Requisites

at the Pershing: BUT NOT FOR ME is a 1958 jazz album by pianist Ahmad Jamal. The tapes were made on January 16, 1958, at the Pershing Lounge of Chicago’s Pershing Hotel and each set played that night which was recorded by Malcolm Chisholm, recording engineer. A total of 43 tracks, of which 8 were selected by Jamal for the album. The LP was produced by Dave Usher and was released later that same year on Argo Records as LP-628. Though Jamal had previous releases on Argo, they had been from previously made masters. This, however, was his first release recorded for Argo and his first live recording.

Of the eight composition selected for the album comprised of standards, the 1936 composed Poinciana became the standout, not only for it’s length at eight minutes, seven seconds but also for his emotionally melodic playing.

In August 1958, Jet magazine referred to the album as “a nationwide hit”. The December 1958 Down Beat poll of music retailers showed that the album was the “#1 jazz bestseller“, selling an unprecedented 47,000 copies, it stayed on Billboard Magazine album charts for 107 weeks and eventually sold more than a million copies.

Track List
  1. “But Not For Me” (George Gershwin, Ira Gershwin) – 3:32
  2. “The Surrey with the Fringe on Top” (Richard Rodgers, Oscar Hammerstein II) – 2:35
  3. “Moonlight In Vermont” (Karl Suessdorf, John Blackburn) – 3:09
  4. “Music, Music, Music” (Put Another Nickel In) (Bernie Baum, Stephen Weiss) – 2:56
  5. “No Greater Love” (Isham Jones, Marty Symes) – 3:26
  6. “Poinciana” (Buddy Bernier, Nat Simon) – 8:07
  7. “Woody N’ You” (Dizzy Gillespie) – 3:40
  8. “What’s New?” (Bob Haggart, Johnny Burke) – 4:11
Personnel
  • Ahmad Jamal – piano
  • Israel Crosby – bass
  • Vernel Fournier – drums

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Three Wishes

Dave Burns was asked by Pannonica his three wishes and his comment was:
  1. “Health.”
  2. “Wealth”
  3. “A loyal wife.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter

CALIFORNIA JAZZ FOUNDATION

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Requisites

The Memorial Album is a 1947 album by Fats Navarro recorded on the Blue Note record label with The Tadd Dameron Sextet, The Howard McGhee Sextet and Bud Powell’s Modernists. The cover was design by noted jazz musician, book and album cover designer Paul Bacon.

This album was part of their Modern Jazz Series and recorded at WOR Studios, NYC on September 26, 1947 (A1, A4, B2, B3), Apex Studios, NYC, September 13, 1948 (A3), Apex Studios, NYC, October 11, 1948 (B1) and WOR Studios, NYC, August 9, 1949 (A2)

Tracklist:

A1 The Squirrel – Composer: Tadd Dameron A2 52nd St. Theme – Composer: Thelonious Monk A3 Lady Bird – Composer: Tadd Dameron A4 The Chase – Composer: Tadd Dameron B1 Double Talk – Composer: Fats Navarro*, Howard McGhee* B2 Dameronia – – Composer: Tadd Dameron B3 Our Delight – Composer: Tadd Dameron

Personnel Credits: Alto Saxophone – Ernie Henry (tracks: A1, A4 to B3) Bass – Curly Russell (tracks: A3, B1), Nelson Boyd (tracks: A1, A4, B2, B3), Tommy Potter (tracks: A2) Drums – Kenny Clarke (tracks: A3, B1), Roy Haynes (tracks: A2), Shadow Wilson(tracks: A1, A4, B2, B3) Piano – Bud Powell (tracks: A2), Milton Jackson* (tracks: B1), Tadd Dameron (tracks: A1, A3, A4, B2, B3) Tenor Saxophone – Charlie Rouse (tracks: A1, A4, B2, B3), Sonny Rollins (tracks: A2), Wardell Gray (tracks: A3) Trumpet – Fats Navarro, Howard McGhee (tracks: B1)

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The Jazz Voyager

Maryland is the next destination for The Jazz Voyager to become a part of history with the opening of the new Keystone Korner Baltimore. For those of you who remember or are familiar with the name, you may know Todd Barkan founded his jazz club in San Francisco, California in 1972. Now on the East Coast, the Korner has risen from the ashes to honor the rich jazz history of the city and establish itself as a premier venue for jazz in 2019.

Partnering with chef Robert Wiedmaier, the two resurrected the chef’s Mussel Bar as the new jazz spot and along with top-flight jazz are serving up a menu of outstanding cuisine and libations in this relaxed and welcoming setting. Located at 1350 Lancaster Street 21231, in the Harbor East neighborhood, where the inner harbor has long been attracting residents and visitors of the city.

This trip the Jazz Voyager is going to enjoy the talented pianist Bill Charlap and trumpeter Jon Faddis for a cover of $20 – $35. Carrying-on the original mission of providing the best music in the world for the most affordable prices in the most loving environment, reservations are recommended and can be made by calling 410-946-6726.

GRIOTS GALLERY

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Hollywood On 52nd Street

Guess Who I Saw Today is a popular jazz song composed by Murray Grand with lyrics by Elisse Boyd. The song was originally composed for Leonard Sillman’s Broadway musical revue New Faces of 1952 in which it was sung by June Carroll.

The revue opened on Broadway at the Royale Theatre on May 16, 1952 and ran for 365 performances. It was produced by Leonard Sillman, directed by John Murray Anderson and John Beal with choreography by Richard Barstow. The sketches were written by Ronny Graham and Brooks. The songs were composed by, among others, Harnick, Graham, Murray Grand and Arthur Siegel.

The cast featured Graham, Kitt, Clary, Virginia Bosler, June Carroll, Virginia De Luce, Alice Ghostley, Patricia Hammerlee, Carol Lawrence, Paul Lynde and Bill Milliken. De Luce and Graham won the 1952 Theatre World Award. The revue marked Kitt’s Broadway debut, singing a sultry rendition of “Monotonous”, about how boring a life of luxury was.

Two years later, the name was abridged to New Faces and was adapted into a motion picture filmed in Cinemascope and Eastmancolor and was released by 20th Century Fox on March 6, 1954. It helped jumpstart the Hollywood careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Robert Clary, Carol Lawrence, Ronny Graham, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick.

SUITE TABU 200

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