Daily Dose Of Jazz…

Charlie Ventura was born Charles Venturo on December 2, 1916 in Philadelphia, Pennsylvania. During the 1940s, he played saxophone for the Gene Krupa and Teddy Powell bands. In 1945 he was named best tenor saxophonist by DownBeat magazine.

During the Forties he led big bands and led a band which included Conte Candoli, Bennie Green, Boots Mussulli, Ed Shaughnessy, Jackie Cain, and Roy Kral. By the 1950s he formed the Big Four with Buddy Rich, Marty Napoleon, and Chubby Jackson. He was a sideman with Krupa through the 1960s, then worked in Las Vegas with comedian Jackie Gleason. By the 1980s he slowed down until finally retiring from music.

Tenor saxophonist and bandleader Charlie Ventura transitioned from lung cancer on January 17, 1992 in Pleasantville, New Jersey at age 75.  was an American from

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Daily Dose Of Jazz…

Lurlean Hunter was born in Clarksdale, Mississippi on December 1, 1919 and  was taken to Chicago, Illinois when she was two months old. She attended Englewood High School in Chicago.

Her first paid singing performance came when she appeared with Red Saunders and his orchestra at Club DeLisa on Chicago’s South Side. Hunter was signed by Discovery Records in 1950 and subsequently was a featured performer with George Shearing and his quintet at Birdland in New York City.

In 1951 Lurlean was among a group of rising young stars of jazz, that were presented at the Streamliner night club in Chicago. She performed at the Cloister Inn, where an initial four-week booking turned into a 2.5-year stay. She went on to work in New York and Ottawa, Ontario, Canada.

Leaving Discovery, she began recording for Atlantic Records in 1961, with Blue and Sentimental as her first album for that label. She later recorded for RCA Victor. By 1963, Hunter became the first Black performer hired by WBBM radio in Chicago. After a successful on-air audition, she became a member of the staff of the all-live Music Wagon Show. Five years later the National Educational Television jazz broadcast featured her, accompanied by the Vernel Fournier Trio.

In 1958, she sued RCA Record Division after it used her image and her name on the cover of its, not her Lonesome Gal record album. The suit alleged “unfair competition, infringement of trade name, unfair business practices, unjust enrichment and invasion of the right of privacy.” Though the court acknowledged that the album contained the song “Lonesome Gal”, and that the use of one song’s title for an album’s title was common practice in the recording industry, it  ruled in Hunter’s favor on the basis that she was the first person to “adopt and establish the name Lonesome Gal as a personality” and that name was exclusively associated with her. Damages of $22,500 were awarded to Hunter, and the company was ordered to destroy all material containing Hunter’s likeness in conjunction with “Lonesome Gal”.

Vocalist Lurlean Hunter, who was a contralto and made commercials for products such as peas and telephone directories, transitioned on March 11, 1983 in Kalamazoo, Michigan.

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Daily Dose Of Jazz…

Bill Reichenbach was born William Frank Reichenbach Jr. on November 30, 1949 in Takoma Park, Maryland. He began playing in high school for bands in the Washington, D.C. area and also sat in with his father’s group, playing with Milt Jackson, Zoot Sims, and others.

He went to Rochester, New York to study at the Eastman School of Music with the legendary teacher Emory Remington and after graduating joined the Buddy Rich band. He would go on to work in the Toshiko Akiyoshi – Lew Tabackin Big Band in Los Angeles, California in the mid/late 1970s. After that move he became known for music for television and film.^[2]

He played trombone on The Wiz and, with the Seawind Horns including Jerry Hey on Michael Jackson’s albums Off the Wall, Thriller, and HIStory. He was a composer for Cartoon All-Stars to the Rescue. 

He recorded a solo album, Special Edition, where he is featured on bass trombone as well as tenor. Trombonist, euphoniumist, composer and session musician  Bill Reichenbach, who has collaborated on eighty-six albums with artists from Al Jarreau and George Benson to Barbra Streisand, Patti Austin and Bette Midler to Christopher Cross and Selena, continues his career in television, films, cartoons, and commercials.

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Daily Dose Of Jazz…

Joe Bishop was born November 27, 1907 in Monticello, Arkansas and learned piano, trumpet, and tuba when he was young. He also played flugelhorn and mellophone. He attended Hendrix College and played professionally with the Louisiana Ramblers in 1927, including in Mexico.

Bishop played with Mart Britt, Al Katz, and Austin Wylie before joining the Isham Jones band for five years. He was a founding member of Woody Herman’s band in the 1930s, but he contracted tuberculosis in 1940 and had to leave the group. He was rehired by Herman as a staff arranger later in the 1940s, and his arrangements and compositions were recorded frequently by Herman, appearing on some 50 of Herman’s albums.

As a performer, Joe played with Cow Cow Davenport and Jimmy Gordon’s Vip Vop Band, but retired from studio work due to his health in the 1950s. Joe quit music and opened a store in Saranac Lake, New York, and later retired to Texas. His compositions include Midnight Blue, Woodchopper’s Ball, and Blue Prelude with Gordon Jenkins.

Tubist, pianist and composer Joe Bishop, whose work has been covered by musicians as diverse as Ten Years After and Lawrence Welk,  transitioned on May 12, 1976.

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Daily Dose Of Jazz…

William “O’Neil” Spencer was born on November 25, 1909 in Cedarville, Ohio and began his career with local bands in the Buffalo, New York area. In 1931, he began working for Al Sears before joining up with the Mills Blue Rhythm Band from 1931 to 1936, which later became the Lucky Millinder Orchestra.

However, it wasn’t until 1937 after joining the popular John Kirby Sextet that he truly became an influential force on the jazz scene. Unfortunately, Spencer had to leave for a time in 1941 due to tuberculosis. However, during the late Thirties he recorded with numerous other groups, including Red Allen, Sidney Bechet, Jimmie Noone, Johnny Dodds, Frankie Newton, Milt Hearth, and Lil Armstrong.

He left the Kirby sextet in 1941 to work briefly with Louis Armstrong, but returned in ’42. His career, however, was cut short in 1943 when he contracted tuberculosis. Drummer and singer O’Neil Spencer transitioned on July 24, 1944 in New York City at the age of thirty-five.

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