JEREMY PELT QUARTET
The trumpeter studied classical trumpet as a child and focused on jazz after playing in a high school jazz ensemble. He studied at Berklee College of Music. Among those he has performed with are Ravi Coltrane, Roy Hargrove, Greg Osby, and Cassandra Wilson.
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The Jazz Voyager
The Jazz Voyager is back in sunny Miami, Florida for a visit to the Koubek Center that sits on the campus of Miami Dade College. This historic landmark remains true to its pioneering heritage, the celebration of its multicultural community with workshops, art exhibitions, theater performances, literary readings, concerts and more.
This evening I will have the pleasure of hearing vocalist Leesa Richards, who has performed with Gerald Austin, Peabo Bryson, and Dionne Farris as well as toured worldwide with Whitney Houston. Also on the night’s ticket is trumpeter Jean Caze, who has worked with Herbie Hancock, Aretha Franklin, Mariah Carey, Al Jarreau, Roy Hargrove, Arturo Sandoval, and George Duke, to name a few. Both Leesa and Jean bring with them their own quartets.
The venue location is 2705 SW 3rd Street, 33135. For tickets and more information go to https://notoriousjazz.com/event/leesa-richards-quartet-jean-caze-quartet.
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CYRUS CHESTNUT
Ellington 125 | Duke Ellington Sacred Concert
Cyrus Chestnut is a jazz pianist, composer and producer. In 2006, Josh Tyrangiel, music critic for Time, wrote: “What makes Chestnut the best jazz pianist of his generation is a willingness to abandon notes and play space.
In the late 1980s and early 1990s, Chestnut worked with Wynton Marsalis, Terence Blanchard, Donald Harrison, and other bandleaders. He joined the band of jazz vocalist Betty Carter in the early 1990s and appeared on her 1992 album It’s Not About the Melody. That same year, he recorded his first albums as a bandleader, The Nutman Speaks and Nut. Chesnut has continued to work and record as a bandleader into the 21st century.
In 2006, Telarc released Genuine Chestnut, his first album for the label. On it he is accompanied by his regular trio of Michael Hawkins, bass and Neal Smith, drums. Additional artists on this session include Russell Malone, guitar and Steven Kroon, percussion. It includes jazz interpretations of some well-known pop numbers of the past half-century, including “If”, the early 1970s soft-rock ballad by Bread. “This song has been with me ever since the sixth grade,” Chestnut recalled, “I had to play it for my English teacher’s wedding. I’ve played it in many and various contexts. I actually played it in a Top 40 band when I was just out of school. A lot of time has passed, but then recently I just started thinking about it again.” Chestnut’s own “Mason–Dixon Line” is one of the album’s high points, a joyful bebop number.
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ALI RYERSON
Performing for nearly five decades, jazz flutist Ali Ryerson consistently ranks among the top flutists in the Downbeat poll. An international touring/recording artist, she’s released 15 albums including Brasil: Quiet Devotion.
The Hartford Currant wrote, “She is all about the music, she serves it, molds it, makes it her own. She is at the mercy of her instruments, which she plays with such amazing proficiency that you forget that she is not glued to them.”
Ali Ryerson Quartet featuring Ricardo Peixoto, Leco Reis & Nanny Assis
Two shows: 4:00pm & 6:00pm | Fees Apply
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TYRONE JACKSON
The name Tyrone Jackson is the quintessential jazz piano player. His boundless creativity coupled with harmonic mastery, utilizes the piano as a blank canvas. Jackson is nationally recognized and has traveled the world as a solo artist and sideman.
As a composer, Jackson has composed original music for Pulitizer Prize winning author Natasha Tretheway’s book of poems “Native Guard” turned theatrical play, Pearl Clege’s play, “Tell Me My Dream”, “Ethel” and this year’s Alliance Theater production of “Nick’s Flamingo Grill.” Jackson has recorded 4 Albums—“Dedicated”, “Another Voyage”, “Melody In Nede”, and new release “From The Mind Of.”
Lavahi is a scholar-artist on a mission to better society from the inside out. Through her music, scholarship, and performance, LAVAHI is building a platform to nourish the heart and mind, empathize our human experiences, and vibe together. As a daughter of jazz, the culture heavily informs her ideology and influences her sound. Acrobatic scatting, compelling chords, and the art of improvisation evoke that classic traditional aesthetic and set her contemporary sound apart from the norm of mainstream neo-soul, hip hop, and R&B. And with her satisfying blend of analog and digital sounds, LAVAHI shows that the lineage of Black sound is not linear but ever folding and stretching.
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