ATLANTA JAZZ FESTIVAL

Atlanta Jazz Festival is regarded as one of the largest FREE jazz festivals in the country. An annual celebration of the music, culture and art of jazz begins in April and culminates each Memorial Day weekend, with an outdoor festival featuring jazz artists from all over the world.

Established in 1978, the Atlanta Jazz Festival has become a tradition that draws music lovers from all around the region to experience the latest and greatest in jazz music culture. Mayor Maynard Jackson founded the original jazz festival with the idea to spotlight jazz in the city, because, as he said, “Jazz music is America’s only original art form, and…Atlanta, with its growing reputation as an international center of the arts and education, has both the opportunity and the responsibility to promote an art form whose roots are indigenous to the South.”

Since then, Atlanta Jazz Festival has hosted luminaries of the jazz music tradition including, Lionel Hampton (1980), Dizzy Gillespie (1988/1990), Wynton Marsalis (1989), Nina Simone (2000), Ray Charles (2002), Miles Davis (1983), Herbie Hancock (2000) and many, many more.

The city’s commitment to present a free jazz festival, as it was originally named “The Atlanta Free Jazz Festival,” is representative of a commitment to ensure that everyone who resides in and visits Atlanta will have easy access to high quality cultural experiences.

Lineup:

1 PM – NEW JAZZ UNDERGROUND

3 PM – SULLIVAN FORTNER

5 PM – BUTCHER BROWN

7 PM – CÉCILE MCLORIN SALVANT

9 PM – SOMETHING ELSE!

10 PM – LAUREN HENDERSON | Park Tavern, 500 10th Street NE, Atlanta, GA 30309

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WCLK AT 50 | LIL JOHN & HIS ALL-STAR BAND

To celebrate WCLK 91.9’s 50th Anniversary the Atlanta Jazz Festival is presenting WCLK At 50: Featuring Lil John Roberts with an Atlanta All-Star Band.

Award-winning drummer Lil John Roberts will lead an Atlanta All-Star Band including these outstanding musicians: Phil Davis, Rodney Edge, Tres Gilbert, Derek Scott, Miguel Gaeten, Melvin Jones, Joe Gransden, Kebbi Williams, Jamel Mitchell, Mike Burton, Saunders Sermons, and Daniel Wytanis.

There will be special guest performances by Kathleen Bertrand, Cleveland Jones, Rhonda Thomas, Imani Grace-Cooper, Julie Dexter, Tony Hightower, Dashill Smith, and Alexandra Jackson.

As the Narrator, Jon Goode will weave in stories about the history and legacy of WCLK. Lil John Robert serves as the concert’s Music Director. The event is Co-Produced by Jamal Ahmad, Lil John Roberts, and Ray Cornelius.

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NICOLE HENRY

Since her debut, Nicole Henry has established herself among the jazz world’s most acclaimed performers, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance. Henry tells real stories through peerless interpretations of repertoire from the American Songbook, classic and contemporary jazz, popular standards, blues and originals.

Nicole Henry’s passionate, soulful voice and heartfelt charisma have earned her a Soul Train Award for “Best Traditional Jazz Performance,” and four Top-10 jazz albums on U.S. Billboard, Jazz Week, HMV Japan & UK Sweet Rhythms charts. Heralded by The New York Times, Wall Street Journal, The Japan Times, El Pais, Jazz Times, Essence and more, Ms. Henry tells real stories through peerless interpretations of repertoire from the American Songbook, classic and contemporary jazz, popular standards, blues and originals.

She has recorded with some of today’s musical greats including Kirk Whalum, Julian Lage, Gerald Clayton and Gil Goldstein and has performed with the Duke Ellington Orchestra, the Henry Mancini Institute Orchestra, Pasadena POPS and Michael Feinstein. Her music had been included on radio stations across the country.

$9.00 Handling Fee Included

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STANLEY CLARKE

NEA Jazz Master and four-time Grammy Award Winner Stanley Clarke has attained “living legend” status during his over 50-year career as a bass virtuoso. He is the first bassist in history who doubles on acoustic and electric bass with equal ferocity and the first jazz-fusion bassist ever to headline tours, selling out shows worldwide. A veteran of over 40 albums, he won the 2011 Best Contemporary Jazz Album Grammy Award for The Stanley Clarke Band. Clarke co-founded the seminal fusion group Return to Forever with Chick Corea and Lenny White. In 2012 Return to Forever won a Grammy Award and Latin Grammy for Best Jazz Instrumental Album, Forever.

Clarke’s creativity has been recognized and rewarded in every way imaginable: gold and platinum records, Grammy Awards, Emmy nominations, virtually every readers and critics poll in existence, and more. In 2022 Clarke was selected by the National Endowment for the Arts as one of its four new Jazz Master honorees. He also was Rolling Stone’s very first Jazzman of the Year and bassist winner of Playboy’s Music Award for ten straight years. Clarke was honored with Bass Player Magazine’s Lifetime Achievement Award and is a member of Guitar Player Magazine’s “Gallery of Greats.” In 2004 he was featured in Los Angeles Magazine as one of the Top 50 Most Influential People. He was honored with the key to the city of Philadelphia and put his hands in cement as a 1999 inductee into Hollywood’s “Rock Walk” on Sunset Boulevard. In 2011 he was honored with the highly prestigious Miles Davis Award at the Montreal Jazz Festival for his entire body of work. Clarke has won Downbeat Magazine’s Reader’s and Critics Poll for Best Electric Bass Player for many years. In September 2016 he became a part of the permanent collection displayed at the Smithsonian’s new National Museum of African American History and Culture (NMAAHC) in Washington DC.

