Requisites
The Wes Montgomery Trio | By Eddie Carter
“It wouldn’t be easy,” I thought to myself. Other reviewers have been crafty, cunning, and just as resourceful when writing about Wes Montgomery. “What could I say, that hasn’t already been said about one of the true innovators on the guitar?” Staring at the blank page and flashing pointer on the computer screen, I anxiously awaited an answer that never came. I took one of my favorite albums down from the shelf to listen to after writing a review, placed the record on the turntable, and began to listen. The Wes Montgomery Trio (Riverside RLP 12-310/RLP 1156) was recorded and released during that magical year of 1959 shortly after he relocated from Indianapolis, Indiana to New York City. The other members of his trio are Melvin Rhyme on guitar and Paul Parker on drums. My copy used in this report is the 1975 Riverside Original Recording Series Japanese Stereo reissue (SMJ-6080) by Victor Musical Industries, Inc.
Side One opens with one of the greatest jazz standards ever recorded, ‘Round Midnight by Thelonious Monk, Cootie Williams, and Bernie Hanighen. The trio begins with an elegantly tender introduction by Wes that flows softly into a graceful theme with Melvin and Paul trailing him ever so gently. Montgomery is the only soloist and gives a mesmerizing interpretation with the delicacy of fine porcelain figurines preceding the ensemble’s heartwarming finale. Yesterdays by Jerome Kern and Otto Harbach was an instant hit after the Broadway musical, Roberta (1933), and remains an enduring standard to this day. The trio starts with a beautifully constructed, bluesy melody. The guitarist takes the reins again for the song’s only interpretation and unfolds an infectious performance that’ll have the listener snapping their fingers and tapping their toes.
The End of a Love Affair is from the pen of Edward C. Redding and was written in 1950. It’s a marvelous song that hasn’t been over-recorded. Wes would revisit it a few years later on Goin’ Out of My Head (1966) backed by The Oliver Nelson Orchestra. The group’s rendition is uptempo with Wes in front on the melody, then making use of his octaves and chords for an effervescent first solo. Melvin dances over the pedals on the next reading leading to the exit. Benny Golson wrote Whisper Not in 1956 while he was with The Dizzy Gillespie Big Band. It’s one of his most recorded compositions and the trio starts with a warm and mellow theme. Wes starts the soloing at a low glow and Melvin adds a modest comment before the close. Ecorah by Horace Silver is also taken at midtempo, and one can’t help but marvel at the trio’s collective improvisation during the first and final choruses.
The inspiration for Satin Doll by Duke Ellington, Billy Strayhorn, and Johnny Mercer comes from a famous black stripper who used the song’s title as her stage name. The trio pays homage to the standard with a happy theme and closing chorus that’s sure to put a smile on your face with its catchy beat. Melvin shows off a wonderful articulation on the first reading, followed by Wes who keeps things swinging with some relaxed cooking on the closer. Missle Blues, the first of two tunes by Montgomery, is named after the Indianapolis club he played in. This mid-tempo original begins with a compelling swing that the ensemble states proficiently in the melody. Melvin and Wes are the featured soloists and the organist opens with a velvety smooth interpretation. Wes strolls into the closing performance at a casual flow punctuated by Paul’s brushwork.
Too Late Now by Burton Lane and Alan Jay Lerner is a very lovely standard beginning with a collective, wistful opening chorus. Montgomery refreshes this chestnut with a breathtaking lead solo tinged with melancholy. Melvin expresses a remorseful answer to the guitarist ahead of the trio’s elegant closing thoughts culminating with a delicate climax. Wes’ Jingles ends the album allowing each member solo space beginning with Rhyme who cruises happily on the melody and first solo. Wes gets into a swinging groove on the second statement, and Paul has a quick exchange with Melvin and Wes leading to the reprise and finale. Jack Higgins engineered the original recording and Victor’s remastering of the tapes is nearly perfect. The sound quality is excellent, but on Jingles, both the guitar and organ are miked too strongly and there’s a bit of harshness on both solos and the out-chorus.
In fairness to Victor, I think this miking error may have happened during the original recording. That issue aside, the rest of the album’s sound is superb and worth auditioning for a spot in your jazz library. Wes Montgomery influenced countless guitarists with his creativity, innovation, and outstanding technique. Many have paid homage to him with original songs and tribute albums and whether working with big bands, small groups, or strings, his playing showed he could converse musically in any setting. He passed away from a heart attack on June 15, 1968. If you’re a fan of Wes Montgomery and enjoy jazz guitar, The Wes Montgomery Trio is a great album for any enthusiast and perfect for listening any time of the day or night!
