Daily Dose Of Jazz…

Frank Colón was born October 13, 1951 of Puerto Rican descent in Washington, D.C. but moved to Puerto Rico with his parents at the age of five. His musical instruction began at age eleven, beginning with classical piano lessons, under the guidance of Angelina Figueroa and Rafael Figueroa, both members of Puerto Rico’s most prestigious classical music family.

Colón kept up his piano studies throughout his teenage years, trying his hand at pop guitar, electric bass, and trap drums, as well as being very active in municipal and collegiate sports, martial arts, and amateur theater. Throughout this period in his life he worked with various local pop music groups throughout the island of Puerto Rico.

Moving back to Washington, D.C. in 1970 he attended college at American University, where Frank majored in Political Science. During this time, his musical orientation changed from melodic instruments to percussion and upon completion of his university requirements, he turned full-time to his music.

In 1976, Colón moved to New York City, on a call to work with his friend and mentor, the legendary drum master, Julito Collazo. Through Julito’s guidance, he became proficient at playing the Batá drums, sacred to the Orisha in the Santería religion.He has played Brazilian percussion since the time he lived in Washington, D.C.

Frank was performed and recorded with The Manhattan Transfer, Wayne Shorter, Weather Report, Mary J. Blige, Harry Belafonte, Gato Barbieri, Chet Baker, Pat Metheny, Aretha Franklin, Herbie Hancock, Gilberto Gil, Larry Coryell, Jimmy Smith, Milton Nascimento, Tania Maria, Ernie Watts, Paquito D’Rivera, Dave Valentin, Jon Lucien, João Bosco, Michael Wolff, Billy Taylor, Gal Costa, Dianne Reeves, Michel Camilo, Nestor Torres, Felix Cavalieri, Airto, and George Benson, among numerous others..

Percussionist Frank Colón has released two albums as a leader and continues to perform, record and tour.

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Daily Dose Of Jazz…

Johnny O’Neal was born October 10, 1956 in Detroit, Michigan and his playing was influenced by pianists Oscar Peterson and Art Tatum. In 1974, he moved to Birmingham, Alabama and worked as a musician, never needing a day job to make ends meet. There he worked with locals Jerry Grundhofer, Dave Amaral, Cleveland Eaton, and Ray Reach.

Moving to New York City in 1981 to perform with Clark Terry, he also landed a regular job at the Blue Note, accompanying among numerous others,  Dizzy Gillespie, Ray Brown, Nancy Wilson, Joe Pass and Kenny Burrell. From 1982 to 1983 Johnny was a member of Art Blakey and the Jazz Messengers and made his Carnegie Hall debut in 1985.

During the Nineties he lived in Atlanta, Georgia and performed prolifically at Churchill Grounds and Just Jazz, before settling in Canada for a few years. He has recorded with Art Blakey, Russell Malone, Magic City Jazz Orchestra, SuperJazz Big Band and the Alabama Jazz Hall of Fame All-Stars, among others.

On the recommendation of Oscar Peterson, O’Neal portrayed Art Tatum in the 2004 movie Ray, recreating Tatum’s sound on the song Yesterdays. He has been profiled in the 2006 DVD Tight, was featured in Lush Life: Celebrating Billy Strayhorn, performing with the Jazz at Lincoln Center Orchestra and received a standing ovation.

Neo-bop pianist, vibist and vocalist Johnny O’Neal, whose playing ranges from the technically virtuosic to the tenderest of ballad interpretations, was a 1997 inductee of the Alabama Jazz Hall of Fame and continues his career performing, recording and touring.

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Daily Dose Of Jazz…

Kenny Garrett, born October 9, 1960 in Detroit, Michigan and his father played saxophone as a hobby. After graduating from Mackenzie High School in 1978 he joined the Duke Ellington Orchestra, led by Mercer Ellington. He moved on to join the Mel Lew Orchestra playing the music of Thad Jones followed by a stint with the Dannie Richmond Quartet that focused on the music of Charles Mingus.

1984 saw him recording his first album as a bandleader, Introducing Kenny Garrett, on the Criss Cross label. Moving to Atlantic Records he recorded Prisoner of Love and African Exchange Student. Since 1990 the majority of Garrett albums are co-produced by pianist/composer Donald Brown beginning with  signing with Warner Bros. Records label, releasing Black Hope in 1992. Songbook, his first album made up entirely of his own compositions, recorded in 1997, was nominated for a Grammy Award.

