Bob Whitlock on tracks 13-16 shared bass duties, and Frank Isola on tracks 1-12 and Max Roach on tracks 13-16 were the drummers.

 

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Maynard Ferguson Plays Jazz for Dancing is an album released by Canadian jazz trumpeter Maynard Ferguson featuring tracks recorded at Capitol Studios in New York City in early 1959 on February 23, 25, 26 and March 31. Ferguson contributed the second track, Where’s Teddy, on this originally released on the Roulette label.

This is a less than adventurous project for the trumpeter than his more jazz oriented sessions but it is a pleasing work purposely done. The album was produced by Teddy Reig and arrangements were written by Slide Hampton, Willie Maiden and Don Sebesky.

Compositions: Hey There, Where’s Teddy, If I Should Lose You, I’ll Be Seeing You, Tis Autumn, Secret Love, I’m Beginning to See the Light, It Might as Well Be Spring, Stompin’ at the Savoy, ‘Round Midnight and Soft Winds.

Personnel: Maynard Ferguson – trumpet, valve trombone, euphonium, Bill Chase, Don Ellis, Larry Moser – trumpet, Don Sebesky – trombone, bass trombone, Slide Hampton – trombone, Jimmy Ford – alto saxophone, Carmen Leggio, Willie Maiden – tenor saxophone, John Lanni – baritone saxophone, Bob Dogan – piano, Jimmy Rowser – bass, and Frankie Dunlop – drums.

 

 

 

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Black, Brown and Beige is a 1958 jazz album by Duke Ellington and his orchestra, featuring Mahalia Jackson, released on the Philips label.

The album is a recording of a revised version of Ellington’s Black, Brown and Beige suite. After a disappointing critical response to its first performance in 1943 at Carnegie Hall, Ellington divided the three-part suite into six shorter sections, leaving in “Come Sunday” and “Work Song“, and it is this version that is recorded here.

The compositions recorded at this session and presented on this limited edition release are: Part I (Work Song), Part II (Come Sunday), Part III (a.k.a. Light), Part IV (a.k.a. Come Sunday) featuring Mahalia Jackson, Part V (a.k.a. Come Sunday Interlude) featuring Ray Nance,  Part VI (23rd Psalm) featuring Mahalia Jackson. Three additional tracks were added Part IV (Come Sunday) Featuring Mahalia Jackson [Alt. Take], Part V (Come Sunday Interlude) Featuring Ray Nance [Alt. Take] and Part Vi (23rd Psalm) Featuring Mahalia Jackson [Alt. Take]

The orchestra included Duke Ellington/piano, Cat Anderson, Harold Baker, Clark Terry/trumpet, Ray Nance/trumpet & violin, Quentin Jackson, Britt Woodman/trombone, John Sanders/valve trombone, Jimmy Hamilton/clarinet, Bill Graham/alto saxophone (subbing for Johnny Hodges), Russell Procope/clarinet & alto saxophone, Paul Gonsalves/tenor saxophone, Harry Carney/baritone saxophone, Jimmy Woode/bass, Sam Woodyard/ drums and Mahalia Jackson/vocals. 

 

 

 

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Alligator Bogaloo is the 1967 hard bop and soul jazz album by jazz alto saxophonist Lou Donaldson recorded on the Blue Note label. It features Donaldson with Melvin Lastie on cornet, Lonnie Smith on organ, George Benson on guitar, and Leo Morris on drums, a.k.a. Idris Muhammad.

The success of the title track surprised Donaldson as they  were three minutes short for the session and had no more material. So he came up with a riff the guys could follow for three minutes to fill out the time, and that was the only thing that sold on the record.

The album’s six tracks are listed as Alligator Bogaloo, One Cylinder, The Thang, Aw Shucks!, Rev. Moses, and I Want a Little Girl. The album was produced by Alfred Lion and recorded at Van Gelder Studios in Englewood, New Jersey. #jazz #classic #collectible #music

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Whims of Chambers is an album released by bassist Paul Chambers released on the Blue Note label in 1956. The album features performance personnel by Chambers with trumpeter Donald Byrd, tenor saxophonist John Coltrane, guitarist Kenny Burrell, pianist Horace Silver and drummer Philly Joe Jones.

The album consisted of seven compositions with three by the leader and two by Byrd and two by Coltrane. Omicron by Byrd, Whims of Chambers, Nita by Coltrane, We Six by Byrd, Dear Ann, Tale of the Fingers and Just for the Love by Coltrane.

The album was produced by Alfred Lion, recording engineer Rudy Van Gelder, cover photo by Frank Wolff and cover design Reid Miles.

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