Daily Dose Of Jazz…
Frank Isola was born on February 20, 1925 in Detroit, Michigan and was heavily influenced by Gene Krupa. He played in the U.S. military during World War II and then studied and performed in California with Bobby Sherwood and Earle Spencer.
Moving to New York City he played with Johnny Bothwell and Elliot Lawrence in 1947. Following this, in the Fifties Frank played with Stan Getz and Gerry Mulligan, as well as with Mose Allison, Eddie Bert, Bob Brookmeyer, Jimmy Raney, Johnny Williams and Tony Fruscella.
By the late 1950s Isola returned to Detroit and kept working periodically with local bands or in jam sessions but well out of the spotlight. He was active in the Cass Corridor area of Detroit in the 1970s playing jazz standards with pianist Bobby McDonald and others at Cobb’s Corner Bar.
He worked as a drummer briefly at Captain Hornblower’s in Key West, Florida in the late 1980s with pianist Johnny Williams. By the early Nineties, he moved back north and was playing weekly at Tom’s Steamer’s Bar in Grosse Pointe, Michigan. In 1994 and 1995 Isola played at The Windsor Jazz Festival in Ontario, Canada backing Franz Jackson and Marcus Belgrave. The 1994 concert was released on Parkwood Records as Live at Windsor Jazz Festival III with Jackson and Belgrave as co-leaders.
He recorded fourteen albums between 1954 and 1981 with Getz, Mulligan, Mose Allison, Bob Brookmeyer, Dick Garcia, Franz Jackson, Charlie Parker and Bob Szajner. Drummer Frank Isola, who never led a recording session, transitioned on December 12, 2004.
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Daily Dose Of Jazz…
Kim Reith was born on February 19, 1954 in San Diego, California. As a child, she was exposed to a large jazz, blues, folk, opera, world and ethnomusicology recording collection belonging to her music-loving mother.
In 1979 Reith made her entrée into music as a backup vocalist in an all-women’s blues and gospel chorale for San Francisco, California blues pianist, singer/songwriter and recording artist Gwen Avery. She began her instrumental career as a guitarist, singer and songwriter for an experimental SF punk-rock trio, the Well Babies. In 1985 she began studying guitar privately with San Francisco jazz guitarists Marlena Teich and Duncan James and with the Los Angeles/San Diego jazz guitarist Art Johnson, and spent many years in independent study.
1987 saw her beginning to focus exclusively on jazz studies, eventually getting her feet wet with various small San Francisco jazz bands. In 1992 she supported herself by playing solo jazz guitar on the streets of Paris, France returning to San Diego in 1993. That year, she joined acclaimed avant-garde Canadian saxophonist Maury Coles for duo explorations and performances. At the opposite end of the jazz spectrum, Kim also performed with the UCSD Big Band under Jimmie Cheatham’s direction. She formed both the duo Groove Yard and the Kim Reith Trio in 1994, performing extensively with both groups throughout San Diego between 1994 and 2000.
Reith has been composing jazz works for small and large ensembles since 1993, formally studying jazz theory, composing and arranging under Rick Helzer at SDSU. Recording her debut album BAIL! In late 1999 she documented her compositions and her ensemble work with San Diego bassist Bruce Grafrath. She has gone on to collaborate with Bronx-born Swiss resident Edmund J. Wood, on a series of experimental open improvisations, featuring Reith on hollow-body electric guitar and Wood on fretless bass and implied-time drum loops.
Guitarist Kim Reith currently composes and performs in Los Angeles, California. Unfortunately she has not posted any of her music on line.
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Daily Dose Of Jazz…
Ronald “Ronnie” Zito was born on February 17, 1939) in Utica, New York, into a musical family including his pianist brother Torrie Zito. He began playing drums at the age of 10 and at age 14 took a year and a half of formal lessons.
He has played with Woody Herman, J.R. Monterose, Frank Rosolino, Peggy Lee, Cher, Roberta Flack and Eartha Kitt. Zito was Bobby Darin’s personal drummer for four years.
Ronnie has recorded with David Pomeranz, Barry Manilow, Irene Cara, Frankie Valli, Roberta Flack, Jake Holmes, Cher, and Don McLean.
