The Jazz Voyager

Making the roughly hour and half ride up the highway to come across the Verazzano~Narrows Bridge into the Big Apple after departing the City of Brotherly Love on a high note. This Jazz Voyager is heading uptown on the West Side to Columbus Circle for an evening of live jazz at Dizzy’s Club. This venue serves up a seasonal menu of delights for the palate, libations to please, and overlooks Central Park giving patrons the expansive vista views from their 5th floor location.

In residence from Wednesday to Saturday is master musician Herlin Riley and I will be in the company of this talented drummer. Hailing from NOLA, (New Orleans, Louisiana for those who don’t know) not only is he a bandleader in his own right but also holds the position in the Jazz At Lincoln Center Orchestra under the direction of Wynton Marsalis. Joining him on stage are saxophonist Stacy Dillard, pianist Tyler Bullock and bassist Liany Mateo.

Dizzy’s Club is located at Fredrick P. Rose Hall, Broadway at 60th Street, New York, NY 10019. For more information visit https://beta.jazz.org/dizzys.

CALIFORNIA JAZZ FOUNDATION

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ULYSSES OWENS

Award-winning drummer and bandleader Ulysses Owens, Jr. returns to Dizzy’s Club with his powerhouse big band for a five-night engagement. Known for his electrifying performances, Owens crafts a thrilling musical journey through original compositions and vibrant arrangements of works by giants like Terence Blanchard, John Coltrane, and Mulgrew Miller. His repertoire serves as a canvas for masterful improvisation, rich orchestrations, and spirited performances that carry on the legacy of the great big band drummers who have inspired him. Don’t miss this opportunity to experience the joy and passionate musicianship that defines Owens’ artistry.

The Band: Ulysses Owens Jr. ~ drums & music director | Nathaniel Williford ~ trumpet | Noah Halpern ~ trumpet | David Sneider ~ trumpet | Brandon Woody ~ trumpet (12/3-5, 12/7) | Anthony Hervey ~ trumpet (12/6) | Michael Dease ~ trombone | Pablo Muller-Santiago ~ trombone | Altin Brennan Sencalar ~ trombone | Jack Trathen ~ trombone | Erena Terakubo ~ alto saxophone | Bruce Williams ~ alto saxophone | Diego Rivera ~ tenor saxophone | Jason Hainsworth ~ tenor saxophone | Jason Marshall ~ baritone saxophone | Luther S. Allison ~ piano | Thomas Milovac ~ bass  | Charles Turner III ~ special guest vocalist (12/6-12/7) Matthew Whitaker ~ special guest organist (12/7)

Tickets: $25.00~$65.00 | Saturday @ 7:00pm ~ Sold Out

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HERLIN RILEY AND FRIENDS

A native of New Orleans, Riley started on the drums when he was three. He played trumpet through high school, but he went back to drums in college. After graduating, he spent three years as a member of a band led by Ahmad Jamal. He has worked often with Wynton Marsalis as a member of the Jazz at Lincoln Center Orchestra and of Marsalis’s small groups. He has also worked with George Benson, Harry Connick, Jr., and Marcus Roberts.

Cover Charge: Wednesday: 7:00pm ~ $25~65 | 9:00pm Sold Out | Friday & Saturday: Sold Out | Sunday: 5:00pm & 7:30pm $25~$60

Celebrate Thanksgiving at Dizzy’s Club with a full menu of sumptuous holiday fare and the sounds of Herlin Riley. The celebrated New Orleans drummer, brings his vibrant energy to Dizzy’s Club. Known for his melodic finesse and dynamic rhythms, he has played alongside jazz legends like Ahmad Jamal and Wynton Marsalis. Experience his masterful drumming as he continues to honor the city’s rich musical legacy and inspire the next generation of artists.

Lineup: Herlin Riley ~ drums | Stacy Dillard ~ saxophone | Tyler Bullock ~ piano | Liany Mateo ~ bass

Cover Charge: Thanksgiving ~ $250.00 | Event price includes a three-course menu, gratuity, and admission (does not include alcohol). Please Note: There are no physical tickets for this event. Your reservation will be held under your name at the Dizzy’s host stand, located on the fifth floor of Frederick P. Rose Hall.

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Daily Dose Of Jazz…

John Grant Sangster was born November 17, 1928 in the Melbourne suburb of Sandringham, Victoria, Australia. He was an only child that attended primary schools in Sandringham and Vermont, and then Box Hill High School. While at high school he taught himself to play trombone and with a friend, Sid Bridle, formed a band.