Unable to tour most of 2020, Clarke’s Pandemic work has involved developing his web series, Stanley Clarke’s Bass Nation. The series premiered November 2020. The project is about the dynamics of the music industry, recording and performing, and includes Stanley’s conversations with noted musicians, gear reviews, play-throughs and performances.

Born in Philadelphia, Clarke has been a constant force of nature in American music since the early 1970s with the success of the jazz-fusion group Return To Forever. That accomplishment gave way to a number of extremely successful solo albums for Clarke. Along the way, he has collaborated with Quincy Jones, Stan Getz, Art Blakey, Paul McCartney, Jeff Beck, Keith Richards, Aretha Franklin, Stevie Wonder, Chaka Khan, The Police, Herbie Hancock and many more, and has shared the stage with Bob Marley and Miles Davis.

Clarke heads his own record label, Roxboro Entertainment Group. Five artists were chosen for its first releases; Lloyd Gregory, Sunnie Paxson, Ruslan Sirota, Kennard Ramsey and piano prodigy Beka Gochiashvili Tbilisi, Republic of Georgia. It will soon be releasing singer Natasha Agrama’s CD, The Heart of Infinite Change

Clarke believes in giving back to help young musicians hone their skills. He and his wife Sofia established The Stanley Clarke Foundation seventeen years ago as a charitable organization, which offers scholarships to talented young musicians.

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Requisites

Little Johnny C ~ Johnny Coles | By Eddie Carter

It happened like this: after listening to Bass on Top, my memories of my mom led me to another of her favorite jazz albums. Little Johnny C (Blue Note BLP 4144/BST 84144) by Johnny Coles is the trumpeter’s second release as a leader and his only Blue Note session. It was recorded in 1963 and released the following year. Johnny’s joined on this hard bop date by Leo Wright on alto sax (tracks: A1 to A3, B2, B3) and flute (B1), Joe Henderson on tenor sax, Duke Pearson on piano, Bob Cranshaw on bass, Walter Perkins (A1 to A3), and Pete La Roca (B1 to B3) on drums. My copy is the 1990 Toshiba EMI Japanese Stereo reissue sharing the original catalog number.

Little Johnny C is the first of five tunes by Duke Pearson. It kicks off Side One at a fast tempo with Duke’s brisk introduction to the front line’s lively theme. Leo comes out cooking first; then Johnny steps swiftly into the second statement. Joe wails in the following solo; then Duke shows his impressive skills into the group’s climax. Hobo Joe by Joe Henderson is a Latin-flavored blues that opens with the trio’s introduction, ahead of the sextet’s easy going melody. Coles begins this pleasant trip; then, Pearson picks up the next part of the journey. Wright continues the leisurely caravan, and Henderson concludes the trek in a fine finale ahead of the theme’s return and the trio’s fadeout.

Jano picks up the beat to end the first side with the ensemble’s medium melody. Leo sets the scene in the opening solo. Johnny takes over for a lengthy reading; then Joe builds the third statement exquisitely. Duke provides the closing remarks before the group returns to take the song out. My Secret Passion is a pretty ballad taken at a medium bounce, with Johnny leading the sextet in the melody and Pete La Roca taking over on drums. Coles opens the solos with a warm tone. Henderson displays delicacy and sensitivity in the following reading. Wright comes in next on the flute and gives a heartwarming statement. Pearson’s soulful interpretation brings us back to the reprise and ending.

Heavy Legs delivers an upbeat invitation to relax and enjoy the sextet’s ride through the opening chorus. Johnny is concise and to the point in the first reading. Joe follows with an equally enjoyable solo; then Leo steps in next for a rousing interpretation. Duke brings the solos to a happy conclusion ahead of the sextet’s theme restatement, slowly dissolving into nothingness. So Sweet My Little Girl is Pearson’s tribute to his then seven-year-old daughter, Cynthia. Johnny starts the melody softly with the saxes in the background. It sets the scene for the pianist’s tender performance as the song’s only soloist, leading to the front line’s return for a gentle climax.

Alfred Lion produced Little Johnny C and Rudy Van Gelder was the man behind the dials of the recording. The album sounds amazing, with a stellar soundstage that’s so good you’ll think you’re in the studio with the musicians as they are playing. Toshiba EMI did an excellent job with this reissue and the record is also very quiet until the music starts. Johnny only recorded five albums as a leader but has an extensive discography as a sideman. If you’re a hard bop fan and unfamiliar with Johnny Coles, I invite you to look out for Little Johnny C on your next record shop visit. It’s simply a great jazz album that I’m sure would make a perfect addition to any library and become a favorite on your turntable! © 2024 by Edward Thomas Carter

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