Three Wishes

Jon Hendricks told Nica what his three wishes would be when she inquired:

  1. “Knowledge of God.”
  2. “Art.”
  3. “Love.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Ola Onabulé was born in Islington, London, England on March 30, 1964 and at the age of seven he was sent to Lagos, Nigeria, where he spent the next ten years in school. When he was seventeen he returned to the UK to study at Millfield School, then attended law school, almost completing a three-year degree before deciding to enroll at Middlesex Polytechnic for an arts degree. While studying, he began to perform in London clubs and venues, writing and performing his own material.

Onabulé’s career spans nearly two decades, releasing his music on his own label, Rugged Ram Records, after recording for Elektra and Warner Bros. His debut album, More Soul Than Sense, was released in 1995.

He has performed internationally, performed with Germany’s WDR Big Band and the SWR Big Band and appeared with the German Film Orchestra Babelsberg in Potsdam for a concert. Ola has played the main stages of the Montreal Jazz Festival and Vancouver Jazz Festival. A return to Canada in 2010 he performed at Victoria Jazz Festival, Vancouver Jazz Festival, and the Edmonton Jazz Festival. His list of credits reads like a who’s who of bog bands and small combos and continues to grow.

CALIFORNIA JAZZ FOUNDATION

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Kamil Běhounek was born March 29, 1916 in the Southern Bohemian section of  Blatná, Czech Republic. An autodidact on accordion, having learned to play by imitating recordings and BBC broadcasts, he studied law in Prague, Czech Republic and began performing in clubs. His first recordings on solo accordion date from 1936 and in the late 1930s he worked with the Blue Music Orchestra, Rudolf Antonin Dvorsky, Jiří Traxler, and Karel Vlach.

In 1943, he was forcibly compelled by the Nazis to go to Berlin, Germany where  he created arrangements for the bands of Lutz Templin and Ernst van’t Hoff. Upon returning to Czechoslovakia in 1945, he used some of these arrangements for his own band. Kamil returned to Germany the following year and continued arranging for bandleaders Adalbert Luczkowski, Willy Berking, Heinz Schönberger, and Werner Müller.

He played with his own ensemble in Bonn, Germany and, after 1948, in West Germany for American soldiers’ clubs. Between 1968 and 1977, Běhounek recorded several albums of folk music, but continued to play swing with his own groups. He wrote an autobiography, Má láska je jazz (Jazz Is My Love), which was published posthumously in 1986.

Accordionist, bandleader, arranger, composer, and film scorer Kamil Běhounek, who also occasionally played tenor saxophone, passed away on November 22, 1983 in Bonn.

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Paul Jackson was born in Oakland, California on March 28, 1947 and began playing bass at the age of nine. By age 14, he performed with the Oakland Symphony Orchestra and went on to study at the San Francisco Conservatory of Music.

He recorded five albums as a leader, eleven albums with Herbie Hancock, five with The Headhunters. He played on recording sessions with Sonny Rollins, Stanley Turrentine, Azteca, Eddie Henderson, Harvey Mason, The Pointer Sisters, Santana, Shawn Phillips, Stomu Yamashta between 1972 and 1977.

Electric bassist Paul Jackson passed away on March 18, 2021 at age 73 in a hospital near Tokyo, Japan, ten days before his 74th birthday.

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Miriam Klein was born on March 27, 1937 in Basel, Switzerland and gained fame as a singer for the first time when she appeared on the scene in Paris, France with Pierre Michelot, Don Byas and Art Simmons in the 1950s. After education at the music school in Vienna, Austria she returned to Switzerland and has sung in the group of her husband Oscar Klein since 1963.

In the 1960s and 1970s, she gained international fame when she released her 1973 album Lady Like. The album was dedicated to Billie Holiday and performed with Roy Eldridge, Dexter Gordon and Slide Hampton. She also recorded music with Albert Nicholas in 1971 and Wild Bill Davison in 1976.

In 1977, Miriam worked with Fritz Pauer’s trio and in 1978 with Roland Hanna and George Mraz in her album By Myself. In 1981/82, she toured with Kenny Clarke, Hanna and Isla Eckinger. In 2001, she took part in My Marlin, the album of her son David Klein. Vocalist Miriam Klein remains active.

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