Daily Dose Of Jazz…
Lars Gunnar Victor Gullin was born May 4, 1928 in Visby, Sweden. A child prodigy on the accordion, by age thirteen, he played clarinet in a military band and later learned the alto saxophone. After moving to Stockholm, Sweden in 1947 he became a professional musician as a pianist. Planning on a classical career he studied privately with classical pianist Sven Brandel.
He filled the baritone chair in Seymour Österwall’s band in 1949 by chance, it was enough for him to decide that it was an instrument with possibilities. He was influenced by baritone saxophonist Gerry Mulligan for the first time on the Birth of the Cool recordings. He worked as a member of Arne Domnérus’s septet for two years from 1951.
Gullin began working with visiting American musicians, recording with James Moody, Zoot Sims and Clifford Brown. Most importantly, he first performed with Lee Konitz in 1951, an association which was to be repeated several times in future years.
In 1953 formed his own group, probably the only regular group he was to lead. It was short-lived, breaking up later that year after Lars was responsible for causing the group to be involved in an automobile accident, although no one was seriously hurt. The next year, 1954, he won the best newcomer award in the American DownBeat magazine. Later his albums were leased to Atlantic Records in the United States and toured several European countries with Chet Baker in 1955.
The remainder of his career was blighted by his own narcotics problems and sometimes he survived on artists’ grants from the Swedish government. During most of 1959 he was active in Italy, he played with Chet Baker again and with the jazz alto saxophonist Flavio Ambrosetti, making radio broadcasts with him in Lausanne, Switzerland.
He recorded with Archie Shepp in 1963. One of his last major statements was his Aeros aromatic atomica suite recorded in 1973. A recording jointly led by Lee Konitz and pianist Lars Sjösten, Dedicated to Lee … Play the Music of Lars Gullin was recorded in 1983 and issued by Dragon Records. Baritone saxophonist Lars Gullin transitioned from a heart attack on May 17, 1976, brought on by his long-term addiction to methadone.
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Daily Dose Of Jazz…
Magnus Öström was born in Västerås, Västmanland, Sweden on May 3, 1965. The son of an artist couple, he was influenced by the musical tastes of his older brother who was into Jimi Hendrix, Deep Purple, The Allman Brothers and Lynyrd Skynyrd. By the age of eight years he had built his first drum set and soon played music with a friend, Esbjörn Svensson.
He attended the musical grammar school in Västerås in 1981 and played with the Svensson trio. Between 1983 and 1985, he studied at the adult education center in Sjövik, Sweden before he continued his studies at the Music Academy Stockholm, Sweden. During this time, he played with various bands on the Stockholm scene and between 1987 and 1992 he was a member of singer Monica Borrfors band.
In 1989 Magnus was back with Svensson, initially in the group Stock Street B , then again in a trio with the bassist Dan Berglund with an album released in 1993. e.s.t. released twelve albums, toured internationally with great success, and played until the accidental death of Svensson.
Öström has worked with Bobo Stenson, Lennart Åberg, Palle Danielsson, Nils Landgren, Stina Nordenstam, Peter Gullin and Steve Dobrogosz as well as numerous American musicians such as Michele Hendricks, Benny Golson, Mulgrew Miller, Stefon Harris, Pat Metheny or Alan Pasqua. In 2010, he founded his own quartet and released their first album Thread of Life, which received an Echo Jazz.
In 2019, the ACT label released Live in Gothenburg for the first time. Drummer Magnus Öström, known for being part of the first Esbjörn Svensson Trio (e.s.t.), continues to perform and record.
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Daily Dose Of Jazz…
Ronaldo Folegatti was born on April 30, 1958 in Rio de Janeiro, Brazil and started playing the guitar at age 10. He studied mathematics and received a master’s degree in science.
When he was twenty-two, he moved to Germany and started a career in music. He released his debut album, Sound of Watercolors, in Germany in 1990. He recorded his sophomore album, Lust, Comics & Some Other Dreams, with Till Brönner and Ronnie Stevenson. The album crossed several genres including jazz, big band, free jazz, and Brazilian.
