The Jazz Voyager

Jumping on a quick flight from LaGuardia to BWI to be in the audience at what has become a venerated jazz spot in Baltimore, Maryland, the Keystone Korner. Its founder, Todd Barkin, created the iconic location in San Francisco next to the North Beach police station, thus the origin of its name as a play on words on Mack Sennett’s slapstick “Keystone Kops” films. Moving east, he made a prudent decision to bring that same atmosphere to serve great music to the Baltimore, Washington and northern Virginia area.

The purpose for this travel itinerary is to see one of my favorite pianists and to be part of his 50th birthday celebration with 50 SHADES OF O. The Orrin Evans Trio with special guest vocalist Lisa Fischer will take us on an adventurous evening of music. Evans and his 2x Grammy-nominated Captain Black Big Band released and will be performing music from their new studio album, Walk A Mile In My Shoe!

Orrin Evans Tickets: $45.00 ~ $55.00 + fee | Streaming: 6:00pm Only ~ $15.00 + fee

Keystone Korner Baltimore address is 1350 Lancaster Street, 21231. For more information visit keystonekornerbaltimore.com.

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Daily Dose Of Jazz…

Andrew Morgan was born on March 13, 1901 in Pensacola, Florida. He played clarinet with the Imperial Band in the mid-1920s and then joined his brother Isaiah Morgan’s band in 1925. Sam Morgan led this ensemble for its recordings in 1927.

Heading to New Orleans, Louisian he played in the late 1920s and 1930s with Kid Howard, Kid Rena, and Kid Thomas Valentine. In the 1940s he and Isaiah played together again in Biloxi, Mississippi, then moved back to New Orleans to play with Alphonse Picou, Kid Rena again, Herb Morand from 1946 to 1952 and Kid Clayton from 1952.

He played with Percy Humphrey in 1953 and with the Young Tuxedo Brass Band and led the group after 1964. From 1958 he played Sweet Emma Barrett, Kid Howard again, Alvin Alcorn, Onward Brass Band, Eureka Brass Band, and Captain John Handy.

Clarinetist and saxophonist Andrew Morgan, who recorded once as a leader for his 1969 album Down By the Riverside, died in New Orleans, Louisiana at the age of 71 on September 19, 1972.

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Daily Dose Of Jazz…

Layla Angulo was born March 12, 1976 to a Greek mother and an Irish-American father and started playing the piano at age 6. However, it was her grandfather’s upright bass playing that inspired her to learn the saxophone at age 10. She began playing in jazz clubs during high school. After graduation, she played in various funk, jazz, and pop and groups and performed as the horn section leader of various salsa bands around the Northwest.

Developing the idea to write her own music. Soon after Layla released her debut album, Live at The Triple Door, was recorded at the noted Seattle theater in 2005. The album’s first single Que Te Vaya Bien was Top 10 for three months. Mientras, her sophomore album, was recorded in New York with Arturo O’Farrill, Oscar Estagnaro, Tony Escapa, and Dario Escanazi and released in 2008.

Moving to New York City in 2009, she subsequently spent a year on tour with reggaeton artist Don Omar. Her third album TriAngulo gave up a single, No Se Como Olvidarte that rose to #16 on the Billboard Tropical Charts. Another song from TriAngulo, La Pelicula, reached #1 in the National Latin Record Pool.

On March 24, 2015, the International Songwriting Competition announced its 2014 Finalists, including Layla’s song Dame Todo.

Alto saxophonist, composer, singer, band director, and recording artist known professionally by the mononym Layla, continues to specialize in Latin music.

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Jazz Poems

MAY 12

From The Daily Mirror

A book could be written on the moment swing turned into bop the moment Lester Young, Roy Eldridge, and Teddy Wilson gave way to Bird, Dizzy, Miles, Bud and Monk in fact it would be a great movie at least the sound track would be “beyond category” as Duke Ellington would have put it the life of a jazz musician (about which I know so little) is the life for me I felt on the afternoon Jamie and I visited his father who sat at the piano and talked and played I was tongue-tied and wanted him to play a song as if Helen Merrill were there and her voice and his fingers were about to have an intimate talk

DAVID LEHMAN | 1948

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Charles E. Clark was born on March 11, 1945, in Chicago, Illinois and studied bass with Wilbur Ware. He embarked on a professional career in 1963 and went on to play with Muhal Richard Abrams in his Experimental Band between 1966 and 1968, recording with the ensemble on the album Levels and Degrees of Light.

He was a founding member of the Association for the Advancement of Creative Musicians. Clark played live with Joseph Jarman in the late 1960s, sometimes employing percussion, koto, and cello as well as bass. He recorded on Jarman’s Delmark Records releases, Song For in 1966 and again on As If It Were the Seasons in 1968.

With the death of Clark and pianist Christopher Gaddy, Jarman disbanded his ensemble and joined the Art Ensemble of Chicago.

Double-bassist Charles Clark, who during his extremely short career never recorded as a leader, died April 15, 1969 in Chicago.

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