Daily Dose Of Jazz…

Joseph Luke Guy was born in Birmingham, Alabama on September 20, 1920 but much of his early personal life is obscured. He began his professional music career performing in New York City, and joined Fats Waller’s backup band in the late 1930s. Following that, in 1938, he  succeeded Dizzy Gillespie in Teddy Hill’s orchestra.

 Patterning his playing style after his musical role model, Roy Eldridge, despite his range, speed, and potential, Joe never managed to surpass Eldridge’s abilities, though he was considered a musical talent when taking into account his young age.

In 1940 he became a key soloist in Coleman Hawkins’ short-lived big band. 1941–42 saw Guy as a regular performer as a member of the after-hours band at Minton’s Playhouse alongside Nick Fenton, Kenny Clarke, and Thelonious Monk in jam sessions with early bop music. During this period he was actively involved in numerous recordings by Jerry Newman, and also appeared on songs by Charlie Christian, Hot Lips Page, Roy Eldridge, and Don Byas.

Incorporating Gillespie’s influences into his playing, Joe’s performance on Monk’s 1942 song Epistrophy is arguably the highlight of his recording career. Much of his appearances as an instrumentalist are marked by his enthusiasm and tempo, however, on occasions would over exert himself and consequently sound erratic.

Struggling with a heroin addiction throughout the majority of his brief career, in 1945–46 Guy was involved with Billie Holiday both professionally and intimately. When they were both busted for drug possession, the two cut ties thereafter. Afterwards, sidelined him from further success, he moved back to his hometown and fell into relative obscurity among the music industry.

Trumpeter Joe Guy, who performed locally in his hometown and advised others about the dangers of his addiction, transitioned on June 1, 1962, at the age of 41.

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Cuong Vu was born on September 19, 1969 in Saigon, Vietnam and immigrated to Seattle with his family when he was six. At 11 he began to play the trumpet and later received a scholarship from the New England Conservatory of Music.

After graduation, in 1994 Vu moved to New York City and formed the group Ragged Jack with Jamie Saft, Andrew D’Angelo, and Jim Black. Since that time he has worked with Laurie Anderson, David Bowie, Dave Douglas, Myra Melford, Gerry Hemingway, and Mitchell Froom.

While a member of the Pat Metheny Group, he won two Grammy Awards for Best Contemporary Jazz Album: Speaking of Now and The Way Up. Cuong worked with Metheny mainly as a trumpeter, but also contributed vocals, guitar and various small percussion.

As an educator, he serves as chair and professor in the jazz studies department of the University of Washington’s School of Music. Trumpeter Cuong Vu has recorded eleven albums as a leader, thirty-three as a sideman, and continues to lead his own band with bassist Stomu Takeishi and drummer Ted Poor.

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Steve Marcus was born September 18, 1939 in The Bronx, New York, and studied at the Berklee College of Music in Boston, Massachusetts between 1959 and 1961. He gained experience playing in the bands of Stan Kenton, Herbie Mann and Larry Coryell from 1963 to 1973.

His debut album as a leader included an arrangement of the Beatles’ song, Tomorrow Never Knows, which also was the album’s title. He worked with jazz drummer Buddy Rich for the last twelve years of the drummer’s life. After Rich died, Marcus led the band and renamed it Buddy’s Buddies.

Saxophonist Steve Marcus transitioned on September 25, 2005 in New Hope, Pennsylvania. He was 66.

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Bill McKinney was born William McKinney on September 17, 1895 in Cynthiana, Kentucky. Early in his career he worked as a drummer in a circus band until he was inducted into the Army in World War I. After service, he settled in Springfield, Ohio where he took over leadership of the Synco Jazz Band.

After hiring drummer Cuba Austin, McKinney worked as leader and business manager. After touring the U.S. Midwest, they got a residency at the Arcadia Ballroom in Detroit, Michigan in 1926. While there, they were heard by bandleader and music promoter Jean Goldkette, who arranged a more lucrative home base for the band in Detroit’s Graystone Ballroom. The band was renamed McKinney’s Cotton Pickers.

During the Great Depression the band broke up in 1934 and Bill led and played with a dance band in Boston, Massachusetts for a time. From 1937 on McKinney managed a Detroit Cafe with a dance floor and live bands who McKinney booked, while booking bands for other locations on the side.

Drummer Bill McKinney retired in the 1950s and spent his last years in his childhood hometown of Cynthiana, where he transitioned on October 14, 1969 at 74.

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Charles Bullock, known in the industry as Chick, was born on September 16, 1898 in Montana to immigrants from England.. He belonged to a select group of mostly freelance vocalists who sang the vocal refrains on hundreds of New York sessions, which included Smith Ballew, Scrappy Lambert, Irving Kaufman, Arthur Fields, and Dick Robertson. Some of these vocalists were also musicians leading bands, but their singing was more often featured.

Though he began his career in vaudeville and sang in movie palaces, he rarely performed live because his face was disfigured due to an eye disease. His career as a studio musician took off in the late 1920s, and in the 1930s he sang with musicians such as Duke Ellington, Luis Russell, Cab Calloway, Bunny Berigan, Bill Coleman, Jack Teagarden, Tommy Dorsey, Jimmy Dorsey, Joe Venuti, and Eddie Lang.

Bullock’s recordings proved so popular that he used pseudonyms for some recordings, including the name Sleepy Hall. However, in the 1940s the World War II recording ban essentially ended Bullock’s career and he quit the music business in 1942. He moved to California in 1946 and took up real estate, opening his own company.

Chick was mostly associated with the ARC group of labels including Melotone, Perfect, Banner, Oriole, and Romeo. Many of his records were issued under the name Chick Bullock and his Levee Loungers.

Jazz and dance band vocalist Chick Bullock, who recorded some 500 tunes over the course of his career,  transitioned on September 15, 1981, in California at the age of 82.

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