Daily Dose Of Jazz…
Louis “Kid Shots” Madison was born on February 19, 1899 in New Orleans, Louisiana. He studied cornet under David Jones, Louis Dumaine, and Joe Howard.
In 1915, he becames the drummer in the Colored Waif’s Home band with Louis Armstrong. By 1923, he was playing second cornet with the Tuxedo Brass Band. During the 1930s, he played with the WPA Brass Band and in the Forties he performed as a member of the New Orleans Eureka Brass Band.
In January 1948, cornetist Kid Shots Madison suffered from a stroke and transitioned eight months later in September in his hometown.
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Daily Dose Of Jazz…
Lajos Dudas was born February 18, 1941 in Budapest, Hungary and studied at the Béla Bartók Conservatory and the Franz Liszt Academy of Music in his home city. He then appeared on concert tours throughout in Europe, not only as a jazz and rock musician but also as a soloist in works such as Carl Maria von Weber’s Clarinet Quintet, Igor Stravinsky’s Solo Pieces for Clarinet and Alexander Glazunov’s Concerto for Alto Saxophone. He won international recognition with his successful composition Urban Blues at the 11th International Jazz Competition in Monaco in 1982.
In the 1980s he was ranked high year after year in the Top People Poll of the International Jazz Forum. After his period as a freelance musician from 1963 to 1973, Dudas has been a lecturer at the School of Music in Neuss/GER and also taught from 1975 to 1985 at the Rheinland College of Education. In addition, since 1976, after a spell concentrating on classical music, he was recorded, worked radio productions and tours with Karl Berger, Gerd Dudek, Albert Mangelsdorff, Tom van der Geld, Charles Tolliver, Howard Johnson, Attila Zoller, Philipp van Endert, Leonard Jones, Theo Jörgensmann, Tommy Vig…
Over the course of his career Lajos has composed works commissioned by among several others, Frankfurt Radio Jazz Group, West German Radio & Television/Cologne, and Bavarian Radio Munich, and has performed at major European festivals.
Between 1996 and 2006 he was Artistic Director for the Concert Series in Neuss/GER. He also composed works for clarinet, woodwind chamber music and a Clarinet Method in 2 volumes. Clarinetist Lajos Dudas continues to explore jazz and other genres of music.
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The Quarantined Jazz Voyager
The virus is still raging across America and now has a new host… the children. I have personally known a half dozen friends who have contracted Covid from children or grandchildren who are back in school and bring it home. Be vigilant my people and stay safe and healthy.
This week I am putting on the turntable the bossa nova/jazz album titled Jazz Samba. It is an album by Stan Getz and Charlie Byrd released by Verve Records in 1962. It was recorded on February 13, 1962 in Pierce Hall, All Souls Unitarian Church, Washington, D.C. and released the following April. It ws produced by Creed Taylor.
The idea for the album came about while the Charlie Byrd Trio was on a State Department goodwill tour in Brazil, drummer Buddy Deppenschmidt spent his free time with local musicians, teaching them American jazz and learning bossa nova from them. It was his idea to record an album combining jazz and bossa nova with Stan Getz.
Jazz Samba signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd. It was recorded live in less than three hours and started a bossa nova craze both nationally and internationally.
It is the only jazz album to reach number one on both the jazz and pop Billboard charts and remained high on the charts for 70 weeks. Desafinado, the hit single from the album, was inducted into the Grammy Hall of Fame in 2000 and the album was inducted into the Grammy Hall of Fame in 2010.
Stan Getz won the Grammy Award for Best Jazz Performance of 1963 for Desafinado, and Robert Dimery included Jazz Samba in his book 1001 Albums You Must Hear Before You Die. The painting on the cover is by Olga Albizu.
Tracks | 33:12
Side One
- Desafinado (Antônio Carlos Jobim, Newton Mendonça) ~ 5:51
- Samba Dees Days (Charlie Byrd) ~ 3:34
- O Pato (Jayme Silva, Neuza Teixeira) ~ 2:31
- Samba Triste (Baden Powell, Billy Blanco) ~ 4:47
Side Two
- Samba de Uma Nota Só (Antônio Carlos Jobim, Newton Mendonça) ~ 6:11
- É Luxo Só (Ary Barroso) ~ 3:40
- Bahia (aka ‘Baia’) (Ary Barroso) ~ 6:38
- Stan Getz – tenor saxophone
- Charlie Byrd – guitar
- Gene Byrd – guitar, bass
- Keter Betts – double bass
- Buddy Deppenschmidt – drums, percussion
- Bill Reichenbach Sr. – drums, percussion
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Daily Dose Of Jazz…
Charlie Spivak was born on February 17, 1905 in Kyiv, Ukraine and learned to play trumpet when he was ten years old. He played in his high school band, going on to work with local groups before joining the Johnny Cavallaro Orchestra.
