Daily Dose Of Jazz…
Rudy Rutherford was born Elmer H. Rutherford on June 18, 1924 in Huachuca City, Arizona. He began performing in the early 1940s with Lionel Hampton and Count Basie. Initially taking Jack Washington’s place in Basie’s orchestra as a baritone saxophonist, once Washington returned from military service, he switched to alto saxophone.
1947 saw Rudy moving to Teddy Buckner’s band, though he continued working with Basie into the early 1950s. He worked with Wilbur De Paris late in the 1950s and appeared with Chuck Berry at the Newport Jazz Festival in 1958. He would record with Dicky Wells, Dinah Washington and Lurlean Hunter.
In the 1960s he worked with Buddy Tate and spent several years with Earl Hines in the mid-1970s. Saxophonist and clarinetist Rudy Rutherford, who worked with Illinois Jacquet in the 1980s and was active in performance until his death, passed away on March 31, 1995 in New York City.
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Daily Dose Of Jazz…
Gene Sedric, born Eugene Hall Cedric on June 17, 1907 in St. Louis, Missouri into a family where his father played ragtime piano. He played with Charlie Creath in his hometown and then with Fate Marable, Dewey Jackson, Ed Allen, and Julian Arthur.
Joining Sam Wooding’s Orchestra in 1925 he toured Europe with him until 1931 when the unit dissolved. During his time in Europe he recorded with Alex Hyde. When he returned to New York City he played with Fletcher Henderson and Alex Hill, before joining Fats Waller’s Rhythm in 1934, where he remained to 1942. When Waller went on solo tours Sedric found work gigging alongside Mezz Mezzrow in 1937 and Don Redman from 1938 to 1939).
Sedric put together his own group in 1943, prior to playing with Phil Moore in 1944 and Hazel Scott in 1945. He put together another ensemble from 1946–51, playing in New York City. His later associations through the late 1940s into the early 60s include time with Pat Flowers, Bobby Hackett, Jimmy McPartland, Mezzrow again, Conrad Janis, and Dick Wellstood. He recorded sparingly as a leader in 1938, 1946, and with Mezzrow in 1953.
Clarinetist and tenor saxophonist Gene Sedric, who acquired the nickname “Honey Bear” in the 1930s because of his large camel hair coat, passed away on April 3, 1963 in New York City.
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Three Wishes
The Baroness inquired of Stanley Turrentine what his three wishes would be if was to be given and his response was:
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“Health.”
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“For my children to have a chance in life.”
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“Success in my music.”
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*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Lin Halliday was born on June 16, 1936 in De Queen, Arkansas and was raised in Little Rock, where he played the saxophone and clarinet in school. After he moved to Los Angeles, California in his teens he began playing professionally, performing with saxophonist Joe Maini.
A move to New York City in 1958, Nashville, Tennessee in 1966, and Chicago, Illinois in 1980, his style was influenced by the musical cultures of all three cities. Halliday made his debut album, Delayed Exposure, for the Chicago jazz label Delmark Records in 1991. His sophomore album the same year, East of the Sun and Where or When in 1993 with saxophonist Ira Sullivan were well received by the Chicago jazz community.
He became a staple attraction at many Chicago jazz clubs including the Green Mill, the Bop Shop, Joe Segal’s Jazz Showcase, and the Get Me High Lounge. His performance on trumpeter Brad Goode’s 1998 album Shock of the New won him greater admiration with the Chicago jazz scene. Lin was also featured on the 1995 album Stablemates with Chicago saxophonist Eric Alexander.
Saxophonist Lin Halliday, who recorded five albums as a leader and one as a sideman with Cecil Payne all on Delmark, passed away on January 25, 2000.
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Daily Dose Of Jazz…
Paul Mares was born on June 15, 1900 in New Orleans, Louisiana and was self-taught on the cornet and trumpet and picked up his early experience laying the riverboat Capitol playing with the Tom Brown Band. Leaving his hometown in 1919 he moved to Chicago, Illinois and worked with Ragbaby Stevens before freelancing around the city.
In 1921 Paul formed the Friars Society Orchestra, a group that prominently featured trombonist George Brunies and clarinetist Leon Rappolo. From 1922-23, the band recorded for Gennett Records and became one of the best-regarded bands in the city. The band, which broke up in 1924, included up-and-coming jazz musicians, including the members of the Austin High School Gang and Bix Beiderbecke.
Mares who was influenced by King Oliver, played in New York for a short time, went back to New Orleans the following year and led a couple more sessions. In 1934, a move to Chicago the following year had him making a brief comeback and leading a recording session that resulted in four titles before he retired again.
By 1935 Mares he was playing trumpet and fronting a recording session with his band called Paul Mares and his Friars Society Orchestra. The name referred to the Friar’s Inn club where the Rhythm Kings had first played in Chicago. The 1935 band included the white New Orleanian and N.O.R.K. veteran Santo Pecora on trombone, the black New Orleanian Omar Simeon on clarinet and the Chicagoan altoist Boyce Brown, as well as George Wettling on drums, pianist Jess Stacey, bassist Pat Pattison, and guitarist Marvin Saxbe.
He then largely retired from playing to work in the family fur business, and the New Orleans Rhythm Kings passed into history. He ran a barbeque restaurant, did defense plant work during World War II, and returned to music in 1945, leading a final band from 1945-48 that unfortunately never recorded. Cornetist and trumpeter Paul Mares passed away on August 18, 1949 in Chicago.
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