Springs first gained national attention with her 2014 self-titled EP, a hip-hop inflected project that led to performances on Jimmy Kimmel Live and The Tonight Show Starring Jimmy Fallon, appearances at the Afropunk and Bonnaroo festivals, and an invitation to perform with Prince at Paisley Park for the 30th anniversary of Purple Rain. While elated by these opportunities, she started rethinking her musical direction and gravitated toward the jazz and soul-based sounds of her Nashville upbringing.

Reuniting with Grammy-winner Larry Klein, who produced her stunning debut Soul Eyes, Springs chose to honor the women whose music was such an inspiration during her early life in Nashville. Working with Klein (whose credits include albums by Lizz Wright, Melody Gardot, Joni Mitchell, and Herbie Hancock), The Women Who Raised Me is a loving tribute to Ella Fitzgerald, Billie Holiday, Nina Simone, and Dusty Springfield, featuring Springs’ lustrous voice and deft piano accompanied by heavyweight players Christian McBride, Chris Potter, Avishai Cohen, and Elena Pinderhughes.

A finalist in both the Ella Fitzgerald Jazz Vocal Competition and the Mid-Atlantic Jazz Vocal Competition, Wertz released her 2017 debut album Intertwined in collaboration with Israeli pianist Tal Cohen — a sparkling collection of standards and newer compositions which was ranked #4 on Capital Bop‘s list of “Best DC Jazz Albums of 2017.” In addition to her solo career, Wertz is an avid collaborator, featured on recording projects alongside Elena Pinderhughes, Braxton Cook, Justin Rock, and Ambrose Akinmusire, among others.

With Other Side, Wertz has made a quantum leap as a composer and conceptualist, braving essential questions of the human experience with nuanced expression and deep feeling. Born of the introspection and examination that the pandemic forced upon us all, the album pairs her own lyrical compositions based in personal stories with carefully chosen covers like the Rogers and Hart chestnut “Spring is Here,” imbued with the longing and anger created by a world in lockdown.

The son of Cuban pianist Bebo Valdés, the winner of seven GRAMMYs and four Latin GRAMMY Awards joined Armando Romeu’s celebrated Cuban Orchestra of Modern Music in 1967, a time when the communist government still considered American jazz anti-revolutionary. He was already recognized as the most formidable pianist of his generation when he launched Irakere in 1973 with a phenomenal cast that included saxophonist Paquito D’Rivera and trumpeter Arturo Sandoval.

Discovered and introduced internationally by Dizzy Gillespie, the band’s unprecedented synthesis of folkloric Afro-Cuban rhythms, sacred drums, rock, funk, R&B, and jazz opened up vast new frontiers, and helped pave the way for the pervasively popular dance music known as timba. Over the ensuing years, Valdés has concentrated on his career as a solo artist, recording 25 albums and co-writing the landmark 2018 book Decoding Afro-Cuban Jazz in collaboration with SFJAZZ Director of Education Rebeca Mauleón.

A springboard from Valdes’ GRAMMY-winning Afro-Cuban Messengers band, Irakare 50 showcases a blazing new generation of Cuban talent.

Thursday ~ Saturday Performance | 7:30pm

Sunday Performance | 7:00pm

After three superlative releases and collaboration with the likes of Al Green, Mary J. Blige, Paul McCartney, Stevie Wonder, RZA, Herbie Hancock, and the Preservation Hall Jazz Band, Bailey Rae presents her boldest and most audacious statement yet.

Black Rainbows was inspired by the artworks collected by artist, educator, and social innovator Theaster Gates at the Stony Island Arts Bank — a historic bank building on the South Side of Chicago comprising a curated collection of books, sculpture, records, furniture, and problematic objects from America’s past.

From the rock hewn churches of Ethiopia to the journeys of Black Pioneers Westward, Black Rainbows explores Black femininity, Inner Space and Outer Space, time collapse, ancestors, the erasure of Black childhood, and music as a vessel for transcendence.