The Jazz Voyager
Cross country flights can be tiresome when you have to fly around storms but are also very rewarding especially when a jazz concert is in store in the City by the Bay. The destination is SFJazz Center. Opened in 2013, the SFJAZZ Center is located on the corner of Franklin and Fell Streets in the heart of San Francisco’s arts district. With two performance spaces, multiple music practice rooms, a digital lab, and the B-Side restaurant and bar allows the non-profit to explore the full spectrum of jazz, from its origins in the African American and Afro Caribbean communities, to its diverse and evolving expressions around the world today.
Pianist, composer, and in-demand sideman Javier Santiago is one of the most promising voices in the international music scene. As an accomplished producer, beatmaker, arranger and educator, he has become a notable force in both the beat and hip-hop scenes as well as in the jazz world. His newest album is the 2024 release Warrior Energy. This jazz voyager is anticipating hearing this music
SFJazz Center is located at 201 Franklin Street, San Francisco, California 94102. For more information contact the venue at https://www.sfjazz.org.
Tickets: $25.00
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Daily Does of Jazz…
Jerry Rusch was born on May 8, 1943 in St. Paul, Minnesota and studied at the University of Minnesota from 1962 to 1964, then played in an Army Reserve band before moving to Los Angeles, California in 1966.
Becoming a fixture in the city he played with Gerald Wilson from 1967, Ray Charles, Clifford Jordan, Joe Henderson, Willie Bobo, Louie Bellson, Teddy Edwards, Frank Foster, and Thad Jones/Mel Lewis. In Europe he played with Joe Haider’s Orchestra from 1982 to 1984.
As a sideman he recorded extensively among his credits are work with Charles Kynard, Benny Powell, Henry Franklin, Eddie “Cleanhead” Vinson and Stan Kenton, as well as Gladys Knight, the Rolling Stones, Smokey Robinson, Diana Ross, the Temptations, and many others.
Trumpeter Jerry Rusch, who was also credited as Jerry Rush and performed in the hard bop and post bop genres, died of liver cancer in Las Vegas, Nevada on May 5, 2003 at the age of 59, three days shy of his 60th birthday.
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Daily Dose Of Jazz…
Pete Edward Jacobs was born on May 7, 1899 in Asbury Park, New Jersey. His first professional job was playing with the Musical Aces. He then joined the band of Claude Hopkins from 1926 to 1928.
Leaving Hopkins he joined Charlie Skeete for a short stint but returned to play with Hopkins from 1928 until 1938. During this ten-year tenure in Hopkins’s orchestra, Jacobs recorded extensively with the group on Brunswick Records, during 1932 to 1937.
Additionally, he appeared with the band in the short films Barbershop Blues in 1933) and By Request in 1936.
Falling ill in 1938 he hung up his drummsticks and quit the group, never returning to active performance. Drummer Pete Jacobs, who was prominent during the swing era for about a decade, died in 1952, month and day unknown.
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Jazz Poems
POEM IN WHICH I MAKE THE MISTAKE
OF COMPARING BILLIE HOLIDAY TO A
COSMIC WASHERWOMAN
We were driving back from the record store at the mall
when Terrance told me that Billie Holiday
was not a symbol for the black soul.
He said, The night is not African American either for
your information,
it is just goddamn dark,
and in the background
she was singing a song I never heard before
moving her voice like water moving
along the shore of a lake
reaching gently into the crevices, touching the pebbles
and sand.
Once through the dirty window of a train
on the outskirts of Hoboken, New Jersey,
I swear I saw a sonnet written high up in a
concrete wall,
rhymed quatrains rising from the
dyslexic alphabet of gang signs and obscenities
and Terrance said he saw a fresco
of brown and white angels flying
on a boarded-up building in Chinatown
and everybody knows
there’s a teenager genius somewhere out there,
a firebrand out of Ghana by way of Alabama,
this very minute in a warehouse loft,
rewriting Moby-Dick-The Story of the Great
Black Whale
When he burst out of the womb
of his American youth
with his dictionary and his hip-hop shovel,
when he takes his place on stage
dripping the amniotic fluid of history,
he won’t be any color we ever saw before,
and I know he’s right, Terrance is right, it’s
so obvious
But here in the past of that future,
Billie Holiday is still singing
a song so dark and slow
it seems bigger than her, it sounds very heavy
like a terrible stain soaked into the sheets,
so deep that nothing will ever get it out,
but she keeps trying,
she keeps pushing the dark syllables under the water
then pulling them up to see if they are clean
but they never are
and it makes her sad
and we are too
and it’s dark around the car and inside also is very
dark
Terrance and I can barely see each other
in the dashboard glow.
I can only imagine him right now
pointing at the radio
as if to say, Shut up and listen.
TONY HOAGLAND | 1953~2018
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Denys Justin Wright, known professionally as Denny Wright, was born on May 6, 1924 in Deptford, London, England. He grew up in Brockley with frequent forays to the Old Kent Road and the Elephant and Castle. His first instrument was the piano. His older brother was a semi-professional guitarist and soon he was trying to play his brother’s guitar. He began playing professionally before the Second World War, while at school.
A session musician for many years, he frequently acted as arranger and fixer for recording sessions. As a prolific jazz and orchestra composer Wright led many bands, from small ensembles and night club bands to orchestras. He worked with Latin American and Jamaican bands, Afro-Cubists and the Decca Records house band.
In the Forties Wright played in jazz clubs in the West End of London, doing session work, performed in bands on radio shows, and medically unfit to serve due to a childhood injury, he entertained the troops. In 1945 he started the first bebop club in London.
He went on to form several bands, tour the Soviet Union, and continued his work as a session musician, producing Tribute To The Hot Club as The Cooper-Wright Quintet. Denny gave private lessons and at London comprehensive schools, and he lectured at the Royal College of Music on the life of a session musician.
During his career he worked with Stéphane Grappelli, Lonnie Donegan, Johnny Duncan, Digby Fairweather, Ella Fitzgerald, Ken Snakehips Johnson, Billy Eckstine, Fapy Lafertin, Russ Conway, Biréli Lagrène, Humphrey Lyttelton, Marie Bryant, Nigel Kennedy, and George Shearing.
Guitarist and pianist Denny Wright, who was voted the 1980 BBC Jazz Society Musician of the Year, died on February 8, 1992.
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