Daily Dose Of Jazz…

Hadley Caliman was born December 1, 1932 in Los Angeles, California. While at Jefferson High School he studied with his fellow classmates trumpeter Art Farmer and saxophonist Dexter Gordon, and was known in the Central Avenue corridor as “Little Dex”. It was here during the 50s and by the 60s where he primarily gigged and the tenor was soon seen playing with Mongo Santamaria, the Gerald Wilson Big Band, Willie Bobo and Don Ellis and was briefly a member of a jazz-rock fusion group led by Ray Draper.

By the Seventies Hadley had moved to San Francisco and was performing and/or recording with Joe Henderson, Nancy Wilson, Carlos Santana, Joe Pass, Hampton Hawes, Bobby Hutcherson, Flora Purim, Elvin Jones, Freddie Hubbard, Jon Hendricks, Earl Andreza, Phoebe Snow and Patrice Rushen among others. He later moved to Seattle, Washington where he had been on the faculty of the Cornish College of the Arts and a featured soloist with the Seattle Repertory Jazz Orchestra.

Though one can hear Coltrane’s influence in his playing, it never overshadowed the earlier West coast bop or the myriad of musical genres he played that created his modern jazz sound. Tenor saxophonist and flautist Hadley Caliman passed away on September 8, 2010 at age 78 in Seattle, Washington where he had been an active player leading both a quartet and quintet.

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Daily Dose Of Jazz…

Jack Sheldon was born November 30, 1931 in Jacksonville, Florida became a professional trumpet player at the age of thirteen. It was during his teen years he moved to Los Angeles and subsequently joined the air force playing in military bands in Texas and California. He first gained recognition as part of the West Coast jazz movement in the 1950s performing and recording with Art Pepper, Gerry Mulligan and Curtis Counce.

Sheldon played the trumpet, sang, performed and was the sidekick and comedic foil on the Merv Griffin show. During the sixties he ventured further into television as an actor on such shows as Dragnet, The Girl With Something Extra, the Cara Williams Show and Run Buddy Run. He was also the voice used for “Conjunction Junction” and “I’m Just A Bill” on Schoolhouse Rock. He voice later appeared on such sitcoms as The Simpsons and Family Guy.

He has played with Jimmy Guiffre, Herb Geller, Mel Torme, Wardell Gray, Helen Humes, Gary Burton, June Christy, Rosemary Clooney and the big bands of Stan Kenton, Bill Berry, Tom Kubis and Benny Goodman.

Jack performed the trumpet solo for the theme song “The Shadow Of Your Smile” on the soundtrack of the 1965 movie, The Sandpiper, appeared in the Oscar-nominated documentary “Let’s Get Lost” about the life of fellow jazz trumpeter Chet Baker, performed a trumpet solo in the Coppola film “One From The Heart”, appeared as an ill-fated trumpeter in Radioland Murders, and is the subject of an award winning feature documentary, “Trying to Get God: The Jazz Odyssey of Jack Sheldon”. The trumpeter continued to be an active performer of the bebop and cool jazz schools until his transition on December 27, 2019.

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Daily Dose Of Jazz…

William “Billy” Hart was born November 29, 1940 in Washington, D.C. is a drummer who worked first with soul groups Sam & Dave and Otis Redding then later with locals Buck Hill and Shirley Horn. This led to work as a sideman with the Montgomery Brothers, Jimmy Smith, and Wes Montgomery prior to his death in 1968.

Hart moved to New York and started playing with Eddie Harris, Pharoah Sanders, Marian McPartland and recording with McCoy Tyner, Wayne Shorter and Zawinul. In 1969 he became a member of Herbie Hancock’s sextet followed by another stint with McCoy Tyner, then Stan Getz, Quest and Miles Davis along with extensive freelancing. In the nineties he worked with Charles Lloyd, Joe Lovano, Tom Harrell and performed with the Three Tenors – Dave Liebman, Joe Lovano and Michael Brecker.

Billy Hart is one of the most in-demand jazz drummers and educators alive and has recorded more than 500 albums as a sideman. Since the early 1990s has spent considerable time at the Oberlin Conservatory of Music, is an adjunct professor at the New England Conservatory of Music and at Western Michigan University. He conducts private lessons through The New School and New York University. He also often contributes to the Stokes Forest Music Camp and the Dworp Summer Jazz Clinic in Belgium, while leading a quartet Mark Turner, Ethan Iverson and Ben Street.

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Gigi Gryce was born George General Grice, Jr. on November 28, 1925 in Pensacola, Florida but grew up in Hartford Connecticut. He studied classical composition at the Boston Conservatory, studied with private teachers, then won a Fulbright scholarship and continued his studies in Paris.

His performing career was relatively short in comparison to other musicians of his generation, his work little known, however, several of his compositions have been covered extensively – “Minority,” “Social Call,” and “Nica’s Tempo” are frequently heard in mainstream jazz venues. Gigi’s compositional bent includes harmonic choices similar to those of Benny Golson, Tadd Dameron and Horace Silver in the contemporaneous period. Gryce’s playing, arranging, composing is consonant with the hard bop classic period was generally considered to be 1953-1965.

During the 1950s he achieved some renown for his innovative bebop playing, his primary instrument being the alto saxophone. Among the musicians with whom Gryce performed were Thelonious Monk, Tadd Dameron, Lionel Hampton, D, Howard McGhee, Clifford Brown, Art Farmer, Lee Morgan, Max Roach, Oscar Pettiford, Teddy Charles and Benny Golson. In 1955, Gryce formed the Jazz Lab Quintet, which included trumpeter Donald Byrd.

In the mid-1950s he converted to Islam and adopted the name Basheer Qusim. By the 60s he stopped using the name Gigi Gryce partly due to personal problems that took their toll on his financial and emotional state, withdrawing from performing. During this last period of his life he taught at a series of public schools in Long Island and New York City and the Community Elementary School 53 on 168th Street in the Bronx, the last school renamed the Basheer Qusim School in his honor.

Gigi Gryce, saxophonist, flautist, clarinetist, composer, arranger, educator, and big band leader died of an apparent epileptic seizure on March 14, 1983 in Pensacola, Florida.

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Wessell “Warmdaddy” Anderson was born on November 27, 1966 in Brooklyn, New York and grew up in the tough Bedford-Stuyvesant and Crown Heights neighborhoods. By 14 he was deeply immersed in jazz at the urging of his father, who was a drummer. He played alto saxophone in local clubs from his early teenage years, and studied at the Jazzmobile workshops with Frank Wess, Charles Davis and Frank Foster. He met Branford Marsalis who convinced him to study with clarinetist Alvin Batiste at Southern University in Louisiana.

Anderson began touring with the Wynton Marsalis Septet, collaborating with Marsalis through the middle of the 1990s helping to make some of the most defining music. He continued to sit in the first alto chair with the Lincoln Center Jazz Orchestra. In 1994, he signed and released his debut album, “Warmdaddy In The Garden of Swing” with Atlantic Records followed by his sophomore release “The Ways of Warmdaddy” and then “Live at the Village Vanguard”.

Over the years he develop his sound combining New Orleans jazz with the sweeping blues style of Cannonball Adderley. He has played with contemporaries Eric Reed, Irvin Mayfield, Steve Kirby, Xavier Davis, Jaz Sawyer and Ben Wolfe among others while maintaining an East Lansing, Michigan restaurant called “Gumbo & Jazz”.

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