He went on to play with Paul Specht’s band for most of 1924 to 1930, then spent time with Ben Pollack early Thirties, and the Doresy Brothers to the middle of the decade. Ray Noble was his next stop prior to the Glenn Miller Orchestra in 1935. He spent the next two years working mostly as a studio musician with Gus Arnheim, Glenn Miller, Raymond Scott’s radio orchestra, and others, followed by periods with Bob Crosby, Tommy Dorsey, and Jack Teagarden to the end of the Thirties.
Finally, with the encouragement and financial backing of Glenn Miller, he formed his own band in late 1939. His first attempt was a failure within a year, but his second proved successful, one of the most successful bands in the 1940s, and survived until 1959. He scouted top trumpeter Paul Fredricks (formerly of Alvino Rey’s Orchestra) just as Fredricks left the service at the end of World War II, in 1946. Trumpeter Paul Fredricks was recruited after WWII service and became instrumental in the band’s success in the coming years as it reached its peak.
Spivak’s experience playing with jazz musicians had little effect on his own band’s style, which was straight dance music, made up mainly of ballads and popular tunes. Trombonist Nelson Riddle, saxophonist Manny Albam and Sonny Burke arranged for the band. When the orchestra broke up he went to live in Florida, where he continued to lead a band until illness led to his temporary retirement in 1963. On his recovery, he continued to lead large and small bands, first in Las Vegas, Nevada and then moved to Greenville, South Carolina in 1967, where he led a small group featuring his wife as vocalist.
Trumpeter and bandleader Chalie Spivak, known during his heyday as The Man Who Plays The Sweetest Trumpet In The World, continued to play and record until his transition on March 1, 1982 in Greenville.
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Daily Dose Of Jazz…
Buddy Deppenschmidt was born William Henry Deppenschmidt on February 16, 1936 in Philadelphia, Pennsylvania. His father was a saxophonist and bandleader under the name Buddy Williams, but his mother moved him to Richmond, Virginia when he was four.
Self-taught, he started playing drums professionally while in his teens and then went on the road in the western U.S. with the territory band Ronnie Bartley Orchestra. Returning home, he played with local bands and became the drummer for the Newton Thomas Trio through the mid to late Fifties, which was also the touring rhythm section for the Billy Butterfield Quintet. When the Newton Thomas Trio played the Virginia Beach Jazz Festival, it received rave reviews on a bill that included the Dave Brubeck Quartet and the Charlie Byrd Trio. Two nights later, Charlie Byrd came into the Jolly Roger jazz club where Buddy was playing, and offered him the job as drummer with his trio. He played with the trio at the Showboat Lounge in Washington, D.C. from 1959–62.
In February 1961, while on a goodwill tour sponsored by the U.S. State Department, the Charlie Byrd Trio with Byrd on guitar, Keter Betts on bass, and Buddy on drums, they visited 18 countries throughout South and Central Americas, and Mexico. While in Brazil, he spent his free time with local musicians, teaching them jazz and learning bossa nova. It was his idea to record an album combining jazz and bossa nova with Stan Getz.
After Byrd, Deppenschmidt joined the Tee Carson Trio in the early Sixties, then moved to Pennsylvania and formed the Jazz Renaissance, was also the drummer with the John Coates Trio, toured the midwest and west coast with the Bernard Peiffer Trio and studied with drummer Joe Morello.
He’s worked on A Thousand Clowns, Wall Street, Bossa Nova, The Lake House, and Whatever Works movie soundtracks. He’s played with a who’s who list of jazz musicians from Mose Allison and Chet Baker to Coleman Hawkins and Shirley Horn, Phil Woods and more.
Drummer Buddy Deppenschmidt, biographies are in The Encyclopedia of Jazz in the Sixties and The New Grove Dictionary of Jazz, transitioned on March 20, 2021 in Pennsylvania from complications of COVID-19. He was 85 years old.
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