LAVAHI

Lavahi is a scholar-artist on a mission to better society from the inside out. Through her music, scholarship, and performance, she is building a platform to nourish the heart and mind, empathize our human experiences, and vibe together. As a daughter of jazz, the culture heavily informs her ideology and influences her sound. Acrobatic scatting, compelling chords, and the art of improvisation evoke that classic traditional aesthetic and set her contemporary sound apart from the norm of mainstream neo-soul, hip hop, and R&B. And with her satisfying blend of analog and digital sounds, Lavahi shows that the lineage of Black sound is not linear but ever folding and stretching.

She produces, plays flute and piccolo, and arranges. She has added her unique sound to national and international projects in genres varying from rap to film scores to alternative. Lavahi loves the studio and feels most natural when recording independently; but her second home is the collaborative live performance of the stage. She has been featured at venues such as Blues Alley, Bethesda Blues and Jazz, Kat’s Cafe, Porter-Sanford III, St. James Live!, City Winery, and more, and she has even stepped into the world of acting via musicals and stage plays.

Cover: $25.00

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Daily Dose Of Jazz…

Born in Quebec, Canada on June 5, 1980 pianist Chantale Gagné began studying music at the age of 8 and at fifteen she fulfilled her passion witht he piano. From 1997 to 1999 she studied jazz piano with James Gelfand at College Marie-Victorin in Montreal, Canada. Following this with four years at McGill University, she graduated with a degree in Jazz Piano Performance.

In 2005, Chantale met pianist Kenny Barron, studied with him and was inspired both as a pianist and composer of jazz. She has since been busy performing throughout Canada, United States. and Europe in trio, quartet, piano solo and big band configurations.

Silent Strength, is her self-produced debut trio album with bassist Peter Washington and drummer Lewis Nash featuring many of her original compositions. Garnering wonderful reviews it has received global radio play.

Gagné’s sophomore album, Wisdom Of The Water, released in 2010 adds a folk/heartland influence along with vibraphonist Joe Locke along with Washington and Nash. Her third album, The Left Side Of The Moon, has saxophonist Steve Wilson joining the resident rhythm team.

Pianist and composer Chantale Gagné, who has received the distinction Révélation Radio-Canada Musique 2008-09, continues to perform, record and tour.

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MARCUS MILLER, TANK & THE BANGAS, SOUL REBELS, DJ LOGIC

The opening of our free concert series, SummerStage and long standing programming partner, Blue Note Jazz Festival, has assembled a group of performers that stretch the boundaries of jazz and funk to incorporate the wide variety of African Diaspora sounds. “Laid Black” multi-instrumentalist Marcus Miller has collaborated closely with artists who can be called legends without any hyperbole: Miles Davis, Herbie Hancock, Luther Vandross, Wayne Shorter, and David Sanborn– to name a few.

The two-time GRAMMY winning artist’s chops are deadly serious, but he still knows how to keep it loose, counting “Da Butt,” the tongue-in-cheek anthem from Spike Lee’s School Daze, among his impressive songwriting credits. The evening also features two New Orleans-based SummerStage alumni: Tank and the Bangas, the NPR Tiny Desk contest-winning ensemble that fuses funk, soul, hip-hop, rock, and spoken-word poetry into an unforgettable performance, fresh off a GRAMMY win for leading lady Tank’s spoken word album; and The Soul Rebels, an eight-piece ensemble revolutionizing the conventional brass band framework to inject new life into sounds from across the pop spectrum. DJ Logic will be on the ones and twos between sets.

Cover: Free

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Daily Dose Of Jazz…

Britt Woodman was born on June 4, 1920 in Los Angeles, California. A childhood friend of Charles Mingus, he first worked with Phil Moore and Les Hite. After serving in World War II he played with Boyd Raeburn before joining with Lionel Hampton in 1946.

During the 1950s he worked with Duke Ellington. As a member of Ellington’s band he can be heard on twenty-five recorings such as 1957’s Such Sweet Thunder, Ella Fitzgerald Sings the Duke Ellington Song Book, and 1958’s Black, Brown, and Beige and Ellington Indigos.

1960 saw Britt departing from Ellington to work in a pit orchestra. He went on to later work with Mingus and can be heard on the album Mingus Mingus Mingus Mingus Mingus released in 1963. In the 1970s he led his own octet and recorded with pianist Toshiko Akiyoshi. In 1989, he was part of the personnel for the album Epitaph dedicated to the previously unrecorded music of Charles Mingus.

He recorded Playing For Keeps and In L.A. as a leader, and leaves a sideman recording catalogue of ninety-three albums with Toshiko Akiyoshi – Lew Tabackin Big Band, Bill Berry, Ella Fitzgerald, Lionel Hampton, Johnny Hodges, Jimmy Smith, Gene Ammons, Ray Brown, Ruth Brown, Frank Capp, Nat Pierce, Benny Carter, Rosemary Clooney, John Coltrane, Randy Crawford, Tadd Dameron, Miles Davis, Booker Ervin, John Fahey, Dizzy Gillespie, Benny Golson, Chico Hamilton, Jimmy Hamilton, Hank Jones, Oliver Nelson, Philly Joe Jones, Jon Lucien, Galt MacDermot, Teo Macero, Junior Mance, The Manhattan Transfer, Wade Marcus, Blue Mitchell, Grover Mitchell, James Moody, Maria Muldaur, Oliver Nelson, Oscar Peterson, Zoot Sims, Billy Taylor, Clark Terry, Teri Thornton, Jimmy Woode

Trombonisit Britt Woodman died in Hawthorne, California at the age of 80, having suffered severe respiratory problems on October 13, 2000.

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SABERTOOTH

Founded around 1990, Sabertooth is led by two saxophonists:  Cameron Pfiffner & Pat Mallinger. The band started out with the unique pairing of its two lead reedmen at an old musicians hang called Jazz Bulls in Lincoln Park West neighborhood of Chicago. From that night’s collaboration the idea of Sabertooth began to take shape with a driving force behind the widely varied stylings best summed up as, just groove it.

The group has often ventured beyond soul-jazz and hard bop and moved into post-bop and modal territory with John Coltrane’s modal recordings of the early to mid-’60s influencing the groups sound. Sabertoothis both a post-bop group and a soul-jazz/hard bop group with a highly diverse repertoire that includes many original compositions and jazz classics by Duke Ellington, Horace Silver, Wayne Shorter, Lester Young, John Coltrane, as well as covers by the Beatles, Grateful Dead, Bob Dylan, Allman Brothers, Lynyrd Skynyrd, and Bob Marley.

Special invited guests who have performed with the group have included Harry Connick Jr., Kurt Elling, Joe Lovano, Roy Hargrove, Wynton Marsalis Band, Jack McDuff, Joey DeFrancesco, Umphrey’s Mcgee Band, and many others.

Showtimes: 6:00pm-7:15pm & 8:15pm-9:30pm

Cover: $15.00

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