Daily Dose Of Jazz…
Joe Bishop was born November 27, 1907 in Monticello, Arkansas and learned piano, trumpet, and tuba when he was young. He also played flugelhorn and mellophone. He attended Hendrix College and played professionally with the Louisiana Ramblers in 1927, including in Mexico.
Bishop played with Mart Britt, Al Katz, and Austin Wylie before joining the Isham Jones band for five years. He was a founding member of Woody Herman’s band in the 1930s, but he contracted tuberculosis in 1940 and had to leave the group. He was rehired by Herman as a staff arranger later in the 1940s, and his arrangements and compositions were recorded frequently by Herman, appearing on some 50 of Herman’s albums.
As a performer, Joe played with Cow Cow Davenport and Jimmy Gordon’s Vip Vop Band, but retired from studio work due to his health in the 1950s. Joe quit music and opened a store in Saranac Lake, New York, and later retired to Texas. His compositions include Midnight Blue, Woodchopper’s Ball, and Blue Prelude with Gordon Jenkins.
Tubist, pianist and composer Joe Bishop, whose work has been covered by musicians as diverse as Ten Years After and Lawrence Welk, transitioned on May 12, 1976.
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Daily Dose Of Jazz…
William “O’Neil” Spencer was born on November 25, 1909 in Cedarville, Ohio and began his career with local bands in the Buffalo, New York area. In 1931, he began working for Al Sears before joining up with the Mills Blue Rhythm Band from 1931 to 1936, which later became the Lucky Millinder Orchestra.
However, it wasn’t until 1937 after joining the popular John Kirby Sextet that he truly became an influential force on the jazz scene. Unfortunately, Spencer had to leave for a time in 1941 due to tuberculosis. However, during the late Thirties he recorded with numerous other groups, including Red Allen, Sidney Bechet, Jimmie Noone, Johnny Dodds, Frankie Newton, Milt Hearth, and Lil Armstrong.
He left the Kirby sextet in 1941 to work briefly with Louis Armstrong, but returned in ’42. His career, however, was cut short in 1943 when he contracted tuberculosis. Drummer and singer O’Neil Spencer transitioned on July 24, 1944 in New York City at the age of thirty-five.
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Daily Dose Of Jazz…
Norman Dewey Keenan was born on November 23, 1916 in Union, South Carolina. He began playing piano before learning bass at age 15.
In the mid~1930s he worked with Tiny Bradshaw, Lucky Millinder, Henry Wells, Earl Bostic, and Cootie Williams into the Forties, and jammed at Minton’s Playhouse around the same time.
Following World War II he worked with Williams again and with Eddie Cleanhead Vinson in 1947-49. Then he became the bassist in the house trio at the Village Vanguard until 1957. After backing and recording three albums with Harry Belafonte from 1957 to 1962, Keenan worked on the TV show Hootenanny.
He began playing jazz again in the 1960s, recording with Miriam Makeba, Chad Mitchell, Count Basie from 1965-74, recording twenty-one albums with the orchestra, and Roy Eldridge in 1966. Double bassist Norman Keenan transitioned on February 12, 1980 in New York City.
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Daily Dose Of Jazz…
Julian Fuhs was born on November 20, 1891 in Berlin, Germany. After attending the Stern Conservatory he emigrated to the United States in 1910 and got his American citizenship in 1916. Returning to Berlin in 1924 he put together his Follies Band, whose American-influenced jazz and light music was extremely successful.
He made a significant contribution to the establishment of jazz in Germany in the 1920s. Fuhs was the first to use a three-part saxophone section and was considered the German counterpart to Paul Whiteman after his recording of George Gershwin ‘s Rhapsody in Blue. Fuhs was the first to record it in Europe.
In 1931, as a result of the global economic crisis, he was forced to disband his orchestra and earn his living as the owner of a bar. In 1933 he was repeatedly the victim of violent attacks because of his Jewish origins. He emigrated first to Austria, then to Czechoslovakia and France. In 1937 he returned to America, where he worked as a salesman.
Pianist and bandleader Julian Fuhs transitioned in poverty on February 4, 1975 in Miami, Florida.
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Daily Dose Of Jazz…
Eddie Graham was born on November 18, 1937 in New York City. Inspired by his father who played the trombone, he acquired an early interest in rhythm which prompted him to begin the study of drums at age nine. After moving with his family from New York to Miami, Florida at 14, he had a continuing television series on WTVJ with his Swing Kings. During this time his interest in Dixieland jazz was fostered by an acquaintance with drummer “Preacher” Rollo Laylan who frequently imported jazz names to Miami.
Attending the University of Miami he performed for several seasons with the Miami Symphony before migrating to California to accompany such diverse luminaries as Jack Jones, Elvis Presley, and Anita O’Day. He toured as accompanist and conductor for Roberta Sherwood, Vic Dana and Kay Stevens during the Sixties. Eddie settled in Las Vegas, Nevada on a long term contract with Latin concert pianist, Esquivel. He toured Japan with the Village Stompers, and appeared on television with ragtime pianist Big Tiny Little. As a percussionist in the Vegas showrooms, he accompanied Rich Little, Sammy Davis Jr., Presley, Johnny Mathis, and Mack Davis, while hitting the stage with his own jazz group.
The early seventies saw him in Hawaii with trombonist Trummy Young and then hooked up with Earl “Fatha” Hines as a featured artist from 1975 to 1980. On concert tours in Europe, Australia, South America and Japan, Ed has appeared with such artists as Benny Carter, Joe Venuti, Bobby Hackett, Red Norvo, Dorothy Donegan, Barney Bigard, and Stan Getz.
Graham went on to record two albums as a leader, one studio and one live, Hot Stix and S’Wonderful Jazz, respectively. He recorded with Earl Hines on Tony Bennet’s Improv record label, with Marva Josie and a collaboration with trumpeter Billy Butterfield.
In the 80’s, he was a musical director and featured soloist in Las Vegas, and a member of the Peanuts Hucko Quartet in Palm Springs, Califonia. He [layed numerous festivals and clubs around the country during this period, and was a founding member of the 21 piece Monterey Peninsula Jazz Orchestra as percussionist and soloist at Clint Eastwood’s Mission Ranch in Carmel. At eighty-five drummer Eddie Graham still occasionally plays.
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