Daily Dose Of Jazz…
Burton Franklin Bales was born on April 20, 1916 in Stevensville, Montana and began playing piano at age twelve. After moving to the West Coast in the 1930s, he played in hotels and nightclubs. He performed regularly in San Francisco, California in the 1940s, with Lu Watters’s Yerba Buena Jazz Band.
Drafted in 1943 into the Army Burt only had one opportunity to record with that group on a brief session with Bunk Johnson. Discharged for myopia, he led his own band from 1943 to 1946 before taking an extended residency at San Francisco’s 1018 Club.
He played with Turk Murphy at the end of the Forties, then with Bob Scobey and Marty Marsala. Between 1954 and 1966 he played mostly solo, with one of his regular gigs being at Pier 23.
Stride pianist Burt Bales, who recorded extensively for Good Time Jazz, Arhoolie, ABC-Paramount, and Euphonic record labels, transitioned on October 26, 1989 in San Francisco.
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Daily Dose Of Jazz…
Richard Cully was born on April 19, 1949 in Manhattan, New York. He began his musical journey at the age of 16 studying with James Rago, Professor of Percussion at the University of Louisville. While still in high school, he formed a very popular quartet, The Charades, then went on to attend Berklee College of Music in Boston, Massachusetts. There he studied with Alan Dawson and continued his studies with former “Tonight Show” drummer Ed Shaughnessy.
Early in his career Dick performed a variety of musical styles, pop, rock, disco, jazz and country. However, in 1982, he formed the Dick Cully Big Band, a high energy, exciting unit performing a wide variety of arrangements for all age groups. In 1984, he became an artist/endorser for the world famous Slingerland Drum Company.
Cully has worked with Toni Tennille, Sandy Duncan, Florence Henderson, Frank Gorshin, Ray Anthony, Buddy Morrow, Skitch Henderson, Patti Page, Nanette Fabray, Les Elgart, Connie Haines, Bobby Rydell, comedians Foster Brooks and George Kirby. In 1989, the Dick Cully Big Band was chosen as “One of the best bands in the nation” by Down Beat magazine and featured on Black Entertainment Network’s “Jazz Discovery” television program.
Recognized as an educator and clinician, he is the author of Instructional Drum Videos The Workout, Secrets of the World’s Greatest Drummer and More Secrets of the World’s Greatest Drummer, which are in-depth analysis of the late Buddy Rich. Drummer Dick Cully continues to perform and lead his band.
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Daily Dose Of Jazz…
Susanna Lindeborg was born on April 18, 1952 in Gothenburg, Sweden and began classical training on piano at a young age which turned into work with jazz and improvisation, showing to be her right element. She started her professional musical career in the middle of the Seventies.
Susanna went on to mix acoustic and electronic instruments, which has been known most of all through the group Mwendo Dawa, which she leads and tours together with saxophone player Ove Johansson. Writing her own music for the group, she also toured with the female jazz group Salamander during the beginning of the 1980s. Both Mwendo Dawa and Salamander attracted a lot of attention on the European continent and in the United States.
She currently tours with her Lindeborg/Johansson Duo and Natural Artefacts. Her performances are both in the world of improvisation music, the world of electro~acoustic music, and solo improvisations. With the release of her first solo compact disc in 1989, she parlayed the acceptance into some work in Germany with some radio and TV recordings. Avant~garde pianist Susanna Lindeborg continues to push the boundaries of her music.
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Daily Dose Of Jazz…
Han Bennink was born April 17, 1942 in Zaandam, Netherlands, the son of a classical percussionist. He began playing the drums and the clarinet during his teens. He also went on to learn to play the violin, banjo and piano, which feature him on some of his recordings.
Through the 1960s, while in his t,wenties he was the drummer with a number of American musicians visiting the Netherlands, including Dexter Gordon, Wes Montgomery, Sonny Rollins and Eric Dolphy.
He subsequently became a central figure in the emerging European free improvisation scene. In 1963 he formed a quartet with pianist Misha Mengelberg and saxophonist Piet Noordijk which performed at the 1966 Newport Jazz Festival. The following year Han co-founded the Instant Composers Pool with Mengelberg and Willem Breuker, which sponsored Dutch avant garde performances. Late in the decade he played in a trio with saxophonist Peter Brötzmann and Belgian pianist Fred Van Hove, which became a duo after Van Hove’s departure in 1976.
From the late 1980s through the early 2000s, Bennik collaborated closely with Dutch post-punk band The Ex, simultaneously playing through the 1990s in Clusone 3, a trio with saxophonist/clarinetist Michael Moore and cellist Ernst Reijseger.
He has recorded twenty albums as a solo or leader and recorded over a eight dozen albums as a sideman with the likes of Derek Bailey, Conny Bauer, Don Cherry and Alexander von Schlippenbach, Steve Lacy, Lee Konitz, Ray anderson, Gary Bartz, Jckie McLean, Paul Bley, Annette Peacock, Anthony Braxton, Marion Brown, Uri Caine, Myra Melford, and Sonny Rollins. (partial list)
His style is wide-ranging, running from conventional jazz drumming to highly unconventional free improvisation. Drummer Han Bennink is best known as one of the pivotal figures in early European free jazz and free improvisation, and he continues to push forward the envelope of his music at 80.
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Daily Dose Of Jazz…
Boyce Brown was born on April 16, 1910 in Chicago, Illinois. He worked with Wingy Manone, Paul Mares, and Danny Alvin. Best known of his recordings is a 1935 session with Paul Mares and his Friars Society Orchestra, that was first issued on LP in 1955 as part of Columbia’s Chicago Style Jazz album and a 1939 session with Jimmy McPartland & his Jazz Band, which was first released as part of Decca’s Chicago Jazz album. Both of these sessions had Brown demonstrating a driving, harmonically advanced style.
In 1953, Boyce entered a monastery of the Roman Catholic Servite Order, however, he returned in 1956 to release his one and only album as Brother Matthew, backed by a band organized by Eddie Condon.
Alto saxophonist Boyce Brown, who played in the dixieland genre, transitioned from a heart attack on January 30, 1959 at the age of 48.
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