In 1946 he started a civil engineering course at Melbourne Technical School. Two years later Sangster performed at the third annual Australian Jazz Convention, held in Melbourne. By the following year he led his own ensemble, John Sangster’s Jazz Six, which included Ken Evans on trombone. He provided trombone for Graeme Bell and his Australian Jazz Band, later took up the cornet and then the drums. They toured several times from 1950 to 1955, and in the late Fifties he began playing the vibraphone.

He went on to play with Don Burrows in the early 1960s, form his own quartet and experimented with group improvisatory jazz, after becoming interested in the music of Sun Ra and Archie Shepp. By the end of the Sixties his attention turned to rock musicians and he joined the expanded lineup of the Australian progressive rock group Tully, who provided the musical backing for the original Australian production of the rock musical Hair. He performed and recorded with Tully and their successors, Luke’s Walnut, throughout the two years he played in Hair. In 1970 he re-joined the Burrows group for Expo 1970 in Osaka, Japan.

In the 1970s Sangster released a series of popular The Lord of the Rings inspired albums that started with The Hobbit Suite in 1973. He was also the composer of a large number of scores for television shows, documentaries, films, and radio. In 1988, Sangster published his autobiography, Seeing the Rafters.

Trombonist John Sangster, who also plays trumpet, drums, percussion, cornet, vibraphone and is best known as a composer, died in Brisbane, Queensland, Australia on October 26, 1995 at age 66.

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Requisites

Crossings ~ Red Garland, Ron Carter and Philly Joe Jones | By Eddie Carter

It happened like this: after hearing Introducing Carl Perkins, I spent the remainder of the evening listening to several other trio albums while reading when I heard a title I hadn’t played in a while, which inspired this morning’s discussion. Crossings (Galaxy GXY-5106) is a 1978 release bringing together a dream team to record their first trio album. Red Garland is on piano, Ron Carter is on bass, and Philly Joe Jones is on drums. All three were members of the Miles Davis Quintet and have given jazz fans many incredible albums throughout their careers as leaders and sidemen. My copy is the original U.S. Stereo release.

Side One starts with a brief trio introduction, setting the stage for the melody of Solar by Chuck Wayne and Miles Davis. Red leads the way with a statement that sparkles with energy. Ron delivers precisely articulated choruses in the second solo. The pianist and Philly share the finale in an inspired interpretation, leading to the theme’s reprise. Railroad Crossing by Ron Carter is a smooth, easy-flowing tune. The bassist sets the tone with a concise introduction that seamlessly transitions to the trio’s melody. Carter begins with a leisurely opening statement; then, Garland gets into a down-home groove on the following solo ahead of the bassist’s return for the ending theme.

Never Let Me Go is a beautiful Jay Livingston and Ray Evans song. It was featured in the 1956 film noir The Scarlet Hour. Red opens with a short unaccompanied introduction that segues into the trio’s gorgeous theme. The pianist goes first with a delicately sultry performance, then hands the torch to Ron, who delivers a heart-warming presentation before the close. Oleo by Sonny Rollins gets underway with a short workout by Jones, leading to the ensemble’s quick theme. Garland ignites the fire in the first solo, and then Carter keeps the fires burning next. Jones adds more heat in the closer, preceding a captivating conclusion.

George and Ira Gershwin introduced But Not For Me in the 1930 Broadway musical Girl Crazy. The jazz standard starts Side Two with Ron leading the trio through the melody. The bassist masterfully manages the opening statement before making room for Red, who swings in the following reading. Ron returns to converse briefly with Philly ahead of the finish. Cole Porter’s classic Love For Sale begins with a lengthy solo piano introduction before the trio steps on the gas for the lively theme. Garland ignites the first solo with fiery choruses. Carter steps into the spotlight next and slows things down, and Garland returns for a vigorous exchange with Jones into the climax.

Orrin Keepnews produced Crossings, and Bruce Walford recorded and mixed the album at Fantasy Studios. David Turner mastered the album. The record’s sound quality possesses a vibrant soundstage, placing the musicians in your listening room with excellent fidelity. If you’re a fan of these jazz giants and enjoy a good piano trio album, I invite you to check out Crossings by Red Garland, Ron Carter, and Philly Joe Jones. The group’s musicianship shows three masters’ at work, and the six selections complement each other perfectly. The result is an album you can sit back, listen to and enjoy from the first note to the finale!

~ But Not For Me, Love For Sale, Oleo – Source: JazzStandards.com

~ Solar – Source: Wikipedia.org

© 2024 by Edward Thomas Carter

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