The Quarantined Jazz Voyager

Willow Weep for Me is a jazz album recorded in 1965 by guitarist Wes Montgomery and was posthumously released in 1969. The arranger and conductor on the session was Claus Ogerman.

The album reached number 12 on the Billboard Jazz album chart in 1969. At the 1970 Grammy Awards Willow Weep for Me won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.

After Montgomery’s death in 1968, Verve Records used recordings from the sessions that produced Smokin’ at the Half Note and the label hired arranger Claus Ogerman to write string and brass arrangements for “Willow Weep for Me”, “Portrait of Jennie,” “Oh! You Crazy Moon,” and “Misty.” Subsequent reissues erased the new backing arrangements.

Track Listing | 41:09
  1. Willow Weep for Me (Ann Ronell) – 7:42
  2. Impressions (John Coltrane) – 5:01
  3. Portrait of Jenny (Burdge, Robinson) – 2:45
  4. The Surrey with the Fringe on Top (Rodgers, Hammerstein II) – 5:20
  5. Oh, You Crazy Moon (Burke, Jimmy Van Heusen) – 5:27
  6. Four on Six (Wes Montgomery) – 9:29
  7. Misty (Johnny Burke, Erroll Garner) – 6:45
Personnel
  • Wes Montgomery – guitar
  • Wynton Kelly – piano
  • Paul Chambers – bass
  • Jimmy Cobb – drums

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Michael Arlt was born in Bünde, Westfalen, Germany on July 1, 1960 and began playing guitar as a teenager. From the beginning, he was interested in a musical gamut, playing in rock, blues, fusion, and free bands. Going to Boston, Massachusetts in the mid-Eighties, he studied at Berklee College of Music, took private lessons from Mike Metheny, and then continued his studies in the Netherlands at the Amsterdam Academy of Arts under Wim Overgaauw.

Since that time, Michael has performed in a variety of ensembles with musicians like Maria de Fatima, Jerry Granelli, Sigi Busch, Rick Hollander, Leszek Zadlo, Wolfgang Ekholt, Joris Teepe, Paquito D’Rivera, Herbert Joos, and Luciano Biondini. He has recorded with Roman Schwaller, Houston Person and Red Holloway. He founded his own trio and the group Brassless with who he recorded. With Don Kostelnik and Duck Scott he forms the organ trio We Three who recorded several albums.

Arlt has been a part of the Lemongrass and Weathertunes music projects, which were founded by the brothers Roland and Daniel Voss. Since the late 1990s, Arlt has been playing with Rick Hollander, in the trio of Reinette van Zijtveld and in a duo with Christian Eckert. As a lecturer, he has taught jazz guitar and harmony at the University of Music in Würzburg since 1990.  Guitarist Michael Arlt continues to explore and perform in the genre. of modern jazz.

FAN MOGULS

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Three Wishes

Nica asked Dakota Staton what her three wishes were and she said she only had two and they were:

    1. “One would be that the hearts of men would change. That they could love one anothe rin peace~live with good in their hearts, so that they can meet their God squarely. That is my main wish. I think if I could have that, that would take care of everything else that I was wanting.”

    2. “Freedom! I’d be free. A woman among women!”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

GRIOTS GALLERY

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Daily Dose Of Jazz…

Grady Watts was born in Texarkana, Texas on June 30, 1908 and after attending the Allen Military Academy and the University of Oklahoma, he played in local jazz bands in Louisiana during the late 1920s. By 1931 he had joined the Casa Loma Orchestra, where he became a featured soloist and a composer.

Grady recorded copiously with the ensemble and remained with it until 1942. Among his compositions for the Orchestra was Rhythm Man, You Ain’t Been Livin’ Right, I Remember, and Touch and Go.

The mid-1940s saw Watts abandoning his full-time career as a performer and took jobs in artist & repertoire and as an executive in the chemical engineering industry. Trumpeter and composer Grady Watts passed away in Vero Beach, Florida in January 1986.

THE WATCHFUL EYE

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Daily Dose Of Jazz…

Ken Hyder was born on June 29, 1946 in Dundee, Scotland. He began playing jazz in Scotland before moving south to London, England where he played at the legendary Little Theatre Club – an avant-garde haunt run by the late John Stevens.

For over 40 years Hyder has been playing and composing music and has produced more than three dozen albums of original material. He formed the group Talisker and recorded six albums with this pioneering and proto-type Celtic jazz group. He has recorded with Elton Dean, Chris Biscoe, Tim Hodgkinson, Paul Rogers, Maggie Nicols, Don Paterson, and Frankie Armstrong.

The 1970s saw him moving away from jazz and into collaborations with musicians from different musical backgrounds including Irish, South African and South American players. Later, he became interested in exploring spiritual aspects of music with spiritual practitioners like Tibetan and Japanese Buddhist monks, and Siberian shamans.

Ken combines folk, ethnic and Celtic music with jazz. He has worked and recorded with Dick Gaughan, Vladimir Rezitsky, Phil Minton, Lindsay L. Cooper, Sainkho Namtchylak, Jo’burg Hawk, Marcio Mattos, Jim Dvorak, John Edwards, Dave Webster, John Rangecroft, Radik Tyulyush, Julian Bahula, Lucky Ranku, Larry Stabbins, Harry Beckett, Art Themen, Gary Windo, Pete McPhail, Keith Tippett, Harry Miller, Nick Evans, Raymond Macdonald, Ntshuks Bonga, Hamish Henderson, Jon Dobie, and Lello Colombo.

Fusion drummer and percussionist Ken Hyder continues with his current projects that include K-Space, with Tim Hodgkinson and Gendos Chamzyryn; Hoots and Roots with Scottish singer Maggie Nicols; RealTime with z’ev, Andy Knight and Scipio; Raz3 with Hodgkinson and Lu Edmonds; A revived Talisker, with Nicols and Raymond MacDonald and a duo with pianist Vladimir Miller.

THE WATCHFUL EYE

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