GLASS CITY JAZZFEST
Lineup: Each set is 1:15
12:00 pm ~ Brick Bar All-Stars Josh Silver on piano, Ray Parker on bass, Scott Kretzer on drums, with vocalists Kim Buehler, Deborah Gardner, Theresa Harris, and Lori Lefevre
1:35 pm ~ Latin Jazz Players of Lima, Ohio
3:10 pm ~ Larry Fuller Trio
4:45 pm ~ Joey Sommerville, Trumpet
6:20 pm ~ Lindsey Webster, Vocal
7: 50 pm ~ Marcus Johnson, Keyboards
The event includes a preamble of music being scheduled starting with free shows at Toledo Spirits on Aug. 23, and followed by other free ones on Aug. 24 at the Brick Bar, Aug. 25 at Peacock Cafe, and Aug. 26 at Ottawa Park. The only paid event connected to Glass City JazzFest will be a VIP show being scheduled for Aug. 27 at Lucille’s Jazz Lounge
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Daily Dose Of Jazz…
Olivia Meyer was born on July 15, 1990 in Rochester, New York and first encountered her father’s tenor saxophone when looking under his bedroom dresser. There she discovered a large black case covered with dust containing a Mark VI. Her fathe rnot only gifted her the saxophone but once she played it was smitten and the decision to pursue the saxophone was cemented. They would go to the public library, check out the maximum number of cds and listen to them together.
At the age of nine, Olivia played and studied in the programs provided by the inner city schools she attended. She began private lessons in classical and jazz piano and ultimately jazz and classical saxophone. By fifteen, she was splitting her time between the School of the Arts and the Eastman School of Music, studying music history, theory, jazz composition, and classical and jazz saxophone.
As a member of the Eastman Youth Jazz Orchestra, she also worked and studied regularly with visiting artists Eric Alexander, Peter Bernstein, Paquito D’Rivera, Victor Goines, Wycliffe Gordon, Vincent Herring, Pat Labarbera, Ralph Lalama, Joe Locke, Gerry Niewood, and Grant Stewart.
After graduating from the School of the Arts, she received a scholarship to attend the Berklee College of Music in Boston, Massachusetts. She has played gigs in and around Rochester, and while in Boston she headlined a quartet as a part of the new “Birth of La Femme” series at Wally’s Jazz Café in Boston. Tenor saxophonist Olivia Meyer, has yet to record her debut album, is currently a Brand, Sales and Marketing Associate at Jazz At Lincoln Center.
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The Quarantined Jazz Voyager
This Jazz Voyager is still being very cautious about masking indoors and social distancing as the new B variants are cropping up around the world and are now hitting the shores of America. In light of these occurrences, today we are going to listen to the 1955 Ethel Ennis album recorded titled Lullabies For Losers that was released the same year on the Jubilee record label.
The cover was designed by Si Leichman, the liner notes were written by Mort Goode, and the photography by Charles Varon.
Track List | 37:32
- Love For Sale (Cole Porter) ~ 3:19
- Dreamer~Dreamer (Irving Caesar, Oskar Strauss) ~ 4:30
- Blue Prelude (Gordon Jenkins, Joe Bishop) ~ 3:00
- Off Shore (Leo Diamond, Michael H. Goldsen) ~ 3:55
- Casually (Alan McCarthy, Richard Freitas) ~ 3:57
- Hey Jacques (Eden Ahnez, Wayne Shanklin) ~ 3:03
- Lullaby For Losers (Robert Stringer) ~ 3:00
- Say It Ain’t So, Joe (Al Frisch, Kathleen G. Twomey, Fred Wise) ~ 2:58
- You Better Go Now (Bickley Reichner / Robert Graham) ~ 3:29
- Blue Willow (Vic Harrington) ~ 3:23
- Bon Voyage (DeSylva-Brown-Henderson) ~ 4:18
- Ethel Ennis ~ Vocal
- Hank Jones ~ Piano
- Eddie Biggs ~ Guitar
- Abie Baker ~ Double Bass
- Kenny Clarke ~ Drums
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Daily Dose Of Jazz…
Brenda Hopkins Miranda was born July 14th, and raised in San Juan, Puerto Rico. Her childhood was filled with sounds from all over the world and from an early age her profound sensibilities led her to intuitively reject stylistic boundaries. She began her musical path at the age of five with piano, ballet and painting lessons at Bonneville School. Her remarkable talent got her admission to the Conservatorio de Música de Puerto Rico to begin undergraduate studies in Classical Piano at 16 while still attending high school.
Holding a Bachelors Magna cum Laude degree in Classical Piano from the Conservatorio, she was awarded a Berklee School of Music scholarship, received a Masters degree with honors in Contemporary Improvisation from New England Conservatory, and completed Doctoral Studies in Musicology at the Universidad de Granada in Spain.
As a bandleader Hopkins Miranda has released six recordings between 1998 and 2017 with her last four albums making the top 20, with three of them in the top 10 and two in the top 5 album list. A recognized composer and artist on several short films and documentaries, throughout her professional career she has been active as a first call pianist on international tours for a host of Latin American artists like Ricardo Montaner, Gilberto Santa Rosa, Marco Antonio Muñiz, Pandora, Ednita Nazario, Glenn Monroig, Yolandita Monge and many others.
In 2006 Brenda moved to Granada, Spain for two years to pursue a PHD in musicology at the Universidad de Granada. She successfully auditioned. Brenda is also a groundbreaking pioneer in education. She was the winner of the Gilles Boulet 2014 first prize and medal awarded in Florianopolis, Brazil by the Interamerican Organization for Higher Education and has created over 300 creativity exercises for musicians. Brenda gives music creativity workshops all over the world.
Pianist, composer, arranger, improviser, bandleader, and producer Brenda Hopkins Miranda currently is a professor at the Universidad Interamericana Recinto Metropolitano Music Program. She continues to perform.
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Daily Dose Of Jazz…
Barbara Jordan was born on July 13, 1951 in Montreal, Canada and when she was in her last year of high school she realized her singing ability. Her high school music teacher, Iwan Edwards, encouraged her to audition for the lead role of Laurie in the musical Oklahoma. Getting the part she received her first lessons in stage presence and delivering a song. She joined the high school choir, and took a vocal music class in her last year of high school.
Joining an acapella choir outside of school, she also spent five years in this choir performing around Montreal and touring Western Canada and competed in the Eisteddfod in Wales. Her professional musical career began as a folk singer prior to becoming a multi-lingual vocalist with several leading disco, pop and country/western bands in and around the Montreal area.
Settling in Toronto, Canada she has acquired a reputation over the years singing traditional and swing. She has continuously performed in clubs around the Toronto area, New York, and New Orleans, as well as at various jazz festivals in Ontario, Montana, St. Petersburg and Sarasota, Florida; Newcastle, England and Paris, France.
Trad jazz, dixieland and swing vocalist Barbara Jordan, whose influences were Mildred Bailey, Peggy Lee and Lee Wiley, continues to lead her quartet and appear regularly.
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