Daily Dose Of Jazz…
Spike Wells was born Michael Wells in Tunbridge Wells, Kent, Wells on the 16th of January 1946 and was a chorister at Canterbury Cathedral Choir School. He became interested in jazz after coming across a recording by Dizzy Gillespie, which he found very exciting. He took up playing drums in his early teens and later had lessons from former Miles Davis drummer Philly Joe Jones, who lived in London from 1967 to 1969 He was also very influenced by another of Davis’s drummers, Tony Williams. At Oxford University, Wells put together a quartet with tenor player Pat Crumly and pianist Brian Priestley that played with visitors including saxophonists Bobby Wellins, Tony Coe and Joe Harriott, and blues singer Jimmy Witherspoon.
In 1968 Wells began a Ph.D. course in philosophy at London University, living in a house that was also home to bass player Ron Mathewson, alto sax player Ray Warleigh, trombonist Chris Pyne and pianist Mick Pyne. Mathewson was then playing in the quartet of tenor player Tubby Hayes and asked Wells if he would be interested in joining the group. He arranged an audition with Hayes and guitarist Louis Stewart, at which time Tubby asked if they wanted the job. Wells abandoned his Ph.D. and became a professional musician.
As well as playing with Hayes, in both his quartet and his big band, until the saxophonist’s death in 1973, he spent a year in Humphrey Lyttelton’s band, and also worked with many visiting soloists at Ronnie Scott’s Jazz Club, including Stan Getz, Roland Kirk, Art Farmer, Johnny Griffin and James Moody.
Qualifying as a solicitor, Wells then practiced law for 22 years, eventually working as an in-house legal adviser for Lloyds Bank. He became a deacon in the Church of England at 49, took early retirement from the bank, and took a stipend to curate at St Peter’s Church, Brighton. With music as well as ministry important to him, he went on to decline the stipend and now works as both a priest and a drummer. A selected discography has him recording fifteen albums with one as a leader titled Reverence in 2006.
More Posts: bandleader,drums,history,instrumental,jazz,music
Daily Dose Of Jazz…
Steve Jordan was born on January 15, 1919 in New York City and studied with Allan Reuss early in life while Reuss was Benny Goodman’s guitarist. He worked in the Will Bradley Orchestra from 1939 to 1941, then moved to Artie Shaw’s band until 1942. The same year he worked briefly with Teddy Powell before he enlisted in the U.S. Navy.
Following his discharge from the service he played with Bob Chester, Freddie Slack, Glen Gray and the Casa Loma Orchestra, Stan Kenton, Jimmy Dorsey, and Boyd Raeburn.
He became a studio musician for NBC and worked often as a freelance sideman after the big band era was over. He worked with Gene Krupa, Mel Powell, Vic Dickenson, Charles Thompson, Buck Clayton, Ruby Braff, Benny Goodman, Wild Bill Davison, Clancy Hayes, Buddy Tate, Helen Ward, and Ed Polcer. He held a regular gig in Washington, D.C. with Tommy Gwaltney from 1965 to 1972, and was offered the opportunity to succeed Freddie Green in the Count Basie Orchestra but turned it down.
Jordan recorded two sessions as a leader, Here Comes Mr. Jordan and Fat Cat’s Jazz, the latter appearing to be out of print. He published a memoir titled Rhythm Man in 1991. Guitarist Steve Jordan passed away on September 13, 1993 at the age of 74 in Alexandria, Virginia.
More Posts: bandleader,guitar,history,instrumental,jazz,music
Three Wishes
Earl Coleman’s response to Nica’s question of three wishes reflected his feelings on the state of jazz in America was:
- “To work with conscientiousness…”
- “Preferably in Europe.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Compiled and Photographed by Pannonica de Koenigswarter
More Posts: baroness,history,instrumental,jazz,music,pannonica,three,vocal,wishes
Requisites
The Yuko Mabuchi Trio, Volume 1 is a 2017 live recording by the trio at The Brain and Creativity Institute’s Cammilleri Hall in Los Angeles, California on March 31, 2017. It was recorded in honor of the 25th Anniversary of The Los Angeles and Orange County Audio Society, and their President, Bob Levi who was celebrating his 70th Birthday and released on the Yarlung Records label. The executive producer was Randy Bellous.
Track List |- What Is This Thing Called Love?
- Valse Noire
- On Green Dolphin Street
- Seriously
- Yuko Mabuchi ~ piano
- Del Atkins ~ bass
- Bobby Breton ~ drums
Review by Eddie Carter
On the stage, a beautiful young woman sits at a baby grand piano unleashing an aggressive flood of sound into the audience. Behind her are two elegantly dressed gentlemen, Del Atkins on bass and Bobby Breton on drums, who match her creativity, precise timing, and articulation with their own musical artistry note-for-note. Her name is Yuko Mabuchi.
The four-song album opens with one of Cole Porter’s most recorded compositions, the 1929 classic, What Is This Thing Called Love?, composed for the Broadway musical, Wake Up and Dream. It is followed by the very pretty ballad Valse Noire by Cincinnati, Ohio composer Mark Lehman who originally wrote the tune for solo piano. The pace slows down as the second side begins with the 1947 popular song On Green Dolphin Street by Bronislaw Kaper and Ned Washington. It was composed for the film Green Dolphin Street released that year and became a jazz standard after Miles Davis recorded it on his 1958 Columbia album, Jazz Track. The album closes with Seriously by singer-songwriter Sara Bareilles who wrote it for fellow singer Leslie Odom, Jr., who appeared on the weekly public radio program and podcast, This American Life.
Source: Jazztracks by Eddie Carter | Excerpt: 12/2018 | atlantaaudioclub.org
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Olu Dara was born Charles Jones III on January 12, 1941 in Natchez, Mississippi. After moving to New York City In 1963, he changed his name to Olu Dara, which means “God Is Good” in the Yoruba language. In the Seventies and Eighties, he played alongside David Murray, Henry Threadgill, Hamiet Bluiett, Don Pullen, Charles Brackeen, James Blood Ulmer, and Cassandra Wilson. He formed two bands, the Okra Orchestra and the Natchezsippi Dance Band.
His first album, In the World: From Natchez to New York, released in 1998, revealed another aspect of his musical personality: the leader and singer of a band immersed in African-American tradition, playing an eclectic mix of blues, jazz, and storytelling, with tinges of funk, African popular music, and reggae. His second album Neighborhoods, with guest appearances by Dr. John and Cassandra Wilson, followed in a similar vein.
Dara played on the 1994 album Illmatic, on the song Dance, and he sang on the 2004 song Bridging the Gap, all by his son, rapper Nas. Besides recording two albums as a leader, cornetist, guitarist and singer Olu Dara has recorded fifty-four as a sideman with the likes of Doug Carn, Oliver Lake, Julius Hemphill, Nona Hendryx, The Be Good Tanyas, Rickie Lee Jones, Terumasa Hino, Jack McDuff, Dirty Dozen Brass Band, and James Newton, among others.
More Posts: bandleader,cornet,guitar,history,instrumental,jazz,music,vocal