Drummer Ronnie Zito continues to perform and record.
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Daily Dose Of Jazz…
Paul Crawford was born on February 16, 1925 in Atmore, Alabama, to parents who were a Baptist minister and a music teacher. After serving in the Navy during World War II he graduated from the Eastman School of Music in Rochester, New York where he studied trombone in a classical style. He went on to study under trombonist and teacher Emory Remington, pursued for a time graduate studies at the University of Alabama. Moving to New Orleans, Louisiana in 1951 he became a specialist in the Dixieland style of Jazz.
Crawford initially took up residence in the French Quarter of New Orleans where he became acquainted with people in the local arts and music scene. He also started performing at the New Orleans Jazz Club and learned to play Dixieland. Soon after he became co-bandleader of the Crawford-Ferguson Night Owls, with Leonard Ferguson, frequently performing on the steamboat President.
He made his first recordings on trombone in 1957 with the Lakefront Loungers. During this time, Paul played the trombone on non-paying gigs, and participated in jam sessions. He performed with Sharkey Bonano and with bandleader Paul “Doc” Evans.
By the 1950s, with Deep South laws prohibiting white musicians from performing with Black musicians, jobs dried up. As these laws were struck down in the 1960s, opportunities opened up for Crawford to perform with various notable Black jazz musicians in New Orleans. In 1964, Crawford was approached by Allan Jaffe, who was the owner of Preservation Hall, about performing at the Preservation Hall venue. With Punch Miller, he became a part of the Preservation Hall Jazz Band.
Shortly thereafter, he became a part of the Olympia Brass Band, marched in many New Orleans Jazz Funerals and often performed with the baritone horn. He was a founding member of the New Orleans Ragtime Orchestra. As a member of this group and others, he helped make the soundtrack for the movies “Pretty Baby” and “Live and Let Die”, as well as many other recording sessions. Crawford played the baritone horn in many performances of the musical “One Mo’ Time”.
Crawford was an associate curator at the Tulane University Hogan Jazz Archive. As curator, conducted numerous interviews for an oral history of jazz, and resurrected many forgotten pieces of jazz music and developed arrangements of them. He also developed a significant number of photos of jazz musicians and performances, in a private collection.
Trombonist, baritone hornist, arranger and music historian Paul Crawford, who specialized in Dixieland jazz, transitioned on July 31, 1996 of lung cancer. He had been living in a New Orleans skilled nursing facility at the time.
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Daily Dose Of Jazz…
Csaba Deseo was born February 15, 1939 in Budapest, Hungary. His mother was a violin teacher and he began playing the instrument at the age of 10. He continued his musical education at Béla Bartók Conservatory in Budapest, and got his diploma in 1961. He taught in music schools until 1967 when he became a member of the Hungarian National Philharmonic Orchestra, where he played until 1999. During the time he played innumerable concerts in Hungary and in many countries of the world from Japan to the United States. He performed with artists like Sir Georg Solti, Leonard Bernstein, Ádám Fischer, and Yehudi Menuhin, to name a few.
His career took off in 1963 when he appeared with his first group at the legendary Dalia Club in his hometown. From 1964 they gave regular concerts and were frequently featured on Hungarian Radio and TV. He would play at festivals and jamborees in the Sixties, then recorded his debut album under his own name Four String Tschaba in 1975 for MPS Records in West Germany. In that session Deseo played both violin and viola, and he would go on to record 4 LPs and 6 CDs with Hungarian and foreign musicians.
1975 saw Csaba meeting Zagreb vibraphonist Bosko Petrovic, with whom he played regularly until 2011. He also appears as a guest star in Germany, where he usually solos with the group of Walter Kurowski.
Since 1980 Deseo has fronted bands with different line-ups. His more important partners were pianist Laszlo Gardony, vibraphonist Richard Kruza, guitarist Andor Kovacs, bassist Bela Lattmann and drummer Imre Koszegi. Since 1990 he’s been working mainly in a trio and is a regular guest artist at the concerts of the Benko Dixieland Band and the Budapest Ragtime Band.
During the past few decades he has also played with international stars and is a regular contributor to the specialist Hungarian music magazine, Gramofon ~ Classical and Jazz. Violinist Csaba Deseo continues to perform and record.
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