Daily Dose Of Jazz…
Vincent Lopez was born of Portuguese immigrant parents in Brooklyn, New York City on December 30, 1895. By 1916 he was leading his own dance band in New York City. Five years later his band began broadcasting on the new medium of entertainment radio, giving listeners a weekly 90-minute show on Newark, New Jersey station WJZ. The broadcast was instrumental in making him one of North America’s most popular bandleaders through the 1940s.
In the 1930s and ‘40s Vincent worked occasionally in feature films, notably The Big Broadcast and I Don’t Want to Make History and was one of the first bandleaders to work in Soundies movie musicals. His flamboyant style of piano playing influenced Eddy Duchin and Liberace.
Noted musicians who played in his band included Artie Shaw, Xavier Cugat, Jimmy Dorsey, Tommy Dorsey, Bob Effros, Mike Mosiello, Fred Lowery, Joe Tarto and Glenn Miller. He featured singers Keller Sisters and Lynch, Betty Hutton, and Marion Hutton. Lopez’s longtime drummer was Mike Riley, who popularized the novelty hit The Music Goes Round and Round.
In 1941, Lopez’s Orchestra began a residency at Manhattan’s Taft Hotel that lasted 25 years. In the early 1950s, he along with Gloria Parker hosted a radio program broadcast from the Taft Hotel called Shake the Maracas in which audience members competed for small prizes by playing maracas with the orchestra.
Bandleader, pianist and actor Vincent Lopez, who published his autobiography Lopez Speaking in 1960, died at the Villa Maria nursing home in North Miami, Florida on September 20, 1975.
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Daily Dose Of Jazz…
George Connell Elrick was born on December 29, 1903 in Aberdeen, Scotland. His first ambition was to be a doctor but financial constraints prevented this. Still in his teens, he began playing drums for local dance bands and by 1928 had formed his own band, the Embassy Band. The group swept the prizes in the All-Scottish Dance Band Championship that year.
Turning professional, George moved to London, England where he became friends with the crooner Al Bowlly, and began singing himself. He joined the Henry Hall Orchestra as a vocalist and drummer and their 1936 recording of The Music Goes Round and Round made him a star. Leaving Hall in 1937 he formed his own band, and two years later began his solo career, which was moderately successful through the years of World War II.
In 1948, he took a touring revue around Britain, and was asked by the BBC to stand in for two weeks as disc-jockey on the morning record request show Housewives’ Choice. The temporary job lasted almost twenty years, as his Scottish accent and liberal use of catchphrases became highly popular.
In later years, he became something of an impresario and acted as an agent for numerous musicians such as Mantovani. He was a member of the Grand Order of Water Rats, and was also a life member of the Variety Club of Great Britain.
Drummer George Elrick, who published his autobiography titled Housewives’ Choice: The George Elrick Story, died on December 15, 1999.
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Daily Dose Of Jazz…
Greg Hyslop was born in Montgomery, West Virginia on December 27, 1951 but grew up in Greensboro, North Carolina since 1957, He graduated from Berklee College of Music in Boston, Massachusetts in 1977 and returned to his hometown to settle down and raise a family.
With his hollow-bodied electric guitar, Hyslop performs straight ahead jazz with a bebop flavor. To date he has released two recordings, his debut with Kenny Werner on piano and John Riley on drums is titled Manhattan Date in 1987. His sophmore recording, The Greg Hyslop Trio features pianist David Fox and bassist Charles Gambetta.
Guitarist Greg Hyslop, who has been a member of the groups Peace Chant and The Third Floor Orchestra, continues to be a long standing member of the piedmont North Carolina jazz community.
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Daily Dose Of Jazz…
Lowell Dwight Dickerson was born in Los Angeles, California on December 26, 1944 and grew up in the city where his influences were Horace Silver, McCoy Tyner, Kenny Barron, and Bud Powell, among others. He became active on the local jazz scene in the 1960s.
In the early Sevenites he appeared on the Chicago, Illinois tenor titan Gene Ammons’ Free Again album on Prestige, and the latter part of the decade found him being featured on a few LPs by baritone saxophonist Nick Brignola. In the 1980s Dickerson started recording as a leader when he provided his debut album, Sooner or Later, for Discovery. In 1992,
Dickerson recorded Dwight’s Rights which features Red Holloway on tenor sax for the small Night Life label. He has played as a sideman in the 1990s with saxman Rickey Woodard, singer Michael Martin and Albert “Tootie” Heath. The early 2000s saw him featured on singer David Coss’ Simple Life album.
Pianist Dwight Dickerson, who occasionally sings and plays a variety of genres ranging from hard bop, funk and soul jazz, to modal post-bop, continues to perform and record at 80.
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Daily Dose Of Jazz…
Ronald Edward Cuber was born on December 25, 1941 in Brooklyn, New York. In 1959 he was playing tenor saxophone when he joined Marshall Brown’s Newport Youth Band at eighteen, but switched to the baritone. His first notable work was with Slide Hampton in 1962 and then went with Maynard Ferguson the following year until 1965. George Benson recruited him for a year in ‘66 to 1967.
As a leader he was known for hard bop and Latin jazz, the latter with Eddie Palmieri, As a sideman he played outside the genre with B. B. King, Paul Simon, Eric Clapton, J. Geils Band, and one of his most spirited performances is on Dr. Lonnie Smith’s 1970 Blue Note album Drives. He was also a member of the Saturday Night Live Band.
Ronnie played with Frank Zappa on the live album Zappa in New York, which was recorded in 1976. He went on to gain membership in the Lee Konitz nonet from 1977 to 1979.He was a member of the Mingus Big Band from its inception in the early 1990s until his death. He performed as an off-screen musician for the movie Across the Universe.
Baritone saxophonist Ronnie Cuber, who also played soprano and tenor saxophones, clarinet and flute, died at the age of 80 on October 7, 2022 in his New York’s Upper West Side studio from internal injuries sustained after a fall that could not be treated due to overwhelming Covid patients at the start of the pandemic.
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