Over the course of his ongoing career Kenny has performed and recorded with among others, Art Blakey, Joe Henderson, Brad Mehldau, Freddie Hubbard, Woody Shaw, McCoy Tyner, Pharoah Sanders, Brian Blade, Marcus Miller, Chick Corea, John McLaughlin, Herbie Hancock, Bobby Hutcherson, Ron Carter, Elvin Jones, Geri Allen, Jack Walrath, Cedar Walton, Rodney Kendrick, Charnett Moffett and Mulgrew Miller. Best known in many circles for the five years he spent playing with Miles Davis during the trumpeter’s electric period.

Garrett has won a Grammy Award, has been nominated for a Soul Train Award,  a Grammy and a NAACP Image Award nominations for Seeds from the Underground, was awarded an Echo Award in the Saxophonist of the Year in 2013 and has received an Honorary Doctorate in Music from Berklee College of Music. Post-bop saxophonist and flautist Kenny Garrett who has released nineteen albums as a leader and over thirty as a sideman, continues to pursue his solo career.

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Daily Dose Of Jazz…

Thomas Clausen was born on October 5, 1949 in Copenhagen, Denmark and grew up in a musical home with his father playing a strong and able jazz piano in swing style, his mother from a family of singers. He began playing very young with great artists of jazz and his energetic and lyrical piano playing was discovered by Dexter Gordon in 196. During that same year he joined Palle Mikkelborg’s projects and groups and was soon playing regularly with the bass players Niels-Henning Orsted Pedersen, Bo Stief, and Mads Vinding, as well as with the drummers Alex Riel, Bjarne Rostvold, and Kasper Winding.

Accompanying a number of international jazz stars visiting Copenhagen, Thomas has performed with Ben Webster, Elvin Jones, Jan Garbarek, Joe Henderson, Phil Woods, Lee Konitz, Stan Getz, Chet Baker, Eddie ”Lockjaw” Davis, Jackie Mclean, Gary Bartz, and Johnny Griffin, just to mention a few. In the mid 80’s he was a regular member of the Peter Herboltzheimer International Big Band in Germany.

Clausen formed his own band in 1978, when he started Mirror, a group that recorded the first LP with his own compositions and included Jan zum Vohrde on saxophone and flute, bassist Ole Skipper Moesgaard, and Aage Tanggaard on drums. 1979 saw him leading his first jazz trio, with bassist Niels-Henning Orsted Pedersen and once again Tanggaard on drums, releasing two albums by 1983. Towards the end of the decade another trio emerged with Mads Vinding and Alex Riel and participated in the first Jazzpar Prize concerts in Copenhagen, Odense, and Paris in 1990, joined by with Gary Burton. The collaboration with Burton lasted a couple of years and led to two recording sessions.

Through the Nineties he delved into Brazilian music, recording and performing with many who were living in Denmark and Germany. His Brazilian Quintet continued into the new millennium, performing and touring throughout Europe. At 67, pianist, composer, arranger and bandleader  Thomas Clausen has received the Ben Webster Prize, The Jasa Prize, The Fanfare Prize, and The Danish Society for Jazz, Rock and Folk Composers Prize, received support from the Danish Arts Foundation for fifteen consecutive years from 1993 to 2007 and continues to compose, perform as a leader and co-leader and to tour.

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Daily Dose Of Jazz…

Edgar Gómez was born October 4, 1944 in Santurce, Puerto Rico and emigrating with his family at a young age arrived in New York City, where he was raised. He started on double bass in the City’s school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art. He played in the Newport Festival Youth Band, led by Marshall Brown from 1959 to 1961, and graduated from Juilliard in 1963.

Gómez has performed with Miles Davis, Dizzy Gillespie, Gerry Mulligan, John Coltrane, New York Art Quartet, Benny Goodman, Buck Clayton, Ahmad Jamal, Bill Bruford, Scott LaFaro, Marian McPartland, Paul Bley, Michael Brecker, Wayne Shorter, Steps Ahead, Steve Gadd, Ron Carter, Jeremy Steig, Herbie Hancock, Tony Williams, Al Foster, Chick Corea, Mark Kramer, Eugenio Toussaint and Carli Muñoz, just to name a few giants.

Spending a total of eleven years with the Bill Evans Trio and touring the United States, Europe and Asia, as well as recording dozens of albums, in which two of the Trio’s recordings won Grammy awards. Though Eddie was a member of the Manhattan Jazz Quintet and Steps Ahead, most of his career has been as an accompanist, a position suited for his quick reflexes and flexibility. This gave him the opportunity to record some 73 albums above and beyond his projects as a leader.

He was awarded an Honorary Doctorate of Music from Berklee College of Music in Valencia, Spain, and was the first honorary doctorate granted at the college’s new international campus. Double bassist Eddie Gómez continues to perform, record and tour.

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