Daily Dose Of Jazz…
Senri Oe was born on September 6, 1960, in Fujiidera city, Osaka, Japan. He began playing piano at the age of three, and was trained by his junior high school teacher Yumi Nara, who would go on to become an acclaimed opera singer. After each of the lessons, Nara would encourage him to improvise, and eventually he began to compose.
Upon being introduced to music by The Carpenters, Captain & Tenille and Gilbert O’Sullivan, Oe decided to become a singer-songwriter. Soon after, Oe’s music repertoire expanded to include jazz musicians such as Chris Conor, Bill Evans, Thelonious Monk, Antonio Carlos Jobim, Winton Kelly, Miles Davis and Charlie Parker.
In 1975 at 15 Oe intended to study jazz but after participating in the final Yamaha Popular Song Contest POPCON, in 1980 he entered Kwansei Gakuin University majoring in economics while simultaneously beginning to pursue a professional music career. He formed his first band during his time at university, was scouted by Sony Music and signed to Epic Sony Japan in 1981. His pop career unexpectedly took off and he chose to put his jazz aspirations on hold.
At the New School for Jazz, in 2008 Senri moved to Manhattan, New Yorkand later He went on to start a prolific carrer as a pop singer/songwriter but in 2007 he began his serious study of jazz. After graduating from The New School for Jazz, he launched his jazz record label, Peace Never Die Records, in 2012. His jazz debut album was Boys Mature Slow the same year. As of 2021 he has released another six albums under the PND label.
Oe’s work towards composing for a drum-less trio was titled Collective Scribble, with saxophone, piano and upright bass. He has recorded as a leader with Sheila Jordan, Jon Hendricks, Theo Bleckmann and Lauren Kinhan. His Answer July was nominated for a Grammy in the Best Jazz Album category in 2017.
Pianist, composer, producer, actor, singer, and songwriter Senri Oe continues to compose, perform and stretch the realms of his jazz imagination, while writing and producing music for other artists and film soundtracks.
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Daily Dose Of Jazz…
Joki Freund was born Walter Jakob Freund on September 5, 1926 in Höchst, Frankfurt am Main, Germany. He began playing the accordion as a child, switching to tenor saxophone after World War II ended.
Early in the postwar era, he played with Joe Quitter, Carlo Bohlander, Gerry Weinkopf, Joe Klimm, and Jutta Hipp, before forming his own ensemble. He began performing with American musicians, including Donald Byrd, Art Taylor, and Doug Watkins during their European festival appearances.
He went on to play with and arranged for Albert Mangelsdorff in the jazz orchestra of Hessischer Rundfunk, and Erwin Lehn in the Süddeutscher Rundfunk orchestra. He played with the Frankfurt Jazz Ensemble on soprano saxophone in the 1970s, also performing as a leader around this time.
Saxophonist Joki Freund, who predominantly played in a quintet setting but also in orchestras or big bands, transitioned on February 15, 2012 in Schwalbach am Taunus, Germany.
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Daily Dose Of Jazz…
Bob Greene was born on September 4, 1922 in New York City, New York. He was active early in his career in Dixieland jazz revival groups, working with Sidney De Paris, Baby Dodds, Conrad Janis, and Johnny Wiggs.
Leaving music for a period, he got a degree from Columbia University and worked in radio and speechwriting, including for Lyndon Johnson and Robert F. Kennedy. After Robert Kennedy’s assassination, he quit speechwriting and returned to jazz in the late 1960s again, working with Zutty Singleton. Focusing on music full-time, Bob worked in the early 1970s with Don Ewell, Albert Nicholas, and the Peruna Jazz Band.
He put together a traveling ensemble which paid tribute to the music of Jelly Roll Morton. They toured worldwide, recorded several albums and among his sidemen in this setting were Danny Barker, Tommy Benford, Herb Hall, Milt Hinton, and Johnny Williams.
The nephew of Paul Blum, a former intelligence officer, he spent time writing his uncle’s biography, which was published in 1998. Pianist and bandleader Bob Greene transitioned on October 13, 2013 in Amagansett, New York.
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Daily Dose Of Jazz…
Fred Hess was born in Abington, Pennsylvania on September 3, 1944 but was raised in New Jersey. He studied at Trenton State College with his early studies with saxophonist Phil Woods, a stint with bandleader Fred Waring, and composing music for the world premiere of a Sam Shepard play.
As a composer, his influences encompass avant-garde classical sources, as well as Anthony Braxton and the members of the AACM. Moving to Boulder, Colorado in 1981, he founded the Boulder Creative Music Ensemble. Fred then completed further studies at the University of Colorado, Boulder, taking his doctorate in composition in 1991.
He recorded his debut album Sweet Thunder in 1991 and by 2012 had sixteen albums as a leader in his catalog. He was the Director of Music Composition at Metro State College in Denver, Colorado.
In addition to his own projects as a leader, BCME, The Fred Hess Group and the Fred Hess Big Band, he was the founding director of Denver’s Creative Music Works Orchestra and was a member of drummer Ginger Baker’s Denver Jazz Quintet, as well as ensembles led by trumpeter Ron Miles.
His playing was influenced by Lester Young, John Coltrane, the Association for the Advancement of Creative Musicians, and Eric Dolphy. Tenor saxophonist Fredd Hess transitioned on October 27, 2018.
Bestow upon an inquiring mind a dose of a Abington saxophonist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
John Zorn was born September 2, 1953 in New York City, New York and attended the United Nations International School, where he studied piano, guitar and flute from an early age. Exposed by his families musical tastes in classical, world, jazz, French chansons, country doo-wop and rock and roll records, he spent his teenage years exploring classical and film music, listening to The Doors and playing bass in a surf band. He explored experimental and avant-garde music as well as cartoon soundtracks and film scores. He went on to teach himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada.
After discovering Anthony Braxton’s album For Alto when he was studying composition at Webster College in St. Louis, Missouri, Zorn began playing saxophone and attended classes taught by Oliver Lake. While at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings.
Leaving Webster after three semesters, John lived on the West Coast before returning to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. He immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman
Zorn entered New York City’s downtown music scene in the mid-1970s, collaborating with improvising artists while developing new methods of composing experimental music. Over the next decade he performed throughout Europe and Japan and recorded on independent US and European labels. In 1986 he received acclaim with the release of his radical reworking of the film scores of Ennio Morricone, The Big Gundown, followed by Spillane, an album featuring his collage-like experimental compositions. Spy vs Spy and Naked City both demonstrated his ability to merge and blend musical styles in new and challenging formats.
Having spent time in Japan in the late 1980s and early ’90s John returned to Lower East Side Manhattan to establish the Tzadik record label in 1995, enabling him to establish independence, maintain creative control, and ensure the availability of his growing catalog of recordings. He prolifically recorded and released new material for the label, issuing several new albums each year, along with recordings by many other artists.
He performs on saxophone with the groups Naked City, Painkiller, and Masada but more often conducts bands like Moonchild, Simulacrum and several of his Masada-related ensembles. He composes concert music for classical ensembles and orchestras, produces music for opera, sound installations, film and documentary, and tours Europe, Asia, and the Middle East. Composer, conductor, saxophonist, arranger and producer John Zorn continues his exploration of music and adds to his diverse repertoire.
Bestow upon an inquiring mind a dose of a New York City composer to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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