~ Dizzy Gillespie and His Orchestra (Fanfare N 46 146); Goin’ Out of My Head (Verve Records V-8642/V6-8642) – Source: Discogs.com ~ Dizzy Gillespie and His Orchestra – Source: JazzDisco.org ~ ‘Round Midnight, Yesterdays, The End of a Love Affair, Whisper Not, Satin Doll, Too Late Now – Source: JazzStandards.com ~ Wes Montgomery – Source: Wikipedia.org © 2021 by Edward Thomas Carter
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Judy Bailey was born on October 3, 1953 in Auckland, New Zealand and raised in Whangarei, a town in the north country. As a young child she learned ballet, followed by piano and theory when she was 10 years old. She graduated from Trinity College London in the United Kingdom when she was 16.
Moving to Australia in 1960, Judy has spent most of her time in Sydney. She performed live on television, live music venues like the legendary El Rocco and on many recordings.
As an eductor Bailey is a senior lecturer in jazz composition and jazz piano at the Sydney Conservatorium of Music since 1973 and is also musical director of the Sydney Youth Jazz Ensemble. In 1973, Bailey became the pianist on the Australian Broadcasting Corporation children’s radio show Kindergarten, which often featured presenters from Play School.
She has received the Order of Australia, was inducted into the Graeme Bell Jazz Hall of Fame by Jazz Australia, and was awarded an Honorary Doctorate from the University of Sydney. Pianist and composer Judy Bailey, who has lived in Australia since the 1960s, seldom performs.
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Django Bates was born Leon Bates on October 2, 1960 in Beckenham, Kent, England where he attended Sedgehill School. While at this school, for six years he also attended the Centre for Young Musicians in London, England, where he learned trumpet, piano, and violin. In 1977 he studied at Morley College. The following year he enrolled at the Royal College of Music to study composition but left after two weeks.
He founded Human Chain in 1979 and, in the 1980s, he rose to prominence in a jazz orchestra called Loose Tubes. In 1991, Django started the 19-piece jazz orchestra Delightful Precipice. He also assembled the Powder Room Collapse Orchestra and created Circus Umbilicus, a musical circus show. As a sideman he was a member of Dudu Pukwana’s Zila, Tim Whitehead’s Borderline, Ken Stubbs’s First House, Bill Bruford’s Earthworks, Sidsel Endresen, and in the bands of George Russell and George Gruntz.
As an educator, he has tutored at the Banff Centre jazz program, and was appointed Professor of Rhythmic Music at the Rhythmic Music Conservatory in Copenhagen. Bates was appointed visiting professor of jazz in 2010 at the Royal Academy of Music in London, and the next year was appointed Professor of Jazz at HKB Bern Switzerland.
He has performed with Michael Brecker, Tim Berne, Christian Jarvi, Vince Mendoza, David Sanborn, Kate Rusby, and Don Alias. Pianist, keyboardist, tenor hornist Django Bates continues to perform and record.
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Mark Helias was born October 1, 1950 in New Brunswick, New Jersey. He started playing the double bass at the age of 20, graduating from Yale University’s School of Music with a Masters degree in 1976 and also studied at Rutgers University.
He has performed with a wide variety of musicians, first and foremost with trombonist Ray Anderson, with whom Helias led the ironic 1980s avant-funk band Slickaphonics. He also led a trio with drummer Gerry Hemingway, formed in the late 1970s, which was later renamed BassDrumBone.
Helias has performed with members of Ornette Coleman’s band, Don Cherry, Dewey Redman, and Ed Blackwell, and with musicians affiliated with the AACM, such as Anthony Braxton and Muhal Richard Abrams.
>Since 1984 Mark Helias has released six recordings under his own name and further six albums leading the archetypal improvising trio Open Loose since 1996. The group comprises Helias on bass, first Ellery Eskelin, then Tony Malaby on tenor saxophone and Tom Rainey on drums.
Double bassist and composer Mark Helias continues to perform and teaches at Sarah Lawrence College, The New School, and SIM (School for Improvised Music.
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Jon Eardley was born on September 30, 1928 in Altoona, Pennsylvania and first started on trumpet at the age of 11. His father played in Paul Whiteman’s orchestra. From 1946 to 1949 he played in an Air Force band in Washington, D.C., then led with his own quartet in D.C. from 1950 to 1953.
Moving to New York City in 1953 and the following year saw him playing with Phil Woods, then with Gerry Mulligan for three years, and with Hal McIntyre (1956). Following this he returned to his hometown and played there until 1963, when he moved to Belgium.
In 1969 he moved to Cologne, Germany, playing there with Harald Banter and Chet Baker. Working through the 1980s, the last years before death he played in the WDR Big Band Cologne, Germany.
He recorded with Gerry Mulligan, Teo Macero, J. R. Monterose, Airto Moreira, Charlie Parker, Manfred Schoof, and Zoot Sims. Trumpeter Jon Eardley, who recorded four albums as a leader and ten albums as a sideman, passed away on April 1, 1991 in Lambermont, near Verviers, Belgium.
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