
Daily Dose Of Jazz…
Joseph L. Sanders was born on October 26, 1896 in Thayer, Kansas. Best known for co-leading the Coon-Sanders’ Nighthawks along with Carleton Coon, the pair formed the group in 1920 in Kansas City under the name Coon-Sanders Novelty Orchestra.
Their broadcast for the first time on radio the following year, they became simply known as the Nighthawks because of their frequent appearances on late night radio. They recorded in Chicago, Illinois in 1924 and held a residency at the Blackhawk club in that city from 1926. The ensemble toured as a Midwestern territory band, and after Coon’s death, Joe continued to lead the band under his own name.
During the 1940s Sanders worked mostly in Hollywood studios, and occasionally led performances at the Blackhawk once again. He was a vocalist for the Kansas City Opera in the 1950s.
Pianist, singer, and bandleader Joe Sanders, associated with Kansas City jazz for most of his career, passed away in Kansas City, Missouri on May 14, 1965.
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Daily Dose Of Jazz…
Cosimo Di Ceglie was born October 21, 1913 in Andria, Italy and played with local bands in Andria before joining Herb Flemming’s group in the mid-1930s. He recorded with Piero Rizza and the Orchestra del Circolo Jazz Hot di Milano, as well as under his own name, in the period 1936-1938.
He went on to work with Enzo Ceragioli and Gorni Kramer around 1940. Active during World War II on radio, playing with a six-piece ensemble, he made further recordings under his own name in the late 1940s and into the 1950s. He also played with Adriano Celentano, Kai Hyttinen, and others later in his career.
Guitarist Cosimo Di Ceglie passed away in 1980 in Milan, Italy.
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Daily Dose Of Jazz…
Nellie Rose Lutcher was born on October 15, 1912 in Lake Charles, Louisiana. The eldest daughter of the 15 children, her father was a bass player and her mother a church organist. She received piano lessons and her father formed a family band with her playing piano. At age 12, she played with Ma Rainey, when her regular pianist fell ill and had to be left behind in the previous town. Searching for a temporary replacement in Lake Charles, one of the neighbors told Rainey that there was a little girl who played in church who might be able to do it.
At 15, Lutcher joined her father in Clarence Hart’s Imperial Jazz Band and in her mid-teens also briefly married the band’s trumpet player. In 1933, she joined the Southern Rhythm Boys, writing their arrangements and touring widely. 1935 saw her moving to Los Angeles, California where she began to play swing piano, and also to sing, in small combos throughout the area. At this point she began developing her own style, influenced by Earl Hines, Duke Ellington and her friend Nat “King” Cole.
Not widely known until 1947 when she learned of the March of Dimes talent show at Hollywood High School, and performed. The show was broadcast on the radio and her performance caught the ear of Capitol Records scout Dave Dexter. Signing to the label she made several records, including The One I Love (Belongs to Somebody Else) and her first hit single, the risqué Hurry On Down.
In 1950, Lutcher duetted with Nat “King” Cole on For You My Love and Can I Come In For A Second. The same year, her records were released in the UK and were actively promoted by radio DJ Jack Jackson. She headlined a UK variety tour, emceed by Jackson, with great success, later returning there to tour on her own.
With an orchestra for the first time, Lutcher recorded The Birth of the Blues and I Want to Be Near You in 1951, but losing her appeal with the record-buying public and was dropped by Capitol the following year. She went on to record, much less successfully, for other labels including Okeh, Decca and Liberty, and gradually wound down her performance schedule.
In 1952, Lutcher was contacted to perform on a happy new years television special, however, after she finished her song it was revealed that she was on the set of and the honoree on a This Is Your Life episode.
Pianist and vocalist Nellie Lutcher, most recognizable for her diction and exaggerated pronunciation and was credited as an influence by Nina Simone among others, passed away in Los Angeles on June 8, 2007, aged 94.
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Daily Dose Of Jazz…
George Girard was born October 7, 1930 in Jefferson Parish, Louisiana and in high school he studied music under Johnny Wiggs and immediately after graduating in 1946 he became a professional musician. He played and toured with the bands of Johnny Archer and Phil Zito before co~founding the band The Basin Street Six, made up mostly of friends he had grown up with, including clarinetist Pete Fountain.
The band got a regular gig at L’Enfant’s Restaurant in New Orleans, as well as regular television broadcasts over WWL. The band started receiving favorable national attention, but being dissatisfied with it, broke up the band in 1954 and founded his own band, George Girard & the New Orleans Five. Landing a residency at the Famous Door in the French Quarter, he recorded for several labels, and got a weekly broadcast on CBS’s affiliated local radio station WWL.
His ambitions to make a national name for himself were thwarted when he became ill and had to give up playing in 1956. Trumpeter George Girard, known for his great technical ability, passed away from colon cancer in New Orleans, Louisiana on January 18, 1957. He was twenty-six.
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Daily Dose Of Jazz…
Archie “Skip” Hall was born in Portsmouth, Virginia on September 27, 1909 and studied piano under his father. From the age of eight he lived in New York City and in the late 1920s he relocated to Cleveland, Ohio where he led his own band for most of the 1930s.
He worked as an arranger on contract and arranged for Jay McShann from 1940 to 1944 and during World War II played with Don Redman. In 1943 he entered military service and played in a band while stationed in England. Around 1945 Skip worked with Hot Lips Page and then joined the Sy Oliver band, who was his brother-in-law. Following this he worked with Wynonie Harris, Thelma Houston, and Jimmy Rushing before joining Buddy Tate’s group in 1948.
Hall went on to work with Tate for twenty years both as a performer and arranger. He also played in the 1950s and 1960s with Dicky Wells, Emmett Berry, and George James, as well as solo and with his own small groups. Arranger, pianist, and organist Skip Hall, who never recorded as a leader, passed away in November 1980 in Ottawa, Canada.
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