Daily Dose Of Jazz…
Donald Moye, Jr., known professionally as Famadou Don Moye, was born May 23, 1946 in Rochester, New York and during his youth performed in various drum and bugle corps including the Rochester Crusaders as well as church choir. He took violin lessons during this time and was exposed to jazz at an early age since his mother worked for a local social club that had a jazz club next door that hosted musicians such as Kenny Burrell and Jimmy McGriff.
He went on to study percussion at Wayne State University in Detroit, Michigan and lived in the same building as trumpeter Charles Moore, who became his mentor. He played in the groups African Cultural Ensemble, and Moore’s group, the Detroit Free Jazz. He first encountered the Association for the Advancement of Creative Musicians (AACM) due to the revolving door of musicians in and out of Moore’s residence. In early 1968, Moore’s band traveled to Europe and Moye decided to live there for the next couple of years, touring and visiting the continent as well as Northern Africa.
By 1969, the AEC had augmented into the percussion-less quartet of Roscoe Mitchell, saxophonist Joseph Jarman, trumpeter Lester Bowie and bassist Malachi Favors Maghostut. The group crossed the Atlantic Ocean and arrived in Europe to perform throughout the continent. Don at the time was rehearsing and performing in Paris, France, at the American Center for Students and Artists. When Mitchell met with Moye again at the Center, he asked Moye to join his group, which was already known as the Art Ensemble of Chicago and had issued several recordings including three releases on the European label BYG Actual.
After returning to the States in the early 1970s, he played with the Black Artists Group in St. Louis, Missouri before settling in the Chicago, Illinois area. He was also in a duo with fellow percussionist Steve McCall who later was a member of Air with Henry Threadgil while still playing with the AEC. In the mid-1980s, Moye joined The Leaders, a jazz group consisting of AEC members Bowie, Chico Freeman, Arthur Blythe, Cecil McBee, and Kirk Lightsey.
Moye has also recorded numerous solo albums as leader of his own band. Moye toured and recorded again with the AEC in the 1990s, which was dealt a blow with the 1999 death of Bowie. Other groups he led in the ’90s include the Joseph Jarman/Famoudou Don Moye Magic Triangle Band and the Sun Percussion Summit. Famadou Don Moye continues to perform and record.
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Daily Dose Of Jazz…
Joe Springer was born on May 22, 1916 in New York City, He played locally on Coney Island from about 1931. His first major gig was with Wingy Manone in 1935.
He first recorded in 1940 with Louis Prima and soon after worked with Buddy Rich in 1942, followed by a year with Gene Krupa until 1943. Joe went on to work with Oscar Pettiford, Tiny Grimes, Ben Webster, Charlie Barnet, Jimmy McPartland, Charlie Shavers, Roy Eldridge, and Raymond Scott.
Accompanying Billie Holiday regularly in the 1940s, Springer also worked with Anita O’Day. He continued working in New York City into the 1960s before retiring to Florida that decade.
Pianist Joe Springer passed away on October 24, 2004 in Miami, Florida.
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The Quarantined Jazz Voyager
But Beautiful | Jimmy Scott
Society is taking another step towards mingling as governors are relaxing the mask requirement and several major cities are following their lead and people are celebrating. Thinking it too early and comfortable in my home I remain vigilant with my social distancing and trust you are doing the same.
So this week we take a trip down memory lane with Jimmy Scott and his 2002 recording titled But Beautiful. It was recorded at The Studio in New York City on August 16~19, 2001.released on the German label Milestone and was arranged by Freddy Cole (Track 7), Joe Beck (Track 8), Renee Rosnes (Track 1,4,6,7,9) and Robert Sadin (Track 5,10). The album was mixed by Dave Luke at Fantasy Studios in Berkeley, California. It was produced by Todd Barkan and recorded by Katherine Miller. Track Listing | 54:05
- You Don’t Know What Love Is (Gene DePaul/Don Raye) ~ 4:59
- Darn ThatDream (Edddie DeLange/James Van Heusen) ~ 6:35
- It Had To Be You (Isham Jones/Gus Kahn) ~ 4:17
- This Bitter Earth (Clyde Otis) ~ 5:21
- Please Send Me Someone To Love (Percy Mayfield) ~ 5:31
- But Beautiful (Johnny Burke/James Van Heusen) ~ 5:50
- When You Wish Upon A Star (Leigh Harline/Ned Washington) ~ 5:18
- Bye Bye Blackbird (Mort Dixon/Ray Henderson) ~ 5:18
- I’ll Be Seeing You (Sammy Fain/Irving Kahal) ~ 6:01
- Take My Hand, Precious Lord (Rev. Thomas A. Dorsey) ~ 4:37
- Jimmy Scott ~ vocal
- Freddy Cole ~ vocal (track 7)
- Renee Rosnes ~ piano
- George Mraz ~ bass
- Lewis Nash ~ drums
- Joe Beck ~ guitar (track 1,3,5,6, & 8)
- Wynton Marsalis ~trumpet (track 2)
- Lew Soloff ~ trumpet (track 8)
- Eric Alexander ~ tenor saxophone (track 3, 5 & 6)
- Bob Kindred ~ tenor saxophone (track 4 & 9)
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Daily Dose Of Jazz…
Edward Louis Smith was born on May 20, 1931 in Memphis, Tennessee. After graduating from Tennessee State University he attended graduate school at the University of Michigan. While studying at the University of Michigan, he played with visiting musicians such as Dizzy Gillespie, Miles Davis, Thad Jones and Billy Mitchell.
He went on to play with Sonny Stitt, Count Basie, Al McKibbon, Cannonball Adderley, Percy Heath, Philly Joe Jones, Lou Donaldson, Donald Byrd, Kenny Dorham and Zoot Sims. Deciding to forgo being a full-time musician to take a job as a director of Atlanta’s Booker T. Washington High School, where he recorded two albums for Blue Note.
The first, Here Comes Louis Smith, originally recorded for the Boston-based Transition Records, featured Cannonball Adderley, then under contract to Mercury, played under the pseudonym Buckshot La Funke, Tommy Flanagan, Duke Jordan, Art Taylor and Doug Watkins. Replacing Donald Byrd for Horace Silver’s Live at the Newport 1958 set, and his playing was one of his best efforts and was described by one critic as monstrous.
He was a prolific composer and successful band director leaving Booker T. Washington to become director of the Jazz Ensemble at the University of Michigan and a teacher in Ann Arbor’s public school system. He would later record for the SteepleChase label.
Suffering a stroke in 2006, he enjoyed live jazz around the Detroit/Ann Arbor area, but did not return to performing. Trumpeter Louis Smith passed away on August 20, 2016 at age 85.
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Daily Dose Of Jazz…
Gregory Herbert was born on May 19, 1947 in Philadelphia, Pennsylvania and started on alto saxophone at age 12. In 1964 he did a short stint in the Duke Ellington Orchestra, then studied at Temple University from 1965 to 1971.
While a student Gregory recorded with Pat Martino in 1968. From 1971 to 1975 he toured with Woody Herman, then played with Harold Danko in 1975 and the Thad Jones/Mel Lewis Orchestra from 1975 to 1977.
After his tenure with the orchestra, he played briefly with Chuck Israels and Blood, Sweat and Tears. Additionally, Herbert appeared on Chet Baker’s Once Upon a Summertime in 1977 along with Harold Danko, Ron Carter and Mel Lewis.
Saxophonist and flautist Gregory Herbert passed away from a heroin overdose on January 31, 1978 in Amsterdam, Netherlands. He never recorded as a leader.