In 1995 he returned to Brazil and five years later recorded two more albums, Mazy Tales and Anjos & Estrellas. In 2005 he released Jamming! with guest appearances by Randy Brecker, Will Lee, Joel Rosenblatt, Zé Canuto, Teo Lima, Marcelo Martins, and Ada Rovatti. Composer, guitarist, and record producer Ronaldo Folegatti, who had been treated for cancer for two years, transitioned on August 1, 2007, Teresópolis, Brazil.
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Daily Dose Of Jazz…
Oliver Jackson was born in Detroit, Michigan on April 28, 1933. He played in the 1940s with Thad Jones, Tommy Flanagan, Wardell Gray, and had a variety show with Eddie Locke called Bop & Locke. After working with Yusef Lateef from 1954 until 1956, he moved to New York City, where he played regularly at the Metropole in 1957 and 1958.
Following his stint at the club he worked with Teddy Wilson, Charlie Shavers, Buck Clayton, Benny Goodman, Lionel Hampton, Kenny Burrell, Earl Hines and the JPJ Quartet with Budd Johnson through the Sixties.
Later in life he played with Sy Oliver from 1975 to 1980, Oscar Peterson, and then George Wein’s Newport All-Stars. As a bandleader, Jackson led a 1961 date in Switzerland, and recorded at least five albums for Black & Blue Records between 1977 and 1984.
His brother and bassist Ali Jackson performed with him both at the beginning and towards the end of their careers. Drummer Oliver Jackson, who was also known as Bops Junior, transitioned from a heart failure on May 29, 1994 in New York City at the age of 61.
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Daily Dose Of Jazz…
Kenn Smith was born Kenneth Lamont Smith on April 27, 1962 in Chicago, Illinois.
As a child of the 60s and Seventies living on the WestSide of his hometownhe first heard the sounds of Motown, Soul, Funk, Country, Jazz and Rock. His school was shows like Hee Haw and Midnight Special, his parents’ record collection, and a neighborhood filled with amateur and professional musicians.
When the family moved to the SouthSide in 1975, Smith began his guitar studies at age 13 with a visit to the local music store purchasing two Mel Bay books. Three years later the family moved to the western suburbs of Maywood, Illinois. At 16 he began classical guitar studies with guitarist Bruce Walters, and later continued studies at Jack Cecchini Studio.
While attending Proviso East High School, he played electric and classical guitar as well as timpani in the Proviso Township Orchestra, electric guitar and bass in the Proviso East High School jazz band, where he received the Louis Armstrong Award for Outstanding Jazz Improvisation during his senior year.
1982 saw Kenn beginning his career teaching guitar at Robinson’s Music Academy in Maywood, as well as performing with local funk and fusion bands. This he did while attending Columbia College of Chicago, studying music management and production. In 1987 he enrolled at the American Conservatory of Music where he studied jazz guitar and composition. In between those years of teaching, performing and study, he became an avid fan of progressive rock and fusion, developing skills as a guitarist, bassist and composer.
In 1986, he began his career as a freelance guitarist and bassist, performing on Chicago’s jazz, blues and rock scene. But it wasn’t till 1989 his professional career took off, working as a guitarist at the Chicago Cotton Club. It was here he later formed his first jazz trio and opened for jazz greats Shirley Horn, Stanley Turrentine, Freddy Cole, and Art Porter. As a jazz side man he played with other jazz greats, Jodie Christian, Guy Fricano, Johnny Frigo, Bobby Broom, Najee and many others.
He would go on tour with the Chi-Lites, start his own label Kenn Smith Music, has written, produced and recorded eight albums, as well as authored an instruction book for electric bass and numerous articles for online magazines such as Mel Bay Bass Sessions, and Bass Musician Magazine.
Guitarist, bassist, composer, educator and journalist Kenn Smith, who is well versed in many styles of music, continues to explore his music.
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