Three Wishes
The three things that Horace Silver wished for were:
- “Immortality.”
- “To be rich.”
- “A baby.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Requisites
Hard Driving Jazz by the Cecil Taylor Quintet was recorded in New York City on October 13, 1958 at United Artists Records. This hard bop and modal session was licensed by United to Dillard et Cie, Imp. and released in 1959 on La Voix De Son Maître in Paris, France.
The cover photography was taken by Tom Burnside and the design of the cover was made by Griner/Lewis, the recording engineer was Fernando Vargas, Tom Wilson was the session producer and the liner notes were written by François Postif.
Four tunes made up this session composed by Chuck Israels, Jimmy Van Heusen, Johnny Burke, Kenny Dorham, John Klenner and Sam Lewis. Double Clutching, Like Someone In Love,Shifting Down and Just Friends for a short 33:14.
The players were Chuck Israels on bass, Louis Hayes on drums, Cecil Taylor on piano, Kenny Dorham on trumpet and on tenor saxophone was Blue Train (John Coltrane).
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Three Wishes
Clark Terry said his three wishes would be:
- “To be assured of health, so as to have happiness and a long life.”
- “To be wealthy enough to never to have to worry about money.”
- “I would like to have something happen to everyone to abolish that old racist shit.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Requisites
Saudade is an album by Brazilian composer Moacir Santos recorded in 1974 and released on the Blue Note label. The album was recorded at United Artists Studios in West Hollywood, California on March 5, 6 & 12, 1974.
The compositions that make up the album are Early Morning Love (Santos, Yanna Cotti) – 3:25, A Saudade Matta a Gente (Antonio Almeida, J. de Barro) – 6:10, Off and On (Santos, Cotti) – 3:37, The City of LA (Mark Levine) – 3:38, Suk Cha (Santos) – 4:06, Kathy (Santos, Ray Evans, Jay Livingston) – 3:37, Haply-Happy (Santos, Petsye Powell) – 2:59, Amphibious (Santos, Assis) – 3:25, This Life (Santos, Cotti) – 2:33 and lastly What’s My Name (Santos, Evans, Livingston) – 3:07.
The players were Moacir Santos – alto saxophone, baritone saxophone, conductor, arranger, Steve Huffsteter – trumpet, flugelhorn, Benny Powell – trombone, Morris Repass – bass trombone, Sidney Muldrow – french horn, Ray Pizzi – bassoon, alto saxophone, tenor saxophone, flute, piccolo, Jerome Richardson – soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, flute, alto flute, Mark Levine – piano, electric piano, arranger, Lee Ritenour – guitar, electric guitar, John Heard – bass, electric bass, Harvey Mason – drums, Mayuto Correa, Carmelo Garcia – conga, percussion, and Donald Alves, Mike Campbell, Jose Marino, Petsye Powell, Carmen Saveiros, Regina Werneck on background vocals.
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Three Wishes
Nica asked bassist Ali Jackson what his three wishes were and he told her:
- “To be on a hip, swinging gig. That’s all I need.”
- “To be inspired to practice – which I would be if the first wish came true!”
- “To find a bass fiddle I saw in Cleveland in 1951. That fiddle was so old, the wood was black on the outside – really black, you know? And the inside was yellow. It was brought from Russia in 1890. It was heavy, and when I tried it, man, what a sound! I ran all over town borrowing money from everybody – even my landlady – and I got together about $350. But when I got back it was gone. They sold it for $750. But it would be worth $2,000 now. I’d like to find that fiddle.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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