Daily Dose Of Jazz…
Adrian Francis Rollini was born June 28, 1903 in New York City, New York of French and Swiss extraction. Growing up in Larchmont, New York, he showed musical ability early on and began to take piano lessons at the age of two. Considered a child prodigy, he played a fifteen-minute recital at the Waldorf Astoria Hotel at the age of four. By age 14 he was leading his group composed of neighborhood boys, in which he doubled on piano and xylophone.
Leaving high school in his third year he cut piano rolls for the Aeolian company on their Mel-O-Dee label and the Republic brand in Philadelphia, Pennsyolvania. At 16 he joined Arthur Hand’s California Ramblers and being equally skilled at piano, drums, xylophone, and bass saxophone, gained him Hand’s respect. Hand transferred the band to Rollini when he retired from the music field.
During the 1920s not only was he a member of the California Ramblers with Red Nichols, Jimmy and Tommy Dorsey, he also held membership in The Little Ramblers, The Goofus Five, and The Golden Gate Orchestra. During this time, he managed to lay down hundreds of sessions with Annette Hanshaw, Cliff Edwards, Joe Venuti, Miff Mole, Red Nichols, Bix Beiderbecke, Roger Wolfe Kahn, and Frank Trumbauer.
The 1930s saw him forming the Adrian Rollini Orchestra which recorded on Perfect, Vocalion, Melotone, Banner, and Romeo labels, where he played both bass saxophone and vibraphone. During the early swing era, starting in 1935, he managed Adrian’s Tap Room, owned the Whitby Grill, and opened White Way Musical Products, a store for the sale and repair of musical instruments.
Gradually shifting from the bass saxophone to the vibraphone after popularity of the hot jazz era of the 1920s waned. He went on to play hotels, arranging and writing songs behind the scenes. After an exhaustive career, he made his last recording with his trio in the early 1950s. He relocated to Florida, opened the Eden Roc Hotel in 1955, ran the Driftwood Inn at Tavernier Key and his Driftwood offered deep-sea fishing charters.
Bass saxophonist, pianist, and vibraphonist Adrian Rollini, died under unsolved circumstances on May 15, 1956 at the age of 52 in Homestead, Florida.
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JOSHUA REDMAN QUARTET
Joshua Redman is one of the most acclaimed and charismatic jazz artists to have emerged in the decade of the 1990s. The early influences of John Coltrane, Ornette Coleman, Cannonball Adderley, and his father, Dewey Redman, as well as The Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, The Police, and Led Zeppelin drew Joshua more deeply into music.
After graduating from Harvard College with a B.A. in Social Studies, he had already been accepted by Yale Law School, but deferred entrance for what he believed was only going to be one year to join friends in Brooklyn. Redman almost immediately found himself immersed in the New York jazz scene. In November 1991, five months after moving to New York, Redman was named the winner of the prestigious Thelonious Monk International Saxophone Competition.
Joshua Redman ~ saxophone
Paul Cornish ~ piano
Larry Grenadier ~ bass
Nazir Ebo ~ drums
Cover: $55.00 ~ $65.00
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DONALD HARRISON QUARTET
2022 NEA Jazz Master Big Chief Donald Harrison is a musician/composer dedicated to mastering every era of jazz, soul, and funk and composing orchestral classical music. He has been called a “One man music festival” because his performances cover the history of music and show his knowledge of many styles is the basis for his innovations.
According to geniuses Eddie Palmieri, Nicholas Payton, Carl Allen, and Mike Clark, he is a genius. Harrison is the recognized Big Chief of Congo Square in Afro-New Orleans culture, where he keeps alive one of the root contributors cultures to Traditional jazz. Harrison is also the innovator of three influential jazz styles, including a modern jazz twist to New Orleans’ second-line music that blends classic jazz with hip-hop, funk, and soul music, called “Nouveau Swing.”
Big Chief Donald Harrison | also saxophone & vocals
Dan Kaufman | piano
Brian Richburg | drums
Nori Naraoka | bass
Cover: $15.00 ~ $45.00 +fee
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PIECES OF A DREAM
The group was formed in Philadelphia during 1976 by bassist Cedric Napoleon, drummer Curtis Harmon, and keyboardist James Lloyd who were all teenagers at the time. The group based their name on “Pieces of Dreams”, a Michel Legrand tune recorded by Stanley Turrentine that they regularly performed. In 1981 Pieces of a Dream had a minor soul hit with “Warm Weather” with vocals by singer Barbara Walker and synthesizer by Dexter Wansel, which was recorded on Elektra Records and co-produced by Dexter Wansel. In late 1983, the group had their most successful single, “Fo-Fi-Fo”, which peaked at No. 13 on the US soul chart. During their time with Elektra Records from 1981 to 1983, the group’s first three albums were produced by saxophonist Grover Washington, Jr.
Over the course of their nearly 50 year career they have released twenty albums, the last of which was Fired Up in 2021 and the final recording session for bassist Cedric A. Napoleon who died in June 2024. They have never lost their heat!
Cover: $70.25
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Daily Dose Of Jazz…
Michel Benebig was born in Nouméa, New Calédonia, South-Pacific on June 27, 1964. He started playing bass guitar, accordion and keyboards in dancing bands at age 11. He studied classical piano from 16 to 26 yers old, at the Noumea Music-School, then in France at C.N.R de Besancon from 1990 to 1992.
Michel started playing the Hammond B3 organ in 1992. As a self-taught musician he taught himself how to play foot-pedal bass and jazz organ techniques. Meeting Jimmy McGriff in Atlanta, Georgia in 1995, Jimmy Smith in Oakland, California and Rhoda Scott in Nouméa the following year.
Michel has performed with guitarist Bruce Forman, drummer Lewis Nash, organist Tony Monaco, guitarist Randy Johnston and many more.
Organist, composer and bandleader Michel Benebig who is the founder of the Association des Musiciens de Jazz & Blues pour les Echanges et la Création Artistique, Artistic Director of YAARI, continues to perform and tour.
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