Daily Dose Of Jazz…
Bobby Few was born October 21, 1935 in Cleveland, Ohio and grew up in the Fairfax neighborhood of the city’s East Side. His mother encouraged him to study classical piano, later discovering jazz listening to his father’s Jazz at the Philharmonic records. His father became his first booking agent and soon he was gigging around the greater Cleveland area with other local musicians including Bill Hardman, Bob Cunningham, Cevera Jefferies, and Frank Wright.
Exposed to Tadd Dameron and Benny Bailey as a youth and knew Albert Ayler, with whom he played in high school. As a young man, Bobby gigged with local tenor legend Tony “Big T” Lovano, Joe Lovano’s father. The late 1950s had him relocating to New York City, where he led a trio from 1958 to 1964; there, he met and began working with Brook Benton, Rahsaan Roland Kirk, Jackie McLean, Joe Henderson and Ayler. Playing on several of Ayler’s albums, he also recorded with Alan Silva, Noah Howard, Muhammad Ali, Booker Ervin, and Kali Fasteau.
In 1969 he moved to France and rapidly integrated the expatriate jazz community, working frequently with Archie Shepp, Sunny Murray, Steve Lacy, and Rasul Siddik. Since 2001, he has toured internationally with American saxophonist Avram Fefer, with whom he recorded four critically acclaimed CDs. He plays extensively around Europe and continues to make regular trips back to the United States. Recently, Few has played with saxophonist Charles Gayle and leads his own trio in Paris. He is currently working on a Booker Ervin tribute project called Few’s Blues that features tenor player Tony Lakatos, bassist Reggie Johnson and drummer Doug Sides.
As a leader and co~leader, he recorded eighteen albums and fifty as a sideman. Pianist and vocalist Bobby Few, whose playing style has been described as delicate single-note melodies, roll out lush romantic chords, and rap out explicitly Monkish close-interval clanks, continued to perform and record until he passed away on January 6, 2021 at age 85.
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Daily Dose Of Jazz…
Bill Chase was born William Edward Chiaiese in Squantum, Massachusetts on October 20, 1934 His parents changed their name to Chase because they thought Chiaiese was difficult to pronounce. His father played trumpet in the Gillette Marching Band and encouraged his son’s musical interests, which included violin and drums. In his mid-teens, he settled on trumpet and attended his first Stan Kenton concert, which included trumpeters Conte Candoli and Maynard Ferguson.
After high school, he studied classical trumpet at the New England Conservatory but switched to the Schillinger House of Music, now Berklee College of Music. His instructors included Herb Pomeroy and Armando Ghitalla. By 1958 he was playing lead trumpet with Maynard Ferguson, Stan Kenton in 1959, and Woody Herman’s Thundering Herd during the 1960s.
One of Chase’s charts from this period, Camel Walk, was published in the 1963 Downbeat magazine yearbook. From 1966 to 1970 he freelanced in Las Vegas, Nevada working with Vic Damone and Tommy Vig. 1967 saw him leading a six~piece band at the Dunes and Riviera Hotel where he was featured in the Frederick Apcar lounge production of Vive Les Girls, for which Chase arranged the music.
In 1971 he started a jazz~rock band that mixed pop, rock, blues, and four trumpets. The debut album Chase was released in 1971 where he was joined by Ted Piercefield, Alan Ware, and Jerry Van Blair, three jazz trumpeters who were adept at vocals and arranging. The album contains Chase’s most popular song, Get It On, which garnered them a Best New Artist Grammy nomination.
For the next three years, he released two more and was working on a fourth when Chase’s work on a fourth studio album when en route to a scheduled performance at the Jackson County Fair, trumpeter and bandleader Bill Chase passed away at the age of 39 on August 9, 1974 along with the pilot, co-pilot, keyboardist Wally Yohn, guitarist John Emma, and drummer Walter Clark in the crash of a chartered twin-engine Piper Twin Comanche in Jackson, Minnesota.
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Daily Dose Of Jazz…
Masabumi Kikuchi was born on October 19, 1939 in Tokyo, Japan and lived his early life in World War II and post-war country. He studied piano and music at the Tokyo Art College High School. After graduating, he joined Lionel Hampton’s Japanese touring band.
Known for his eclectic music that ranges from vanguard classical to fusion and digital music. Not only working with Hampton, but he also performed with Sonny Rollins, Woody Herman, Mal Waldron, Joe Henderson, McCoy Tyner, Gil Evans, Elvin Jones, Miles Davis, Gary Peacock, Paul Motian, Billy Harper, and Hannibal Peterson.
As a leader and co~leader, he recorded twenty-five albums, and as a sideman or member of other groups, he recorded twenty~eight albums. Pianist and composer Masabumi Kikuchi passed away from a subdural hematoma on July 6, 2015 at a hospital in Manhasset, New York.
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Daily Dose Of Jazz…
Robert William Troup Jr. was born on October 18, 1918 in Harrisburg, Pennsylvania. Graduating from The Hill School in 1937, he went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. His earliest musical success came in 1941 with the song Daddy and Sammy Kaye and His Orchestra recorded it sending it to #1 for eight weeks on the Billboard chart and #5 record of 1941.
After graduating from college in 1941, he enlisted in the United States Marine Corps, completed officer training, and was assigned to recruit the first Black Marines at Montford Point. While there, he organized the first Negro band of U.S. Marines. During this time he composed Take Me Away From Jacksonville, which became an anthem of sorts for the Marines at Montford Point and other areas of Camp Lejeune. In 1942, his song Snootie Little Cutie was recorded by Frank Sinatra and Connie Haines with the Tommy Dorsey Orchestra and the Pied Pipers.
In 1946, Nat King Cole had a hit with Troup’s most popular song, Route 66. Troup’s fifteen albums in the 1950s and 1960s were not commercially successful, recording for Liberty and Capitol. He composed the music for the instrumental version of his song The Meaning of the Blues that appeared on the Miles Davis album Miles Ahead.
While relying on songwriting royalties, Bobby worked as an actor, appearing in Bop Girl Goes Calypso, The High Cost of Loving, The Five Pennies, and playing musician Tommy Dorsey in the film The Gene Krupa Story. He also appeared on several television shows in the Sixties. It was during this time that he met Julie London, encouraged her to pursue her singing career, and in 1955 produced her million-selling hit record Cry Me a River. Four years later, London married Troup. On February 7, 1999, pianist, singer, songwriter and actor Bobby Troup passed away of a heart attack in the Los Angeles, California neighborhood of Sherman Oaks.
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Daily Dose Of Jazz…
Luiz Floriano Bonfá was born on October 17, 1922 in Rio de Janeiro, Brazil. He studied with Uruguayan classical guitarist Isaías Sávio from the age of 11 and these weekly lessons entailed a long, harsh commute by train, 2 1/2 hours one way and on foot from his family home in Santa Cruz. Given his extraordinary dedication and talent for the guitar, Sávio excused the youngster’s inability to pay for his lessons.
He first gained widespread exposure in Brazil in 1947 when he was featured on Rio’s Rádio Nacional, then an important showcase for up-and-coming talent. In the late 1940s Bonfá was a member of the vocal group Quitandinha Serenaders. Some of his earliest compositions such as Ranchinho de Palha, O Vento Não Sabe, were recorded and performed by Brazilian crooner Dick Farney in the 1950s and his first hit song was De Cigarro em Cigarro recorded by Nora Ney in 1957.
Farney introduced Luiz to Antônio Carlos Jobim and Vinicius de Moraes, the leading songwriting team behind the worldwide explosion of Bossa Nova. He collaborated with them on de Moraes’ anthological play Orfeu da Conceição, which several years later gave origin to Marcel Camus’ film Black Orpheus. For the film he wrote Samba de Orfeu and Manhã de Carnaval, the latter of which Carl Sigman wrote English lyrics and titled the song A Day in the Life of a Fool, which has been among the top ten standards played worldwide, according to The Guinness Book of World Records.
As a composer and performer, Bonfá was at heart an exponent of the bold, lyrical, lushly orchestrated, and emotionally charged samba-canção style that became a highly visible ambassador of Brazilian music in the United States beginning with the famous November 1962 Bossa Nova concert at New York’s Carnegie Hall.
Bonfá worked with American musicians such as Quincy Jones, George Benson, Stan Getz, and Frank Sinatra, recording several albums while in U.S. Also of note is his “The Gentle Rain”, with lyrics by Matt Dubey, and “Sambolero”.
Composer and guitarist Luiz Bonfá, who recorded some five dozen albums, passed away from prostate cancer at 78 in Rio de Janeiro on January 12, 2001.
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